Posts in the Blog Category
Around Campus, Blog, Blog feature, From the Editors »
by Elizabeth McCune
Everyone has that book they wish they could re-read for the first time again. As we go through college, all too often we forget to let our hearts rest and let the fiction of literature re-captivate our imaginations. For me, my favorite book and one that I wish I could weep over and jump up and down for all over again is Cloud Atlas by David Mitchell. The stories are so rich and filling, captivating every crevice of my imagination. It has been the only book I have ever read that sincerely had me crying, laughing, shouting at the pages as if they were television characters I could somehow protect from the murderer in the closet. My heart swelled and it was an emotional three-day journey that took me through centuries and millennia.
As I thought about what to write for my first blog post for Leland Quarterly, I polled a couple of my peers, asking them about a book they wish they could re-experience for the first time again. These were their responses:
Their Eyes were Watching God. “It resonated with me, its humanism, I connected with Janie coming out of her shell.”
Tess of the d’Urbervilles. “It’s so beautiful and dramatic, it twisted at every turn.”
The Giver. “I read it when I was so young, so I didn’t understand it that well. It makes you wonder if that is what is (currently) happening to us.”
Harry Potter. “I would love to experience it originally again, and it is the only series I have ever bothered to re-read.”
Where the Wild Things Are “I remember reading it with my elementary school friends, and in class maybe, but [the story] reminds me of all the crazy shit we did back in high school, and thinking about that stuff, it was fucking hilarious. We were fucking creative [as kids].”
Saturday I finished my first Steinbeck—Cannery Row—the first book I’ve read outside of any class. More than the story, I would love to experience that feeling of rest again, when each page felt like a treat, a reward. I loved that reading was once again something I did to enrich my life, rather than a chore or merely another aspect of work.
Tags: Elizabeth McCune
Around Campus, Blog, Blog feature »
by Peri Unver
I wake up after open-knee surgery and realize I had been dreaming. In the dream I was running, not towards something but just for the hell of it. It seemed like a sign, as I haven’t been able to walk in a few years, let alone run. Somewhere I feel the shadow of a twitch in my legs that awakens a dull ache and then a sharp pain. It subsides to a throb and the hollow feeling not unlike the one I get after seeing a film or finishing a book that stays with me for days after.
Far off in the distance I hear the nurse telling me to drink, and I slurp some apple juice from a flimsy straw. My throat is no longer raw but I dare not open my eyes. It’s better to sleep; maybe if I sleep I can disappear.
My cartilage donor was 22, the same age as me. My surgeon told me she died in a motorcycle accident, shaking his head disapprovingly. But she was brave. I would never even dream of sitting on a motorcycle, let alone riding one. She risked it all and I am always afraid. Are they supposed to tell you that much about your donor? I doubted it.
I spent six months on the transplant list waiting for her, for anyone, to die. It’s funny that I am the one who received a chance to walk, to return to normalcy, in return.
And I try and block out everything but the darkness starts to cover me, creeping up from my feet, and I can’t breathe. It hurts. What number on the pain scale? I remember all the times I was asked and struggled for an answer. The kind of pain where you want to curl up into a ball and sink into the earth, be swallowed whole.
* * *
It is strange to think of the way I was living two years ago, before the hope of my cartilage transplant surgery and before I even knew what was wrong. I did not know I had a cartilage disorder called chondropenia, a form of chondromalacia, softening cartilage and causing it to flake away, making walking extremely painful and severely limiting all mobility. All I knew was the sharp pain of bone on bone, feeling like I could reach in and cup the pain in the palm of my hand, containing it.
I think of one day in particular two years ago, no different from any other day really, but almost a representation of all the days combined. The pain in my knee is like an alarm, starting around 5 or 6 am, but I push it back as if I was holding in a full bladder and dreaming of waterfalls. My eyelashes stick together and my eyelids are stubborn, as though they may never open again. I wake only because I hear a sound that starts as a rumble and crescendos into what sounds like an extended meow from a tone-deaf cat.
I open my eyes to see a pair of honey-colored ones staring back at me. Then the honey eyes become part of a whole, a fuzzy being with one floppy ear and red fur like a fox. My dog Pilgrim’s mouth opens into a smile and his tail begins to wag as he sees he was successful in waking me. He nudges my dangling hand with his head so I can pet him. Sometimes I fall back asleep while I lazily pet the top of his head, but today I am awake. I move like a stuffed scarecrow, my right leg dead weight. I sit upright, shifting my left leg to the edge of the bed. I lift my right leg with both hands and gingerly place it next to my left leg. I am out of breath but I place my left leg firmly on the floor. I grab the two crutches at the foot of the bed and stand up leaning on my left foot, my right leg at a 90 degree angle tucked underneath me, careful never to touch the ground with my right foot. I hop along on my left foot and crutches until I am out of my room, an alternating artificial footstep and heavy thud.
