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	<title>Leland Quarterly &#187; Fiction</title>
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	<link>http://lelandquarterly.com</link>
	<description>Stanford&#039;s undergraduate literary and general interest magazine</description>
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		<title>The Rattlesnake</title>
		<link>http://lelandquarterly.com/2010/05/23/the-rattlesnake/</link>
		<comments>http://lelandquarterly.com/2010/05/23/the-rattlesnake/#comments</comments>
		<pubDate>Sun, 23 May 2010 07:20:19 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=947</guid>
		<description><![CDATA[<i>by Eric Karpas</i><hr />The spider struggled silently to construct its web between the rotting oak of the porch floor and the sagging cloth of the dusty hammock.]]></description>
			<content:encoded><![CDATA[<p>The spider struggled silently to construct its web between the rotting oak of the porch floor and the sagging cloth of the dusty hammock.  Albert Samson, chewing on a dry wheat stem, sat on his rickety plastic folding chair. Each day Albert Samson would sit on his porch on this chair from exactly twelve thirty in the afternoon to exactly three twenty-seven.  Albert had a natural predisposition towards afternoon sunlight, but his dermatologist told him that the sun was bad for his health.</p>
<p>“It will give you skin cancer,” said Doctor Blank.</p>
<p>“I don’t want skin cancer,” said Albert Samson.</p>
<p>“So don’t go in the sun,” said Doctor Blank.</p>
<p>“I like the sun,” Said Albert Samson.</p>
<p>“Do you like cancer?  Do you like chemotherapy?  Do you like death?  Stay out of the sun.”</p>
<p>“What if I sit in the sun for an hour a day?”</p>
<p>“Well, there’s no specific amount of time, you know, that determines whether or not you actually get the disease…”</p>
<p>“What about two hours?”</p>
<p>Dr. Blank’s tongue flailed about in his mouth as he ransacked his mind searching for a simple way to explain the unpredictability of cancer to Albert.</p>
<p>“What if I go in the sun for three hours?”</p>
<p>“Don’t go in the sun.”</p>
<p>Thus, Albert Samson only sat in the sun for two hours and fifty-seven minutes each day.</p>
<p>Albert Samson’s house had been infested with spiders for a while now.  He had always thought them a disgusting nuisance, but they usually kept to themselves so it was relatively easy for him to ignore them.  He was pretty sure that the majority of them hid in the attic, where he disliked going anyway.  Because of this, Albert Samson was easily able to live his life separately from the spiders.  Today, however, one of these spiders had crawled down from its attic haunt and invaded Albert Samson’s sacred space.  Rather than bat it away with the swift flick of his finger, though, Albert Samson did something that he hadn’t done in a long time.</p>
<p>He watched the spider.  It fiddled about trying to construct its web, secreting the silk as carefully as possible to build a network so intricate and so perfect that it could sit contented in its center for the rest of its life, growing fat on flies and sunlight and not worrying about the cancerous effects of ultraviolet radiation.</p>
<p>When Albert Samson sat on his porch he read sometimes.  Usually it was the newspaper, but sometimes he would bring out a play to read.  In the previous April he had read The Death of a Salesman, and the January before that he read A Doll’s House.  He never had the patience to read an entire book.  Three years ago he attempted to read Walden, but after reading the first five chapters he had to put it down.  He felt that novels, especially ones with literary merit, weighed him down.</p>
<p>When he wasn’t reading he would watch the landscape of the desert.  He would watch the lizards scuttle across the road.  He would watch the rattlesnakes slither towards the sun, which straddled the horizon line.  The rattlesnakes would always go towards that horizon, but Albert Samson never knew if they reached it or not.  They never came back to tell him.</p>
<p>He watched the spider.  The light easterly wind detached one of the web’s strands.  The spider, sensing a threat to the web, rushed to the spot of detachment and patched up the wound.  Albert Samson thought that the patch was not as pretty as the original strand had been, but it served its duty and kept the web aloft.  The spider returned to where it had been previously working.</p>
<p>It is Saturday, and Albert is invincible.  He is still lying in the endzone, clutching the football, soaking in the stadium lights and the babble of the exiting crowd, when his coach tells him that he is unstoppable, his parents tell him that he is their life’s pride, and his friends tell him that it is time to get drunk.  That night he conquers the castles of Ashley, Laura, and Evangeline, three fair maidens who are all thankful to have surrendered to the most heroic of the West Desert High Rattlesnakes. It happens the next Saturday too.  Each Saturday, he is presented with the charms of three lovely maidens.  This season, Albert is sitting contented upon his throne carved from pigskin.</p>
<p>One time he conquers the castle of a maiden who does not want to be conquered.  She surrenders begrudgingly.  He apologizes afterwards, handing her a box of chocolates and kissing her on the cheek.</p>
<p>He watched the spider.  A fly flew into its net.  For a moment the spider quit its work to tightly wrap the fly in a silk prison.  After the final strand was tied around the fly, the spider returned to the part of the web that it had been working on before the interruption.  When that section of the web was finished, the spider crawled back to the encapsulated fly and ate it.</p>
<p>Albert sits cross-legged against the tall oak in the middle of the field next to the university quad.  Delia lays out the red-checkered blanket and unloads the sandwiches that she has made.  Albert picks one up and engulfs it in so few bites that it is as if he has unhinged his jaw and swallowed the sandwich whole.</p>
<p>“You really weren’t that hungry, were you?” she asks with mock sarcasm, smiling at the way that Albert rubs his stomach with his head tilted back and his eyes closed, allowing the rays of the noontime sun fall onto his face.</p>
<p>“Nope,” Albert says, “But if there’s one deli whose cooking I can’t resist, it’s you.”  Albert still has his eyes closed.  Delia reaches over and runs her hand like the legs of a spider through his long, thick hair.  She kisses him lightly on the lips.  They lie together in silence for a few moments, absorbing one another.  They listen to chirps and rustles and breezes and heartbeats.  They listen to the erratic thumping of footsteps, and can no longer hear the heartbeats.</p>
<p>“Samson!” says a deep, rumbling voice. Albert and Delia open their eyes to see offensive tackle Ernie “Cruncher” Potter and tight end James Butcher looming above them, blocking out the sun.</p>
<p>“Let’s go man.  We’ve got practice in an hour and we’ve got to buzz our heads for the big game.”</p>
<p>Delia looks with concern at Albert, and at his long locks.</p>
<p>“Don’t cut your hair.  Plenty of people play football with long hair.”</p>
<p>Albert looks at the guys and back at her.  He says nothing at first, unsure of what words will leave his mouth.</p>
<p>“Don’t worry baby.  It’ll grow back soon.”  Albert kisses Delia on the lips again and walks off with Cruncher and Butcher.  Delia sits for a moment alone in the sunlight.  She slowly puts all of the picnic items in the basket and walks silently back to her dorm.</p>
<p>He watched the spider.  Albert is six.  His father shows him a football and tells him that he is going to be a West Desert rattlesnake.  Albert Samson is excited.</p>
<p>“Is Allan going to be a rattlesnake too? And Agnes? And Marie? And Davy?”</p>
<p>“Yes, yes, they’ll all be rattlesnakes too.  But they won’t be the type of rattlesnake that you will be.  You will be the most powerful rattlesnake in all of West Desert.  Your rattle will be heard above all others.  You will be more known than the rest.”</p>
<p>His dad throws the football at him.  It is as if Albert’s hands had been perfectly molded to hold the football, as if the football has always belonged in that space between his palm and his curled fingers. Albert feels that this first touch of the football has filled the empty spaces in his psyche, completing that which is naturally “Albert”.  He grips the ball, and feels its smoothness.  Albert throws the ball back to his father, and admires the upward motion of the spiral that he has thrown.</p>
<p>Albert Samson removed his hand from his bald head.  Yes, it was smooth, but he felt nothing.  The spider didn’t say anything.  It no longer remembered where the web had started.</p>
<p>Albert Samson had just turned fifty when he went to the West Desert Pet Shop and purchased Companie.  Companie was a grey mutt with mottled hair, and she walked with an obvious limp.  On top of this, she was blind in one eye, deaf in one ear, and had lost nearly all of her sense of smell.  His main reason for purchasing Companie was her name; he thought it comforting to have Companie around.  The second reason was that Dave Daniels, the owner of the pet shop, had told Albert Samson that Companie was useless as a rattlesnake hunter.  Dave had disclosed this fact in an attempt to get Albert Samson to purchase one of the more expensive dogs, so it was not surprising that Dave was perplexed by Albert Samson’s decision.  When the two men were standing in aisle three picking from many different types of bags containing the same type of dog food, Albert Samson noticed the downturned corners of Dave’s lips and Dave’s loss of salesman’s enthusiasm.</p>