I have taken over the whole first floor; my room is next to a guest bathroom and the family room, which leads to an open kitchen and the hallway that ends in the front door. My father built a ramp for the backyard and front-yard, and I think my parents secretly hoped doing so would propel a desire in me to go outside. Usually, I stop at the couch in the family room and land there in front of the TV, my safe spot. Usually, my father would come in and ask me if I was watching what my eyes were currently glued to. That was a signal to turn over the remote, and then either CNN or any sport would play until my mother gave him a look and he turned the remote back over to me, like a dysfunctional tug of war. Watching The Real Housewives or Girls with my father is perhaps one of the strangest experiences I have had.
Today, though, I continue along until I reach the kitchen and sit down, not without some trouble or awkwardness, on one of the chairs. Pilgrim trots along beside me but stays out of the way. I glance at the neon numbers, 6:30. The house is still but I know my mother will wake up soon. I want to eat cereal but this proves tricky with no hands. Pilgrim is still staring up at me expectantly, wanting food. He and I are like Pez machines, needing to be refilled every couple of hours.
As I sit back down I realize I smell like Fritos Corn Chips. It’s become a strange fascination, to see how long I can go without showering. After my first surgery I went a week because the nurses told me I couldn’t shower but now I just don’t out of laziness. It’s also a hassle that most often doesn’t seem worth the trouble. A geriatric white plastic chair awaits me in the bathtub. I need help to sit and then put my legs in. For weeks after the first surgery my mother covered my knee in Saran wrap, afraid that I would get an infection and that the outside wounds hadn’t healed yet. My knee looked like a piece of raw meat in the freezer aisle, reaching its expiration date. I hear movement upstairs, and then I hear hurried footsteps down the stairs before I see my mother, who is carefully dressed in a white button-up shirt and black trousers. My father has already left for work. She asks me what I’m doing not dressed and I pat the back of my head to find a bird’s nest of knots. I just stare at her and wonder what could be so important to get dressed for. We’re not going to see my surgeon from what I can remember.
My mother then tells me we’re going on a drive along the Pacific Coast Highway and we’ll stop and get lunch at Huntington Beach. Pilgrim begins making purring noises when my mom takes out his leash, knowing he’s going somewhere. I don’t move from where I’m sitting. My mom gives me a look like I don’t have a choice and I wonder how she thinks we can get away from everything when the problem is firmly attached to me. Soon enough we’re in the car, though, with my wheelchair in the trunk and Pilgrim in the back seat on his hind legs looking out the window. My mom turns on the radio and starts humming along as Pilgrim smiles with the wind whipping his fur. I give in and open my window with the ocean a glittering blur passing me by. It’s tricky but once I’m seated in my wheelchair we decide to eat at Johnny Rockets. We sit outside so Pilgrim can sit with us.
My mom falls into a pattern–one French fry for her, one for Pilgrim–as I watch them and eat my cheeseburger. Then, without thought or warning, one tear breaks loose and gives way to a never-ending stream. I think back over the time passed by, the unsuccessful surgeries and the endless surgeons, mounds of Vicodin, hours of rehabilitation, the pain like knives sticking into my knee. I think back to the moment when I could not even tie my own shoe. I think about how all of this came out of nowhere and how it will be something I have to manage my whole life. I cry for all that I feel I’ve lost, and it feels like a relief. My mom looks sad and Pilgrim is staring at me, but then I do the strangest thing. I smile and a laugh escapes me. Pretty soon I can’t stop giggling and then my mom looks concerned.