<p>“I don’t want dead rattlesnakes around my house,” Albert explained.</p>
<p>Albert hesitates.  He does not understand why football and Delia are mutually exclusive.  He races through potential futures: himself waking up in a mansion with the Vince Lombardi trophy next to him in his bed, himself waking up next to Delia in the house he grew up in,  himself waking up in a mansion next to both Delia and the Lombardi trophy.</p>
<p>He does not see the distinct pasts that have brought up the question: the way he missed her birthday party because Coach held an emergency team meeting, the way he arrived at her sorority’s formal with his sweaty and muddy cut-off shirt beneath his suit, the silent stares of her parents when he showed up at dinner thirty minutes late, rambled the entire time about his up-and-coming football career, and ordered the most expensive thing on the menu.</p>
<p>“I want you,” he says.  She smiles.  She enjoys him all night.  In the morning, he gets up and goes to practice.</p>
<p>He watched the spider.  Companie stumbled out onto the porch like a drunkard and limped over to Albert Samson.  Albert Samson made no motion towards the mutt as she staggered around on the porch, as Albert was too enveloped in the spider’s story to think about Companie.</p>
<p>Albert struts into her room grinning like a used car salesman, holding some flowers in his outstretched arm that he had plucked from the rose garden behind the dorm. Delia is lying on her side, her head propped up on an unorganized mountain of white satin pillows.</p>
<p>“You picked my flowers, you son of a bitch,” she says.</p>
<p>“What use are flowers if you can’t pick them?” he asks her sweetly.</p>
<p>“That’s always your damn philosophy.”</p>
<p>Only the humming of her refrigerator fills the room.  He has no idea what she means, but he stops smiling so that he can pretend that he understands perfectly.</p>
<p>She does not say a word.  She just stares and waits.  He can tell that his lack of a smile is transparent.</p>
<p>Albert sighs.  He knows that this is going to take a whole lot of effort on his part.</p>
<p>“Look babe…I know that you don’t like that I spend my days practicing and my nights hanging out with the guys.  I know you don’t like that I play a sport where I could hurt myself any day and never be the same again.  I know that you don’t like that I spend more of my time with football than I spend with you.”</p>
<p>She continues glaring at him.  Albert can faintly detect that she is trying hard to hide her hopeful playbook from his prying television cameras.  Regret begins to seep slowly into the forefront of his thoughts as his mouth begins to move, but he is unable to stop the motion.  Albert’s voice and his mind have lost their connection to one another.</p>
<p>“But football is where my life is heading.  Coach says that I’m going to be the face of the NFL some day.  Hell, you know that without football they’d kick me out of this school based on grades alone.  I don’t even have to get into the fact that I wouldn’t even be able to afford this school without my talent.  I can’t give it up.”</p>
<p>“Get the fuck out of here,” she says in monotone.</p>
<p>He watched the spider.  It was almost done with its web.  He thought that if spiders had human mouths instead of those pincers, whose technical name he had long forgotten, that the spider would be grinning with excitement.</p>
<p>Albert is pulled aside by Coach Comett after practice.  He can tell that Coach is eager to say something by the way that the usually stiff, disciplined, ex-marine is shifting from foot to foot.  Coach Comett’s poor attempt to maintain his usual behavior mannerisms makes him look like an elephant trying to hide in a picnic basket.</p>
<p>“You played excellently today Al.  That catch you had by the twenty yard line was exactly the kind of catch we need in order to win games.  You show up like that tomorrow and Northern University will be waving the white flag after your first touchdown.”</p>
<p>Albert nods through the small talk so that he can find out the more important news.  Coach Comett realizes that Albert knows that something is up, gives one more nod of approval, and begins to speak.</p>
<p>“Al, I’ve been notified that there will be some NFL scouts at the game tomorrow.  Rumor has it that they want you in the combine next year, and that after the game they’re going to try to persuade you to join the draft class.  Their coming to the game is just a matter of ceremony.  Just show ‘em the shit you always show and you’ll be gone in the first round before you know it.  Congratulations!”</p>
<p>Al’s smile stretches into a wild grin.  He had known that this would happen sooner or later, and feels content that it finally had.  When Comett finishes speaking, he stretches his arms to the side for a hug. Al ignores the gesture and reaches out his hand for a handshake.  Coach Comett awkwardly switches positions and grabs the strong hand. Albert pulls away and struts to the locker room.  With his peripheral vision, Albert sees Coach Comett look down at his hand, his smile faltering for just a moment.  For that moment he looks rejected, but before this look registers in Albert’s consciousness Albert is in the locker room, thinking only about his glorious future.</p>
<p>Albert Samson watched the spider.  It was inches away from completing its web.  Only a minute more and it would finally be able to bathe in the glory of its hard work and achievement.  Then Companie stumbled into the hammock that was the anchor for the spider web.  The hammock swung wildly with this sudden addition of weight, and the web was ripped to shreds.  The spider was thrown off, and Albert Samson did not see where it went.</p>
<p>The next three weeks are a blur to Albert.  He vaguely remembers meeting the NFL scout before the game, and telling him to “get into your bunker ‘cause Samson’s coming to blow you away.”  He remembers the stadium lights, the first touchdown, the second touchdown, the ball in the air, the diving catch…the hit he doesn’t even remember.  Waking up in a hospital bed with pain everywhere, but especially in his head, thigh, and shoulder.  The doctor telling him that he can’t ever play again.  The scout walking out of the stadium and into the oblivion of could-have-beens.  The financial aid office revoking his scholarship money.  The registrar telling him that he has one semester to pull up his grades or he is out.  The sinking feeling.  The sinking feeling.  The sinking feeling.</p>
<p>Thanking the Lord that he isn’t paralyzed.</p>
<p>Cursing the Lord that he is.</p>
<p>At three twenty-seven Albert Samson got up out of his chair. He knew that the spider, if it survived the fall, would not ever try to rebuild its web.</p>
<p>Albert Samson sits in the lecture hall, fiddling with his pencil and staring up at the ceiling with bleary, bloodshot eyes.  He has to pass this class to stay in school, work hard, graduate, and get a monotonous desk job that won’t pay a quarter of the salary he would have made in the NFL.  He stares back at Professor McCloud, but does not listen.  Who the fuck needs philosophy anyway?  Waste of fucking time.  Philosophy is bullshit.  He can bullshit his way through philosophy.  Then he will get a fucking A+ for his bullshit, and the registrar will let him stay in school, work hard, graduate, and get that desk job that won’t give him the immortality that NFL stars get.  Fuck that boring life.  Fuck the fact that his parents offered to pay the rest of the way through school.  Albert Samson doesn’t give a flying fuck.</p>
<p>“That Thoreau had to eventually give in and return from his trip to Walden seems to support the old adage that claims that no man is an island.  However, if you look at contemporary society, there is a lot of evidence that suggests most men are peninsulas.” says Professor McCloud with a glint in his eye, gesturing towards the audience of students.  Albert Samson thinks that Professor McCloud is pointing at him.  Albert Samson looks away.</p>
<p>Albert Samson watched the place where the spider had been the day before, hoping that his intuition was wrong and that he would find the web fully intact.  Deflated, he began to accept that nothing was there.</p>
<p>An unmarked van pulled up to Albert Samson’s house.  A young man with an oddly graying moustache got out of the van.  As he walked towards the porch, Albert Samson examined the young man.  He examined his work boots.  He examined his grass-stained jeans, his plaid logger’s sweater, and his hunting hat.  He examined the man’s skeletal appearance, and his mirror-like sunglasses.</p>
<p>Albert Samson stood up to greet the visitor.  Before reaching out his hand, Albert Samson brushed off his chair’s seat cushion, which was embroidered with the logo of the “West Desert High Rattlesnakes”.  The stitching had been slowly coming out over the past five decades, causing the image of what was once an intimidating, vicious, football-crunching snake to be barely discernable.</p>
<p>“I have heard that there is a pest problem in this house,” the man said.</p>
<p>Albert Samson vaguely remembered calling an exterminator, years ago, when the spiders first came to his attention.  He hadn’t thought that the exterminator would ever show.</p>