Pilgrim never jumps up on me, I suspect because he senses something strange about the girl with wheels in place of legs (when I’m in a wheelchair) and four legs at home (when I’m on crutches). Now, though, he comes and licks my right leg and sits, looking up at me. My mom and I are so surprised that we both start half-laughing and half-crying. On the drive back home I realize I feel more like myself than I have felt in a long, long time. In the car I watch Pilgrim as he stands on his hind legs, wobbly on the car seat, to put his head out the window and feel the wind on his face.Tags: Peri Unver
Around Campus, Blog, Blog feature, Creative Writing, Poetry »
by Jen Ehrlich
The Farm loomed high and bright upon my dreams
Hope grew within my heart, of school I wished
Thoughts of renown from which I knew it gleamed
If take me in I would truly exist
The Farm could give the life I’d lost again
Could grant the truth of me and shame let fly
The years of doubt, of hate, of waste, of pain
Letter to me all this it bid goodbye
But still the pain it clung, it grabbed, it came
Beneath shadow of great homesick and loss
Though no voices ever did shout or blame
Upon my breast quiet I bear the cross
Of love so strong they gave all wealth for me
To live and dare pretend normal to beTags: Jen Ehrlich
Blog, Blog feature »
by Lilian Kong
Concrete walls, croquette court, cicadas.
My bare feet stumble on the sidewalk that is laced with broken glass, and sharpness shoots through my heel into my chest. Vision blurs. I look down at my feet and there is no more glass. The ground below is so smooth that my pain vanishes, almost out of shame. I walk on.
Suddenly, my mother is behind me, her curled hair a bush of frenzy – “We are going to miss our plane we are going to miss our plane” so I sprint as fast as I can, letting my sharp breaths turn the air burgundy, like exhaling wine smears over the pristine apartment complexes. I am lost in this perfect geometry of ninety-degree windows, parallel doors. My eyes glaze over but refocus like a camera lens. They swivel around to the apartment building closest to the main gate, counting first floor, second floor, furthest window to the left. My eyebrows furrow together until they are sore. The dark emptiness of that window reaches toward me and hollows out my eyes, two abysses even the burgundy sunlight refuses to peer into.
I don’t know what I am looking for but I can’t find it either. I just turn around and around and at times see corners of my mother’s curled hair yelling plane plane plane and all I can do is start sprinting again. I think of the garden in the back of the apartment buildings, so I run towards that direction, every movement instinctive.
My legs give out without warning. I collapse, but
I open my eyes, and realize I am standing in the middle of the garden, leaving me proud that I made it here after all. The garden has turned into concrete as well, grey and stiff, but I don’t think much of it – I hit my toe hard on a concrete tree stump but the pain goes straight to my heart.
No one is here. I haven’t found. The burgundy not smeared in the air now but raining down onto the concrete garden and this sense of dying, not gunshot fast but spread-out, three hundred sixty five days. I need so much and I don’t know what I need but I need it. So much.
The concrete flowers and weeds start to melt into the concrete dirt until everything is flat concrete surface. I need so much until all the so much boils into more red pouring down, scrambling like fire ants into a tiny space in the middle of the surface. I crouch down, eyeing this small circle of red, of so much. I wait to pounce.
Red molds to brown. Brown simmers to black. Black opens up like an embrace, expands like paint in water, stretches, stretches. Rectangle window. My pupils shrink. First floor, second floor, furthest window to the left, and just as I expect, his oily tuft of black hair shoots out from the opening in the concrete floor. I pounce into the darkness of that rectangle, and at first I feel the joy of skin, of coarse fingernails that I need so much, but then, again, emptiness. Surrounded by an emptiness even sunlight refuses to touch.
I open my eyes, and squeeze them shut as the smell of body sweat invades my nostrils. My mother’s curled hair at the top corner of my eye screams “to the train station, shifu”. I remove my cheek from the passenger side window and rub my jaw, gazing out the window as we approach the main gate of the apartment complex.
“Mom, isn’t the train station in the opposite direction?” A loud thumping in my left temple starts, irritating me. My mother looks straight ahead. The taxi driver beeps his horn at the sea of people walking by, some stopping casually in the middle of the road to listen to a peddler brag about his cucumbers. The sky is a bit red, which is weird, because Nanjing skies are usually light grey, with at most a tinge of blue. So I sit in my seat, with a thumping in my temples, contemplating the color of the sky as we struggle with the pedestrians scattering around like chickens on the street.
Then, a black t-shirt, an oily tuft of hair.
He walks straight past my car window. There is a single bead of sweat on his nose. The thumping turns into screeches. My mother does not react. I look down desperately and see my own mouth wide open, my throat constricting. I cannot stop my screeching. I listen to myself until the screaming gradually civilizes into bursts of “shifu, stop” and “let me out” and “so, so much”. The taxi driver turns his head precisely 20 degrees in my direction and says with restrained politeness, “it is not convenient miss.”