<p>Before Albert Samson could welcome the exterminator into the house, the exterminator was through the doorway.  Albert Samson didn’t even notice the exterminator pass by him on the porch.</p>
<p>Albert Samson walked up behind the exterminator, who was standing in the foyer staring at a black-and-white painting of the desert that hung on the wall.</p>
<p>“The spider infestation is mostly in the attic.  They don’t usually come down here.”</p>
<p>The exterminator nodded silently and continued to stare at the picture.</p>
<p>“The entrance to the attic is on the other side of the house,” said Albert Samson.</p>
<p>The exterminator nodded again.  After another moment examining the painting, he began to stroll down the hallway.  Midway down the hall, however, the exterminator veered off into the living room.  He began to examine Albert Samson’s couches, lifting each cushion into the air and peering into the spaces between them.</p>
<p>“The spiders are in the attic,” said Albert Samson, “not in the living room.”</p>
<p>Again, the exterminator nodded.  He put the seat cushions back into their proper places on the couch.  He then began to examine the living room’s fireplace.  After pulling his head out of the chimney, the exterminator walked out of the living room and into the kitchen without any show of emotion.  He opened all of Albert Samson’s kitchen drawers, scrutinized all of his rusted utensils, and then returned them to their drawers.  He opened the oven, stuck his head inside, and looked around.</p>
<p>Albert Samson wanted to shut the oven door on his head and turn up the heat.</p>
<p>“The spiders are in the attic.  They are not in the kitchen.”</p>
<p>The exterminator pulled his head out of the oven and nodded again.  The exterminator exited the kitchen.</p>
<p>For the next twenty minutes, the exterminator continued to walk slowly throughout the house, absorbing every detail of every room.  Albert Samson followed behind, impatiently waiting for the exterminator to do something besides treat his house as a museum.</p>
<p>Finally, they arrived at the door to Albert Samson’s bedroom.  Exasperated, Albert Samson grabbed the exterminator by the shoulder and spun him around.  The exterminator stopped moving.</p>
<p>“Sir,” said Albert Samson, “The spiders are—”</p>
<p>“Show me into your attic,” said the exterminator, cutting him off.  Albert Samson pointed at the ladder at the end of the hallway.  As the exterminator walked towards the attic, Albert Samson remained behind. The exterminator turned around and ruffled his mustache.</p>
<p>“Come with me.  I’ll need your help,” the exterminator said.</p>
<p>Albert Samson cringed.  He hadn’t been into the attic in many years.</p>
<p>“Please come with me,” the exterminator said again.</p>
<p>Albert Samson didn’t want to go, but he had a great difficulty saying no to the exterminator.  He obliged.</p>
<p>When they reached the attic, Albert Samson turned on the light.  He could hear a multitude of spiders scurry across the floor to escape the flood of luminosity, but his eyes only actually saw one of them.</p>
<p>As Albert Samson gazed around the attic, he tried not to look at all of the memorabilia from his football days: the high school jersey, the college helmet, his father’s football, and the newspaper clippings.  However, they were the first things that the exterminator placed his fingers on.</p>
<p>“You were some football player once, huh?” he asked, smacking his lips together.  Albert Samson noticed the cadaverous thinness of the lips of the exterminator.</p>
<p>“Yeah.” said Albert Samson, looking away.</p>
<p>“It seems you were a pretty damn good one.  These newspaper clippings show some incredible stats.  You scored forty-six touchdowns your freshman year.  That’s quite incredible.”</p>
<p>“Thanks.” Albert Samson said, barely audible.</p>
<p>“What happened?” pressed the exterminator.</p>
<p>“Injury.” Albert Samson was uncomfortable.</p>
<p>“You could have probably gone to the NFL with a record like this.”</p>
<p>“Get the fuck out of my house.”</p>
<p>The exterminator grinned, his gossamer lips extending an uncanny length and revealing a mangled set of gumless teeth.  He put down the newspaper clipping that he was gripping in his gnarled fingers and strutted with his chest in the air towards Albert Samson.  He moved so quickly that Albert Samson could have sworn that he was hovering.  They were touching chest to chest, and the exterminator was looking directly into Albert Samson’s eyes.  The exterminator was still wearing those reflective sunglasses, and as a result Albert Samson found himself staring into his own eyes as well.</p>
<p>“I know where the pest that plagues this house lies,” whispered the exterminator.  Albert Samson felt the exterminator’s cold breath as the wispy, invisible vapors wrapped themselves around Albert Samson’s head.</p>
<p>Albert Samson is finally done with his physical therapy.  After a year and a half, he finally feels well enough to function.  He struts with his chest in the air, waving adieu in his mind to the familiar sights of the hospital.  Goodbye ugly white walls.  Goodbye grumpy receptionist.  Goodbye maintenance closet with the busted doorknob.  As he waves goodbye to the list of recently admitted patients, he sees something that makes him feel disoriented, like a dancer pushed over in the middle of a pirouette by a mischievous child.  Albert Samson changes direction.  Hello maintenance closet…</p>
<p>When he walks in Delia is pretending to sleep, but as soon as she senses that he is about to touch her shoulder she bolts upright.  At first she says nothing.  She stares at him with exasperated, bloodshot eyes that remind Albert Samson of the cornerbacks in whose faces he used to gloat after breezing past them.</p>
<p>“I heard that you were hurt,” she says.  That is the only thing that she is going to say to start the conversation.  He looks into her eyes.  He has not seen them in a long time, since before his injury.  He regrets not speaking to her in all of this time.</p>
<p>“Yeah,” says Albert Samson, rubbing the back of his neck and looking past her at the whitewashed walls, “I have to talk to you about that.  Since I’m done with football now, I was -”</p>
<p>She interrupts him with a chuckle.</p>
<p>“You’ve missed your chance, but gave Derek Stephens his.” Delia coughs, rolls over, and falls back asleep.  Albert Samson, remembering the name, runs back into the hospital hallway and stops one of the nurses.</p>
<p>“Why was the girl in that room admitted to this hospital?”</p>
<p>The nurse answers him curtly and attempts to smile.</p>
<p>This retroviral reality is a crippling blow to Albert Samson, making his cheeks burn, his head smolder, and his heart freeze.  He wants to run back into her room immediately but his legs will not let him.  Albert Samson, stunned and slouching, staggers back to his car.</p>
<p>He followed the exterminator back down the ladder.</p>
<p>Albert Samson’s tests return negative.  Like a police dog following the scent of a criminal, the exterminator moved quickly and briskly through Albert Samson’s ramshackle house.  He did not stop to observe anything this time; rather, he simply drifted as if in a trance towards Albert Samson’s bedroom.  The exterminator pulled open the doorknob.  Albert Samson opens up the door to her hospital room.  Without faltering, the exterminator ripped the sheets off of Albert Samson’s empty bed.  Without faltering, with tears streaming down his cheeks, Albert Samson rips the curtain away to reveal her empty bed.</p>
<p>Albert Samson wails.  She is gone, and the exterminator stands above the bed pointing down.</p>
<p>“There’s your pest!” the exterminator exclaimed.  In the bed was a dead rattlesnake, its noisemaking tail severed from its body and nowhere to be found.  Albert Samson cries into her pillows, searching for her smell, for any hint of her still being alive.  Averting his eyes from the spectacle in his bed, Albert Samson turned to the window of his room and saw Companie running off like a cheetah through the monochromatic desert, her limp gone and her fur pristine.  As she disappeared on the horizon, Albert Samson looked back down gravely on the dead rattlesnake and began to breathe heavily.</p>
<p>He cries on her empty hospital bed, and the tectonic plates move, and he is no longer attached to any land mass.  Albert Samson’s tears stream down the bed, soak into the sheets, and surround him on all sides.  Albert Samson, now hyperventilating, stared at the rattlesnake, and stared into the reflective glasses of the exterminator.  Albert Samson rushes out of the hospital, feeling trampled by his guilt and suffocated by his isolation.  He feels a terrible pain in his heart.</p>
<p>“Let me remove this old, dead rattlesnake for you,” the exterminator cooed, putting his hand on Albert Samson’s shoulder.  Outside of the hospital, inside of his room, Albert Samson clutches at his chest and, curling up like a spider, falls at the bare, bony feet of the exterminator.</p>
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		<item>
		<title>So what, come and get me, I know you</title>
		<link>http://lelandquarterly.com/2010/05/23/so-what-come-and-get-me-i-know-you/</link>
		<comments>http://lelandquarterly.com/2010/05/23/so-what-come-and-get-me-i-know-you/#comments</comments>
		<pubDate>Sun, 23 May 2010 07:11:52 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=939</guid>
		<description><![CDATA[<i>by Joy Henry</i><hr />“We’ve been vacationing at this beach since Grace was a tiny one, staying at this hotel,” Dad says, to my boyfriend John.]]></description>
			<content:encoded><![CDATA[<p>“We’ve been vacationing at this beach since Grace was a tiny one, staying at this hotel,” Dad says, to my boyfriend John.  He’s lying.  He’s the type who talks things up to strangers, likes to act all grandiose with his one tooth wagging out in front, belying him.  We’ve come to this beach every summer since I can remember, but we’ve only stayed in this hotel a few summers, the summers before I left for college.</p>
<p>Dad sits in a beach chair under an umbrella, chain smoking, and John and I on a blanket a few feet away.  “Hopefully this time he won’t have an angry streak or be black,” Dad says, gesturing at the man who’s carrying my sister on his shoulders, throwing her into the waves.  He laughs, sputtering a bit on his beer.  I pick up handfuls of sand, let it sift back out between my fingers, forming little molehills.  I don’t, have never had, the energy to contest him.  I’m a marvel of apathy, a superhero for the modern age.</p>
<p>We’re all at the beach because my sister Angie is getting married again in two days. Her last marriage ended with her on our parents’ couch saying, “I’m starting a new fashion trend. Whaddya think?” her eyes droopy behind two Xanax and five beers.  In a fit of domestic fervor, bleach had been thrown on everything she owned.  She’s got the resilience that only slightly stupid people have, but me, I’ve got none of it.  Instead of throwing punches, I stare sort of dumbly into the sun, asking when, when?  When Angie speaks about this wedding, she says half-candidly, “Third time’s a charm.”  Resilience.  Me, I look away when she says these things.  I stare at the corner of the room where the wall meets the floor.</p>
<p>My brother Jay sits on the sand next to us, and he puts more sunscreen on his daughter Sofie.  “If she gets sunburned, her mom will never let me hear the end of it,” he says.</p>
<p>“When will the arrangements be finalized?” Grandma asks, as she turns a page.  She’s half-reclined reading People magazine, and doesn’t bother to look up.  Jay says he doesn’t know.  He’s got his face in his hands, he’s crying again.  It’s pathetic and we’re all mourning it and feeling sour about it except Grandma, who is an idiot and doesn’t know what she’s done.</p>
<p><span style="white-space: pre;"> </span></p>
<p>“Hey Sof,” I say, “I’m kind of hungry,” and I pretend to gnaw on her little chicken wing of an arm.  She’s squealing at me, but she’s also in love with me.  She’s beautiful and perfect, and the only one of us who appreciates absurdity on a religious level.</p>
<p><span style="white-space: pre;"> </span>“Will you watch Sofie?” Jay asks me, and I say, “Of course I will, of course.”   He goes to take a ride on Dad’s motorcycle so we don’t have to look at him and feel our insides seizing.  I imagine he rides with the wind in his face and thinks about how things were before he had to move back home, to live with Dad, all loud, stomping through the house on his bad leg, forgetting his naked pictures of Mom on the bathroom counter for everyone to stumble upon.  More likely he thinks about sweet nothing.</p>
<p>Sofie yells at me, “Auntie Grace, Auntie Grace, I’m a doggy! yip yip yip!”  I keep my eye on her as she runs out towards my other brother Tim, who’s fishing knee deep in the surf.  She’s obsessed with his black lab.  I can see Tim mouthing the familiar, “Pet him nice, Sof, you’ve got to be nice.”  She barely touches the dog, like she’s patting a ball of cotton candy.  Tim’s a year older than me, looks like me, but with a sharper jaw.  He teases Sofie, lifts her up and pretends to make her ride the dog like a horse.</p>
<p>All four of us haven’t been at the beach together in years.  I always come, because I’m the youngest and have no excuses.  Tim moved out of our house in the ninth grade to drink and live in a fishing town on a cape jutting out into the gulf.  He raises clams for a living and rarely comes inland.  Jay and Angie had been married, were busy.  When we get together like this, a festive wonderment hangs in the air between us.  We stand around, smiling at each other dazedly, amazed, as if we just crawled out of a mangled car on the side of the freeway.  We’re happy that we’ve survived.</p>
<p>I’m watching Sofie make pratfalls into the tiny waves lapping way up the shore when Dad turns to me and says, “You’ve got quite a little belly on you now, don’t you?”  He’s laughing again.  It erupts into a hacking cigarette cough, and for a brief moment I imagine him a desiccated old man, alone.  He’s drying up, shriveling, dryer and dryer.  Finally, without anyone to life-suck he’s turned into a handful of sand there on the seat of his wheelchair.  Because people expect you to respond when they talk to you, I say “Ha!” loudly and dryly.</p>
<p><span style="white-space: pre;"> </span>John’s got his mouth near my ear, he whispers “You’re a beautiful person,” which brings an interesting mix of solace and humiliation.  I steel myself and focus my eyes over Grandma’s shoulder at her magazine of beautiful people doing mundane things.  I’m good at drumming up absurdity for consolation.  Stars, they’re just like us! They take shits!  I squint my eyes and light a cigarette.</p>
<p>Mom comes up from the ocean.  “Hey honey,” Dad says, giving her a kiss on the lips.  Mom’s stomach is flat from doing aerobics videos in our living room, and her hair is yellow, a stripe of grey roots crowning her.  Dad helps her color it, sitting at the dining room table, his fingers fumbling in plastic gloves.  “How’re the waves?” he asks.</p>
<p>“Oh they’re wonderful,” she says.  “Amazing.”  Dad makes a point of coming here every year, but hardly ever goes in the ocean.  He’s got this bad leg, but he seems to enjoy himself when he hears Mom using this voice.  She gets quiet and emphatic.  “Ahh-mazing,” she says.  Living with Dad and scrubbing shitters for a living must be a magical potion for self-actualizing, because Mom is more well adjusted than anyone I know.</p>
<p>She turns to John and me and tells us about the book she’s reading.  It’s about reincarnation and hypnotic regression.  “I must have been a water creature in a past life,” she says, “because of how much I love the ocean.”  It’s too heart-scraping, hearing her talk about this with her eyes wide and earnest.  I know I should be happy that she is happy.  But I don’t want her to have to use these stories to console herself, I don’t want her to have to clean up other people’s messes.  I want a big fat wad of money between her and the constant abrasion of life.</p>
<p>“I need to go cool off,” I say.  I jump into the waves like someone who’s been to the beach many times and knows the secret.  If you dive straight through you’ll come out on the other side, smooth and placid.</p>
<p>*</p>
<p>When we pack up our things and come up from the beach, the hotel manager is waiting outside Dad’s room.  He’s fat and bald, with a surly countenance.  I sense the disaster welling up behind us when I see him, like the chokingly sweet smell of ozone that rolls in before a hurricane.  I’ve always been a bad psychic, sensing everything but telling my family nothing, and escaping when I got the chance.</p>
<p>“I was getting complaints about one of your rooms,” the fat man says.  Mentally I try to will him to admit he’s a messenger from disaster, to come clean, but he keeps talking.  “Sir, your son has done extensive damage to the room.  There is dog shit and broken glass everywhere, and you will be held responsible as the room is in your name,” and then there is some more repetition of some more bad things.  I can’t blame the fat man, because this is his job, being a messenger from disaster and all.  But I am growing weary.</p>
<p>Dad’s arm shakes on his cane, and I think about his heart disease that requires blood pressure medication and a Zoloft, daily.</p>
<p>“Tim,” he says quietly to the carpet, though Tim is not here.  “Tim,” he says again, louder.  The prodigal son, he was always the favorite.  He looks just like Dad did in all those pictures from Vietnam, when dad’s face was small and square and clean shaven.  Dad’s arm won’t stop quaking on his cane.  It’s slipping off.  “Tim! Tim!” he screams.</p>
<p>*</p>
<p>“Nice outfit Grace,” Dad says. “Must be the Polish in you.” He’s snickering, rasping at me from the hospital bed, and I’m not listening to him.  I’m much too saturated to absorb anything more.  I stare at the painting above his bed, a painting that yells NICE at me in big block letters.  No, this is not nice, I repeat over and over in my head.  I realize there’s a beach scene on the painting.  It’s talking about Nice, France, and the painting above the other bed says MALIBU and presents a similar ugly pastel wave hitting an ugly pastel shore.</p>
<p>Dad motions to Mom, “Get me some water, Kris.”  Mom sits beside me reading a book with a poorly Photoshopped cover titled Lives Between Lives, by Rick Chorman, PhD.</p>
<p>“Here, drink this,” she says, handing him a can of Ensure, mother’s milk for the ancient and afflicted.</p>
<p>“I don’t want that shit,” he says.  Mom’s eyes are open, but they’re glassy and unaffected, and her brain is somewhere else.</p>
<p>“Can I smoke in here?” he continues.  “Where’s the ashtray?”</p>
<p>I look out the window.  We’re up high, and I see the line of the ocean a few blocks away, where it all ends.  The sky is dark now, plum-colored with afternoon rain.</p>