And I scream out two words, over and over and over, until my brain realizes it’s your name I am screaming, so I scream even louder, my jagged breath fogging up the window, fogging up the image of you walking calmly ahead of the taxi in your black t-shirt. The driver turns his head 45 degrees now and says a little louder, articulating all the syllables: “not (he pauses here) con-ven-i-ent.” My mother has disappeared. It’s just me writhing behind the obnoxiously polite taxi driver. My voice cracks in the middle of yelling your name, and with that crack, all of the pedestrians are gone.
A taxi in the middle of a deserted street, going nowhere. The shops were empty, just rooms with objects in them, waiting for their owners to come back, to give purpose to their existence.
I know now who I was looking for in that concrete garden and I saw his face, but now he is gone again, only his essence remains, sad, like bits of a corpse in my mind. The taxi driver accelerates down the street, and I glue my eyes to his window on the second floor of the apartment complex that’s facing the main gate as we drove away. And it was not a racecar-style driving away, but a slow pulling, three hundred sixty five days slow, maybe more.
I opened my eyes to the gray blankets of my bed. It was dark inside my room. My alarm blazed out 5:30AM. Jet lag still hadn’t shown mercy. I processed the time in my head. Right now, in China, I’d be eating dinner with my grandparents. Three days ago, right now, I was an ocean away, eating dinner with my grandparents, thinking that three days later, I’d be an ocean away, in bed waking up due to jet lag. And three hundred sixty five days later, I’d be back in China, eating dinner, at this exact time.
I stretched my limbs sluggishly. I licked my rough lips. My feet struck the floor with a hollow thump that echoed all the way from my toes to the tips of my hair. Every step was cold on the wooden floor as I trudged down the stairs. I felt lonely in its geometry – five steps down, ninety degrees to the left, three steps down, 45 degrees to the left, and seven hollow-sounding steps down to the first floor. I could still smell the sweat from that taxi. I could feel his fingernails grazing on my forearm and even tried reaching out my arms in front of me in some form of inspection, hoping for something to have happened, like scratches, maybe a little bruise, a leftover mark of physical contact. There was nothing. I exhaled deeply, took out two eggs from the fridge along with a carton of almond milk, half empty, of course, at this point in my life, it’s never half goddamn full. I plopped the carton down on the kitchen counter. I delicately placed the eggs to lean like fat hamsters against the sturdy carton. Rays of sun peeked over the counter to settle onto my forehead, so I shuffled to the window and pulled down the Venetian blinds. There was no place for sunlight here. In China, it would already be dark now anyways. I glanced at the clock. 6AM. In China, I’d be –
A familiar shadow flickered across my mind. My throat constricted on impulse. In China, he’d pick me up by now.
He picks me up on a Thursday at 6PM, and after I get off the bus stop, he is waiting for me like a little schoolboy, head perched innocently to its side, shoulder bones sticking out of his black t-shirt, and it’s funny how I’d planned on telling him how he should wash his hair more often, especially when coming to pick me up, but instead I gather up all my courage only to give a soft nod. He takes out a worn plastic bag with two little bookmarks to give me because this is the last time and he does not want me to forget. I find that funny. He thinks he is just a stain in my life that 15 hours in the sky will rub away.
I wanted to say his name really bad, let the two characters flutter into the dim kitchen, uncontaminated by the sunlight outside, just because I haven’t said it in such a long time, because I needed it so much right now, so much. Thumping started in my left temple. I held his name on my tongue, forcefully, almost choking on it before swallowing it back into me. I watched my fingers snatch up an egg, roll it around the palm of my hand, crack it open into the frying pan. With that crack, that sizzle, and the thumping of my temples, 6:01 passed by. 6:02. I stared at the egg in the pan. By 6:07 I was stuffing oiled yolk into my mouth.
I tasted nothing. It was beautiful. The almond milk tasted like chalk water and so I guzzled it down.
I filled my stomach with liquid nothingness.
I chewed on the last bit of egg white, then I
Swallow. What a grimy aftertaste. I thought about washing the plate, or maybe at least place it in the dishwasher. I stood there looking at it. What beautiful porcelain, tarnished by the drying egg yolk and grease. I dropped the plate in the sink, rested my hand on the faucet for a second or two, then went back up the stairs. The bedroom smelled like a soiled grave.
I climbed into my sheets, and retreated once more into his shadows.