<p>“You’re going to kill yourself,” I say limply to the parking lot below.  Because I’ve inherited Dad’s weariness, I can’t hold it against him.  Smoking is a habit for people who have a realistic idea of the slim cushion between them and disaster.  Dad and I are linked arm in arm, we see it there, waiting in the wings for us, and together we say, so what, come and get me, I know you.</p>
<p>I wonder where Tim is.  No one could reach him.  Maybe he’s sitting on the beach with his dog, a beer in his hand.  Maybe he’s getting another tattoo. Dad and Tim love and infuriate each other so much because they’re the same.  They both believe their actions have no consequences for anyone else.</p>
<p>“Our family,” I want to say to Dad and Tim, “is fragile like an old woman’s bones.  There are no reinforcements of luck or money.  Any stupid thing you do breaks all of us.”</p>
<p>But I don’t say that.  I pick up the can of Ensure and slowly pour it out into the trash can, while looking at Dad.</p>
<p>“Now you don’t have to drink it,” I say.  He doesn’t speak.  When he’s quiet and still, Dad’s tooth and bald head make him look like an infant, tired and helpless, momentarily genuine.</p>
<p>He reaches for the remote, smashes the quiet.  “Video Vigilante!” the TV screams.  “Citizen uses personal camera to catch prostitutes in action!”</p>
<p>I put my forehead against the window, all thoughts shrinking away in the noise.  John stands beside me, rubbing my arm.  He’s the only one around making sure blood is still flowing to my extremities.  His eyes are an opaque brown, the light reflecting off them in big white squares.  I wanted to somehow tell Dad that John holds me up by the arms when I start folding into myself, but all Dad could say about him is “He’s vegan? He doesn’t drink milk?”</p>
<p>I’m listless and John looks down at me and asks, “How can I help?”  I look up at his glass spheres, his opaque reflectors.</p>
<p>“I’m fine,” I say.  “Did you know that you have marble eyes?”</p>
<p>Outside, the plum-colored clouds keep rolling in, and it’s just an afternoon thunderstorm.  I wish it were the tails of a hurricane whipping us. In Florida there’s weather, lots of it, and it makes you think about the body.  It reminds you that you are corporeal and small.</p>
<p>We were all here as kids once, at the beginning of a hurricane. The sky was bruised, and the waves swelled, three times their usual size.  Dad let us stay on the beach until the last possible moments, when the lightning started zipping down. Angie and Jay took their surfboards out, yelled excitedly over the rough water.  Tim and I swam further than we should’ve, let the waves pull us under, throw us against the sand.  It felt apocalyptic, but in an electrifying, almost funny way.  Tomorrow was going to be different, but we were going to survive it.  When we left the beach, the water kissed the grass at the top of the dunes, threatened to spill over its designated bounds.</p>
<p>The hurricane crashed down while we slept.</p>
<p>The next morning we hurried out to see the aftermath, the new world.  We found wildness flung all over the sand; trash, pieces of people’s yards, driftwood, palm seeds from Africa.  Tim and I decided to build a sandcastle, an indestructible one.  We filled the middle with storm loot, glass bottles and two-by-four’s, plastic bits.  We packed sand on the outside and picked sea oats to put on top, wheaty little flags blowing in the wind.  When we finished, I made triumphant declarations to everyone.</p>
<p>“If anyone kicks our sandcastle, they’ll kill themselves.  They’ll break their foot!”</p>
<p>“This will always be here,” said Tim.</p>
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		<title>Sheldon</title>
		<link>http://lelandquarterly.com/2010/03/12/sheldon/</link>
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		<pubDate>Fri, 12 Mar 2010 23:16:11 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=842</guid>
		<description><![CDATA[Fifteen years old—old enough to be pulled to the door by the cosmic tug of Friday nights, but too young and scared to be able to go out and do anything. Hong Kong is no city for boys who haven’t learned how to make bad decisions. If I wasn’t going out tonight—or any Friday in [...]]]></description>
			<content:encoded><![CDATA[<p>Fifteen years old—old enough to be pulled to the door by the cosmic tug of Friday nights, but too young and scared to be able to go out and do anything. Hong Kong is no city for boys who haven’t learned how to make bad decisions. If I wasn’t going <em>out </em>tonight—or any Friday in the foreseeable future—I could at least grab a jacket and leave home.</p>
<p>A monsoon was coming and I bent into the hot wind as trees bent away from it. Buses and taxis and chauffeured black cars whined and putted past, their lights coloring the water that pooled and stank wherever the pavement dipped. The top of my head lead my progress up the hill, so I didn’t see the woman crossing my path until she was on the ground, the contents of her handbag rolling down the sidewalk.</p>
<p>I tripped over my feet and my apologies as I scrambled to retrieve the fallen items, trying to avoid looking at her long legs.</p>
<p>“<em>Shit</em>, my brand new Prada,” the woman cursed. “I’ll never get the stains out.”</p>
<p>I offered her a hand up and saw her face clearly for the first time. “Is it—Auntie Angela?” I spoke in English: I knew it was Auntie Angela—Auntie Angela who had always insisted I speak to her in English because that was the only language of any value, literally. She looked the same, even after eight years.  My impressions of her had always been tinted by the red of her spiky hair, her dark eyeliner, her protruding collarbones. My mother coined her in an acerbic three-word explanation—“She’s a socialite.” I had never heard the word before, but when my mother said that—“She’s a socialite”—I knew exactly what it meant, and I knew we did not approve.</p>
<p>Auntie Angela staggered to her feet and swayed on her stilettos, grabbing my shoulder for support. I caught whiffs of cigarette smoke, perfume, and what could only be alcohol. “Is that Miriam’s boy back from Eton? John? Haven’t I always told you it makes me feel old when you call me Auntie?” she peered into my face.</p>
<p>“No—it’s Sheldon—it’s Patricia’s son.”</p>
<p>“Oh, my <em>actual </em>nephew. I suppose you have to call me Auntie. And I suppose I shouldn’t be surprised to see Patricia didn’t teach you any better than to run people over.”</p>
<p>I felt I’d betrayed my mother.</p>
<p>“I’m going to be sick,” she said, and she was, all over the sidewalk. I breathed through my mouth only and stared only at the apartment building before me. It stretched higher into the sky than any of the surrounding skyscrapers.</p>
<p>“As long as you’ve caught me in a situation of utter indignity, you might as well help me up to my apartment. I live here.”<br />
I had no idea how my classmates managed to get into clubs or buy bottles of booze, much less how to deal with people once they’d consumed significant quantities of alcohol. Even if Auntie Angela had been sober, I would have had zero idea about how to deal with her. I hovered a hand over her shoulder and held her oversized red handbag in my other. Together we stumbled into the building’s lobby in a caricature of a <em>pas de deux</em>.</p>
<p>All ritzy apartment buildings place a uniformed concierge inside the front doors, ready to call a taxi for a tenant or eject suspicious looking persons. I prepared to explain my identity, but the concierge didn’t flatter me with a second glance. He turned to press the button for the lift.</p>
<p>Propped up against the elevator wall, Auntie Angela considered me. “Sheldon. God, what a truly terrible name. I told Patricia so, but she’s always had just the <em>worst </em>taste—names, clothes, men.” The scent of alcohol mixed with expensive perfume was exotic and surprisingly light. I imagined it moving through the air like smoke from the long cigarettes she always used to carry.</p>
<p>I abhor my name. “It’s not too bad,” I said, my defensiveness surprising me. The elevator passed from the twelfth to the fourteenth floor, propelling us to the thirty-third floor, into the urban canopy of Hong Kong, where all the city’s dramas unfold.</p>
<p>“How about Shel,” said Auntie Angela. “Shel. That’s a name that you could work. Feminine enough to be unthreatening, but the one-syllable nickname is always sexy. Sheldon, I christen you Shel.”</p>
<p>If I hadn’t roused any suspicion as an adolescent male accompanying an obviously intoxicated tenant clad in stockings with garter straps, I didn’t have a hope of working the name Shel.</p>
<p>The elevator doors opened and we spilled onto the landing. “Don’t you dare touch the walls,” she warned, fumbling with the keys. “They’re silk-paneled and water stains silk. I had Justin bring me all this silk from Bangkok.”</p>
<p>I supposed vomit would stain silk as well and that I was implicitly not supposed to let her touch the silk walls either, but she staggered down the passage to the bathroom before me and left some on the second panel.</p>
<p>“It’s been ages since I last saw you—I feel so old.” She threw herself before the toilet. I busied my eyes with the shadowed splendor of the apartment’s interior decorating and tried—unsuccessfully—to plug my ears with the distant sound of traffic.</p>
<p>“Eight years now, isn’t it?” She looked up from the toilet bowl. “It’s not that I have anything against you, Shel. Of course it’s not you, not really.”</p>
<p>“No—I mean… I know.” I felt a little bit sick myself and I couldn’t tear my eyes away from the little chunk of vomit clinging to the imported silk, silk that had come from Thailand just to impractically panel a passage to Auntie Angela’s bathroom. All I knew about Bangkok I knew from my mother: it was dirty, there were a lot of forward whores with venereal diseases, and the looms there spun the most beautiful silk.</p>
<p>“<em>What </em>do you know?” Her voice narrowed to a dangerous point; she held it, threatening, between my ribs. “Tell me what you know.”</p>
<p>I knew my mother looking like she’d just stopped crying, and from behind walls my father’s sharp, “Patricia, can’t you just deal with the fact that she doesn’t care about you at all? You know she only cares about clawing her way to the top.” I remembered the last time I saw Auntie Angela: it was eight years ago and she took me to high noon tea at the Shangri-La as she did every week. She didn’t get me a bag of chocolates from the waitresses she knew by name, but sat tapping her foot, ignoring me completely. I sat as still and as quietly as possible, waiting for her to notice my goodness—or at least to notice me enough to launch into a monologue the importance of improving my English. She didn’t speak at all until my mother came to pick me up. She sprang to her feet and pulled her away and whispered furiously with her before clattering down the stairs, yanking a box of cigarettes out of her handbag as she pushed through the doors. She left her umbrella.</p>
<p>“No—I don’t know anything—I just know it’s none of my business—it has nothing to do with me.”</p>
<p>“That’s right,” she said forcefully. “It’s everything to do with your mom and your dad and this dysfunctional, dysfuctional family.”</p>
<p>I thought my immediate family seemed pretty functional, on the whole.</p>
<p>“Shel.” She sat cross-legged in the middle of her expensive tile, in her expensive clothes, looking like a ravaged movie star—still glamorous, despite the vomit. Her gaze was clearer and steadier now. “A sweet kid, really. Don’t worry. Girls will start to like you soon. You have very serious eyes. You have my father’s eyes; deep, intelligent eyes. I have those eyes. Margaret does too. Patricia never did. You won’t tell Patricia you saw me.”</p>
<p>“Of course not.” She didn’t have to tell me.</p>
<p>“Good boy. And I suppose the thing to do now as the rich aunt is to hand you an obscene stack of money and send you on your way.” Her eyes focused on my face again. “But you look an awful lot like Patricia, aside from the eyes, and I won’t give her anything, nothing at all.”</p>
<p>She played a rhythm on the toilet bowl with her fingernails.</p>
<p>“There’s—I think a spot—on the wall,” I said.</p>
<p>“I’ll have to repanel them. Ochre would be nice. I’ll have to tell Justin.”</p>
<p>“Well—goodbye, Auntie,” I said, hovering at the end of the hall.</p>
<p>“Goodbye, Shel,” she said from the floor.</p>
<p>The elevator dropped through storeys and storeys of blinking, flashing city. <em>Shel. I christen you Shel.</em> I passed the concierge, who didn’t bother to look up from his paperback. I thought I might like it if I were able to come back. I thought I’d like to learn more about Shel and my intelligent eyes and the girls who would like me and silk walls all the way from Bangkok. I thought I’d like to know what bad decisions people made on Friday nights, only I looked like my mother.<br />
I wanted to go back eight years to the Shangri-La and pitch a tantrum.</p>
<p>Thirty-three floors up, the lights were on in just the one unit. “Oh, it was no problem taking care of you.” My voice shrilled, high and sarcastic. “No thanks needed, really.” My friends would tell me I was acting like a girl if they could hear me, and anybody else would think I was insane if they saw me. I stuffed my balled fists back in my pockets for the walk home, hoping the occupants of the looming glass high-rises around me were looking up at the ominous, moonlit cloud cover instead of down at the street.</p>
<p>“Where were you?” My mother asked this every time I walked in, automatically, tonelessly, without expectation—knowing full well I didn’t have the courage to make bad decisions.</p>
<p>I looked her in the eyes, noticed how they were not like mine, how they were flatter, how they were smaller, how common and bland they were. My hands were shaking with a strange energy; I trembled with it.</p>
<p>“Nowhere.” The belligerence of the word felt dangerous, powerful on my tongue.</p>
<p>My mother lowered her magazine and stared at me. “Shel—” How could she know, she couldn’t know, I was overexcited, it was only her stammer—“Sh—<em>Sheldon</em>. You <em>do not</em> speak to me in that tone. I don’t care <em>where </em>you were; you are <em>grounded</em>.”</p>
<p>As my voice rose in practiced incredulity, as it began complaining about the unfairness, as her voice and mine competed for volume, I grasped for comfort in the argument I knew she would win, in my mother assuring me—I was <em>Sheldon</em>, and I was <em>grounded</em>.</p>
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		<title>Amsterdam</title>
		<link>http://lelandquarterly.com/2010/03/12/amsterdam/</link>
		<comments>http://lelandquarterly.com/2010/03/12/amsterdam/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 22:10:19 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=800</guid>
		<description><![CDATA[He knew I needed him to talk, so he wasn’t saying anything. I stared straight ahead at signs written in Dutch, with drawings of happy people washing hands for safety.
The doctor came in. He was tall and pale with rusty hair. I imagined him building a windmill with his bare hands, sawing the wood, standing [...]]]></description>
			<content:encoded><![CDATA[<p>He knew I needed him to talk, so he wasn’t saying anything. I stared straight ahead at signs written in Dutch, with drawings of happy people washing hands for safety.<br />
The doctor came in. He was tall and pale with rusty hair. I imagined him building a windmill with his bare hands, sawing the wood, standing nobly underneath. I kept crying even after he told me it was just a bacterial infection, and he looked at me strangely, as if I hadn’t understood.<br />
It will be cured in two days, with cream,” he said again, in a heavy accent. I had these lesions on my right arm, quarter-size spots secreting pale pink water. I had gotten a cut and been unlucky.<br />
The tourist hospital was outside the city. We rode the train back, past dying mid-rises and fences diseased with graffiti. In the reflection of the window, I watched myself pop a white pill into my mouth. I was self-medicating, looking past the pale outline of two mute people on orange plastic seats. The buildings were derelict, sinking ships. They were going down, down.<br />
I see you,” I said, talking to him in our reflection. I was holding up my arm. The top two sores looked like eyes.<br />
At the hostel we moved up return tickets, counted out hundreds of dollars. He said obvious things, “this cost so much” or “the money we could’ve saved.” By now that white powder was all dispersed through me, and his words were slippery things. They struck me and fell off without effect. I tried to grasp them, rolling a joint on the twin bed, when the Romanian tourists came in. They were sharing this room, and they stank and spoke in broken English.<br />
You want to come with us to erotic massage?” they asked, snickering. I stopped rolling and held out the inside of my arm for them.<br />
“Here,” I said. “Let’s go.” Their faces soured, and they left.<br />
I struck a match and walked to the window. It had no screen, so I stuck my head out into the world. A drizzle seeped out of the sky. I wondered if it was always grey here. I sort of liked it, because there weren’t any lies in it.<br />
Down below were bicycles and canals and all manner of other offensive things. There was the little park and the apricot tree where I had cut my arm a week ago, on the day we arrived. My body had still been clotted with sleep, but I ran up to it, dropping my suitcase in the grass. My eyes had clamored for good omens, searching for something lost. A long time ago, he and I had wanted a garden.<br />
“Where we could feed each other fresh fruit. And lie naked,” he’d said.<br />
I had climbed up the trunk, ignoring the scraping shards of bark. The apricots hung in fat clumps, and I took one between my thumb and forefinger. There was an obscene tautness to it, like smooth skin. It looked a little young, so I tested its flesh in my teeth. It wasn’t bitter. With my pockets full, we sat in the grass. Hours ago we had been in a dried-up place with the goodness slowly leaking out of us, almost gone. Now we had sweet water sticking to our hands and faces, and we looked around, waiting for our restoration. He palmed apricots absentmindedly, pulp running between his fingers, and I spat seeds onto the ground.</p>
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		<title>Interregnum of Skinsky </title>
		<link>http://lelandquarterly.com/2010/03/12/interregnum-of-skinsky%c2%a0/</link>
		<comments>http://lelandquarterly.com/2010/03/12/interregnum-of-skinsky%c2%a0/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 20:45:13 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=749</guid>
		<description><![CDATA[Skinsky in his backyard in June.