Tags: Lilian Kong
Blog, Blog feature, From the Editors »
by Grace Kearney
There is a list of colors we cannot wear, and for each prohibited color a reason we can vaguely understand. Orange, of course, belongs to the inmates, though only the highest-risk among them actually wear the conspicuous jumpsuit. (You can’t count on a murderer for fancy clothes style.) Most of the others wear blue jeans. Tan and forest green are reserved for the guards, and anything with the number five is strictly off limits. Red, despite its gang associations, does not appear on the list—but then, chances of a white girl from Stanford being mistaken for a Blood are slim no matter what she wears.
Having realized twelve hours earlier that I own nothing but blue jeans, I stand before the gates of San Quentin State Prison already uncomfortable in clothes that are not my own. My petite roommate’s rust-colored corduroys graciously attempt to fit my six-foot frame, but even my baggiest sweatshirt cannot cover the places where they pinch and squeeze. I pass anyhow through various layers of security, bending and outstretching and nodding to guards whose indifference allows me to breathe.
Let me pause here to provide the disappointing explanation that the journey into this heart of darkness is nothing more than a school field trip—within hours, my classmates and I will be back on the bus with our boxed lunches and clean records and San Quentin receding quietly in the rearview mirror. We will soon be embarking upon a three-week collaboration with students at a nearby juvenile hall, and what serves as the final destination for an unfortunate majority of them seems an appropriate place to start. Surprisingly, groups like ours are not infrequent in the halls of the state prison; tours are available three days a week for the sadistic masses or merely curious local residents. For thirty dollars a head, a glimpse of the lives that pass here.
Just around the corner of the first brick building, a sprawling cement blacktop comes into view. In the shade of the massive prison, men shoot basketballs at netless rims or lean on broken picnic tables. This is why I haven’t seen any black people in California. The disproportionate amount of space black men occupy in this hidden adult playground compared to the rest of America is striking. (In terms of population, not physical space. We later find out each man’s cage is smaller than what could legally house a dog.) From a purely statistical perspective, isn’t this proof that imprisonment is not the result of immorality? Our next stop is a sweating factory room with dozens of sweating men, each adding one piece to a chair as it gets passed along. My increasingly bitter internal monologue leaves me silent. Has all the cotton already been picked already? No one hurries forward to explain that it is not slave labor. With the air of a magician opening his hands to reveal a transformed object, our tour guide presents six men standing in blue, hands folded peacefully in plain sight, smiling toothlessly as they offer to answer our questions “from the inside.” I narrow my eyes in suspicion. You are the same six every visitor sees.
That afternoon exists in my mind now as the series of frozen scenes I have just described. But one moment still exists in real time for me. We have left the warehouse and crossed the dining hall, and through a set of double doors we enter death row. Death rows, to be more precise. Death warehouse. The men on the ground floor are milling around, presumably on a closely monitored break, and the occupants of the second and third floors peer down from behind their bars as we walk by. There is no correct facial expression to wear now and I want to hide my entire body. Walking feels like strutting and curiosity feels like an invasion of privacy, but nothing fuels the prison industrial complex like another pair of averted eyes. As I walk by the water fountain, someone calls out to me. I do not hear what they say, but the next moment a chaperone pulls me aside and tells me my clothing is causing a disturbance. Too tight, she scolds me, as if I am deliberately seeking male attention at San Quentin State Prison. I nod, and explain about my tiny roommate and her tiny roommate clothing, and as soon as she turns away I feel tears springing uninvited into my eyes. Why am I being accused of promiscuity, and the prisoner not accused of harassment? Then the lump forms in my throat, I know that I am crying for entirely the wrong reasons, and I hate myself for it. My hiccups become unbearably audible, attracting the attention of inmates and classmates alike. The former, who have seen enough tears in their lives to know how useless they are, are surprisingly sympathetic; my classmates look uncomfortable. Afterwards, I am remembered as the one whose humanity was so great as to weep at the prison’s misery. The conditions were horrifying, and the internal monologue buzzed loudly in my head, but I would be lying to myself if I didn’t admit that nothing moved me to tears until my own pride was wounded.
More than a year has passed since that afternoon, and I have not forgiven myself for that moment of vanity. But because in that moment I experienced the tiniest slice of what the men of San Quentin experience every day, I do not try to forget it. The humiliation of being punished for a rule I was set up to break, the burn of judgment that went through my skin, the relentless feeling of exposure and the inability to hide, the desperate wish to go home, and the list of colors not to wear. San Quentin State Prison wishes you a pleasant journey home.
Tags: Grace Kearney