Skinsky in socks and shorts, aureolas flaring, squeaking across the grass to his trampoline and beginning a bounce. Skinsky working hard, curling his toes as he lands and gaining elevation. Skinsky at the height of the low branches on the big tree and rising. Skinsky landing, rebounding and flinging himself [...]]]></description>
			<content:encoded><![CDATA[<p>Skinsky in his backyard in June.<br />
Skinsky in socks and shorts, aureolas flaring, squeaking across the grass to his trampoline and beginning a bounce. Skinsky working hard, curling his toes as he lands and gaining elevation. Skinsky at the height of the low branches on the big tree and rising. Skinsky landing, rebounding and flinging himself up to the summit of his bounce. Skinsky with a Skinsky’s-eye view of everything: roofs, trees, his backyard and his audience in it. Skinsky in back flip. Skinsky in front flip. Skinsky announcing he has one last trick and then Skinsky in descent, unfurling, making an X of his body and colliding cheek first with the trampoline’s fabric slap. Skinsky grunting one short syllable, “Ah!”, as he’s hurled up by the hiccup of springs. Skinsky bouncing to a standstill, dismounting and masking his face with both forearms. Skinsky on haunches in the shadows of friends as they crowd to see Skinsky in damage.<br />
The crowd, from its depths, presses in, draping itself onto shoulders and backs. Skinsky whimpers but they ignore it. They bat aside his arm to touch him—his hands, his hair, the exposed parts of his neck. “Should I get some water?” someone says. “One of our fathers?” “Want to sit? Want to lie down?” Skinsky stares through the slit in his forearms at their faces. Some, deep in their features, look pleased. He whimpers once more to check. The friends nearest him frown and crunch their eyebrows. But towards the back, on the faces of the draped ones, the pleased look seems only to float nearer to the surface of their features, like something held under water and then freed.<br />
Seeing this, Skinsky snorts, snotting on his forearms. He starts to guffaw. Then he stops guffawing to throw open the mask of his arms. And there’s his face-freckled, smooth, blotchy pink but unscraped. “No worries,” he says. “I practiced that shit.” Up go his shoulders, eyebrows and hands. Up goes his upper lip into a smile.<br />
His friends back away, stepping off the grass onto pebbly cement as Skinsky makes his appeasing motion. From where they are they hear a new sound, a low drone from near the pool. Also a churning sound, a filter maybe, and the sound of insects—only a dozen or so of them, but suddenly everywhere, in everyone’s face. They swat and swat. They are parted suddenly by Skinsky who runs through them to dive into the pool. He rises and begins taking laps back and forth across the water.<br />
Slowly, the friends of Skinsky begin to applaud. They whistle. The boy who, when Skinsky hit, turned to his neighbor and went “Oh snap!” notices a wetness in his eyes and shoulder-dabs it. A girl with late braces claps until her hands sting.<br />
They clap, because Skinsky never fails.<br />
“Fucking A,” someone says, “Skinsky, my heart.”<br />
A girl holds her arms out in zombie posture. “Look at my hands. I can’t steady my hands.”<br />
Skinsky’s friends feign concern: chests clutched, sighs noisy and significant. They pretend that relief is the reason their arms won’t stop trembling—a relief so heavy it makes them tired. That momentary feeling of world-balancing, score-settling—that was meant for someone else. They shoosh their giddy blood.<br />
Gluck Auditorium, the first day of eighth grade. The beginning. Skinsky is up in the wires and hot lights while the principal paces the hardwood. He speaks of metaphorical mountains, the need to surmount them. Four hundred pairs of eyes roam upward to the hidden and burning Skinsky. Skinsky makes a name for himself this way. Ninth grade: Skinsky scaling the side of his house, ascending from door to window to balcony to gutter to satellite dish, standing triumphantly among the signals.<br />
Skinsky in locked places. Skinsky in hiding, but never caught. Skinsky in feats of falling, feats of fighting, feats of risk. Skinsky in feats of fucking, they had heard—sensational, unimaginable acts. Skinsky at fifteen, kicking off from the cliff, splashing between the reef and the rocks and swimming to shore with no injury but a seashell cut on his pinky toe, trickling red. At sixteen, the trampoline, a birthday present from all of them, and Skinsky in flight.<br />
A girl watches a dripping Skinsky cross the yard. She says, “You think he’s concussed?”<br />
“No,” says a boy. He watches Skinsky, and his eyes, for half a second, go shiny. Skinsky waves and his smile disappears.<br />
“A concussion?” says a third. “I don’t know about that. Maybe.”<br />
They watch Skinsky bait his dog with a tennis ball, the dog barking rhythmically and pitiably from the ledge. He chucks the ball deep into his backyard and dives under water again. He skims the bottom of the pool, his reflection rippling up. All around him, the friends of Skinsky see shimmering swaths of blue—the color of his aura, according to one girl, whose own is a buttery yellow. Prompted, they can feel it too, Skinsky’s blue aura. It feels light and misty, like dry ice. They have to wave their hands through it to see him.<br />
He comes up for air. “Two minutes, twenty-six seconds” he yells, over the lapping of water. “Swear to God.” He pulls himself up onto the ledge and then kicks off backward, letting the force of his words hit while he’s submerged.<br />
From above, the silence of watching. Skinsky breast strokes back and forth across the bottom of the pool. He reminds one girl, who stores the comment, of a pale and frantic frog. Frog-Skinsky jerks his torso suddenly up and heads for the surface. He breaches, and with him, out of the reverse splash, a long gasp of inhalation. He paddles furiously to the ledge and grabs it. “Three minutes!” His voice breaks, and he shouts again: “Three minutes. Swear on my grave. Swear on all our graves.”<br />
“We believe you,” says one, after a long silence filled with lapping. “But do it again.” Skinsky pinches his nose and plunges back under. He counts one Mississippi, two Mississippi, until he reaches one hundred and eighty Mississippi, but when he surfaces to shout this, they are all gone.<br />
July. Skinsky finds himself tanning in the sun for hours, sweating through different hats as he contemplates his burnish. At night he slathers aloe vera and sends e-mails. Mostly he is alone.<br />
Sometimes he is joined by friends, grouped in threes and sixes. They hang out by his pool, eating snacks and saying little. They follow Skinsky into his house and in spasms of shivering browse his refrigerator. Some remember where the plates and cups and silverware are kept; some need reminding. His father brings lemonade and chips outside, silently wondering at the multitude of his son’s pack.<br />
After an hour, the pack will become bored, and Skinsky will feel its attention on him, like a wet hand on his neck. The first time this happens, he will grab a foam surfboard from his garage, toss it onto the water and leap onto it. He will balance, perform a handstand as it sinks and water floods up his nose. The next time he feels the silence he will go for the board again, but something will stop him. He will go back to his chair and sit, his skin turning red and painful. Eventually he is alone again for his afternoons in the sun, which become afternoons in front of the TV, and his burned skin turns pale again.<br />
One night Skinsky’s friends invite him to a party. They tell him to be ready at 9:30. At 9:00 they arrive. He is still in shorts and a t-shirt soaked with sweat from push-ups, but they pull him out anyway, tugging him down the stairs and out to the car, into which they squish, asses and laps and thighs all mashed together. The driver puts in a CD and plays it loud. Skinsky feels a finger drum on his hip, but he can’t tell who it belongs to.<br />
They arrive at a wood, one-story house, with yellow blaring through the windows and bass rumbling the lawn. Skinsky has never been to this house before. When he comes through the front door he’s greeted by the lifted eyes of twenty or so familiar strangers. He readies himself to remember names. Tiny, all-colored bits of tissue paper drip from the walls, adhered with still wet glue. For a conversation starter, he considers asking if the party decorations are maliciously ruinous or merely accidentally so. When he finishes eyeing the room Skinsky notices that his friends have disappeared.<br />
There is the sound of laughter from behind a closed door.<br />
He hears someone say, “I don’t know man, I don’t know,” and then, “Alright, alright, alright, alright. We’ll ask him.”<br />
Skinsky dances. He feels people watching him and tries not to let it affect his dancing. As he’s dancing, his elbow knocks into something that feels like an arm covered in shirt. He opens his eyes. A girl in pink flashes the most astoundingly white and symmetrical smile Skinsky has ever seen. He is paralyzed with indecision until the girl glides away and into another room. Skinsky feels a red cup pressed into his hands.<br />
“This is blood,” a friend of Skinsky says, “You are a thirsty vampire. Scratch that, the thirstiest.”<br />
Skinsky tries to bare his fangs. He drinks up.<br />
“Skinsky, I bet you can’t drink all this alcohol,” another says, waggling a red cup at him.<br />
Skinsky bets he can.<br />
Soon the room is wobbly and Skinsky feels like a sickly vampire. A heart-shaped face calls out to him from across the room. He goes to it.<br />
“You’re familiar,” Skinsky says. Through the backdoor he can see colored blotches, bodies in shiny, plastic coats.<br />
The girl smiles her astounding smile. “Want to come outside?” she says. Skinsky does. Suddenly he is cold, and he is pulling his shorts down over his knees. He can hear voices but is unable to put a face to a voice. Indecipherable sentences pass back and forth over his head. When his stomach feels partially settled, he tries looking around. Faces of his friends are intermingled with the faces of the familiar strangers. Eyes dart to his and look away. Past the clustering of fabric Skinsky sees a rope ladder dangling down from the roof. He follows it to where it’s tied to a rain gutter. Propped or resting around the patio, other strange objects: a hula-hoop, ski boots, a pellet gun, boxing gloves, juice boxes, band-aids.<br />
He hears someone say, “You know how a cat always lands on its feet?”<br />
Skinsky feels anxiety pulse in his stomach.<br />
Someone says, “I feel like I have some idea, but I would like to see.”<br />
“Call me&#8230;Catman,” says Skinsky. He takes a giant step to the rope ladder, but then he feels woozy and stumbles, the ground rushing up at him. A hand takes his shoulder, steadying him. Another, arriving after the point is moot, grabs his elbow. They “Woaahh,” like he’s a horse that needs slowing.<br />
Someone says “I think we overshot it. Let’s put him away.”<br />
When Skinsky wakes up he’s on a couch. His face is stuck to the leather. When he pulls free he sees that it’s morning. Two boys he doesn’t recognize are drinking orange juice at a table behind him.<br />
“You’re Skinsky?” one says, wiping his lips.<br />
“I’m me,” Skinsky says.<br />
The boy makes a thumbs-up sign and then inverts it.<br />
“You,” he says, “are lame.”<br />
Skinsky waits on the driveway for his father to pick him up.<br />
“Friend’s forgot about you?” his father says.<br />
Skinsky says nothing. His father changes the topic to a movie neither of them has seen. Just before they pull into the driveway, Skinsky decides to call it quits.<br />
His presence, over the next week, dries up. He becomes scarce, a rare metal. He is seen at the drive-thru, driving off. He is misidentified at restaurants, at shoe stores—even in the mountains once, which turned out to be nothing but the shadow of a deer eating some leaves. An alleged Skinsky at the movie theatre proves to be a thirteen-year-old, freakishly tall and hormone-addled, leaping from seat to seat during a matinee. Skinsky is at no one’s house, in no one’s backyard, in no one’s photographs. But the friends of Skinsky have summer school, secret projects, brothers and sisters to care for. They have parents and occasionally grandparents to appease.<br />
More weeks pass. It is still July—a hot, wide-open July they have to squint at. The friends of Skinsky feel summer passing from them, over them, diverting around them like redirected water. Their lives, they notice, have become flat and risk-less. Their bodies, sensitive and underused. They investigate various ways of undoing this. They are slightly less careful when crossing the street. They dream plans of visiting travel advisory countries. One night they all play the fainting game. They awake, dizzy and elated, but the feeling fades.<br />
They make a pilgrimage to the roll-over bump at the intersection across from the movie theatre. They are piled into two cars. One will go first and drive over the spot of pavement that triggers the green light. The next will come hurtling down the street and hit the bump, go off the bump into the air. From this will come something definitive: a rope snap, the sudden sound of breaking free. They will feel, in their stomachs, the hard lump of anxiety dissolving into liquid. They will exorcize the spirit of Skinsky.<br />
But they flub it—the red light turning green before they expect and the lead driver making a sudden, confused right turn; the hind car braking abruptly and careening up onto the sidewalk, where it sits, panic lights blinking, as the friends of Skinsky unload.<br />
“What the fuck was that?” says the driver of the lead car. “I trigger it. I trigger it.”<br />
“Already triggered,” say two or three of the passengers.<br />
“Where’s Skinsky?” says a boy nursing a bloody nose. “Where is that guy?”<br />
He’s at home. They find him there. They knock on his front door and are let in by his mother, who intuits their purpose and tells them that he is in the den, “doing his thing.” In walks one. In walks another. Some claim the lead. The leaders lead on into the den. He’s on the couch, watching TV.  He has a blanket pulled up to his chin and he’s putting his lips out for a straw.<br />
They stare at Skinsky, reduced, looking saturated, puffy, funneling kernels of popcorn into his mouth with one hand. He’s watching Japanese cartoons. The characters have spiky hair and big, elliptical eyes filled nearly entirely with white. The subtitles are in English. The story involves a mythical sword split into pieces and the good and evil warriors in search of it.<br />
The foremost leader finds the illuminated power button and shuts off the TV. He looks back to the group, suddenly unsure. Skinsky turns the TV back on with the remote. He slides his arm back under the blanket. He draws the edge over his nose so just his eyes peek out.<br />
“Are you depressed?” someone asks.<br />
“I don’t think so,” he says, the sound muffled by knitted wool.<br />
“Are you sure?”<br />
He pulls the blanket away to sip his soda. “No,” he says. “No I’m not sure.”<br />
There is a silence.<br />
“You’re fine,” someone says, elongating the vowel in fine.<br />
“Skinsky,” someone else says, “Today we took the bump at seventy-five. We took it. Have you ever seen anyone do that?”<br />
“No, never,” he says. “That’s idiotic. Did you really?”<br />
“No,” someone else says. “But nearly.”<br />
His mom appears in the kitchen, parting the crowd to remove from the oven a tray of something covered in thick, white sauce. The smell of garlic fills the room and everyone momentarily loses his or her train of thought.<br />
His mom goes “Mmm, doesn’t that smell amazing?” and the ones who know her first name nod politely. She bustles around the kitchen, running water in the sink, lining up the silverware in the drawers, sponging oven racks.<br />
“I wish I could stay for dinner,” one says.<br />
Skinsky’s mom clasps her hands and beams at him and he looks away.<br />
“Do you guys want to stay for dinner?” says Skinsky.<br />
“Um,” he says.<br />
“We shouldn’t,” say the rest.<br />
“Well, okay,” she says, over-agreeably. “Well me and this one here will just have to have it all for ourselves. And plus the mister of course. He’ll want some too.” She laughs intensely. She leaves.<br />
“We’re sorry if your mom heard any of that,” someone says. “By the way.”<br />
He stares at the cartoon. The battles rages. Pieces of the sword are everywhere, and hopes of reconstructing it look slim. Skinsky turns on his side, touching his nose to the cushion.<br />
July. Endless July. Claustrophobia. Undirected longings. Within a week six of them are in Prague, staying with someone or other’s cousins. They send group e-mails littered with exclamation points. They return, listless. There is talk of jet lag. Two enroll in a German philosophy class at the junior college and abandon themselves to unfathomable texts. Three fall sick with something, possibly mono. Another almost chokes to death on a fruit cup, and they stop hanging out with a group of four, whom they never liked to begin with.<br />
The group reels, recovers, finds itself on a peeling balcony one warm night. There is a moon halo, piercing the clouds. Several nod up at the sky occasionally, reaffirming the existence of the perfectly round light. Others talk, listen, or remain silent, doing neither. One, who is usually silent, tonight is talkative. Unsure where one goes once on a train of thought, he gets the idea to reminisce.<br />
“Oh, Skinsky,” he says. “Oh how we miss a Skinsky. Oh how we miss a Skinsky missing a Skinsky. Oh how we miss. What was best about him? Was it his grace? His balance? I think it was his grace. But others will say his balance. I’m not sure it shall ever be settled. Did we take him for granted? Maybe. Did we abuse his trust? Perhaps.”<br />
He goes on like this. He finds himself very far from his point. He decides to perform a feat. Then he is on the railing, a killing distance above the ground. The group turns to take him in. They take turns, taking him in. They say “What are you doing?” and “Are you drunk?” and “Do you know how high that is?”<br />
Up on the railing, he looks for some way to extend his quest. A tree branch. A branch whose bristles he can barely see, bouncing in wind. This is a branch he could reach. Would Skinsky come this far and quit? Hasn’t he seen him the very same way, knees flexed, center of gravity hovering out over the fall? He tries to interpret the outward appearance of a Skinsky, and by this he hopes to draw inward the actions that certain postures imply.<br />
He crouches, knees up by his face, arms straight out behind him gripping the railing. He lets himself pull against the tension in his arms. He sights the tree branch. There is a silence that sounds like waiting, and he leans out past the point of return, reaching for it.<br />
August. They no longer talk, merely vocalize and wait. Physically, they are in peak health. But all day they brood. At night they sleep like lions, dreaming of elusive things. They talk only when moving between places of sitting or standing, on trips to the refrigerator or to retrieve an item, a bong, a board game, a toothbrush from someone’s car. And even then, to no response. Their statements shrivel in the air and slough downward like dead skin.<br />
From nothing, one night, someone says, “What is it about that phrase?” He studies the ceiling. “Why is it the first phrase I want to say?”<br />
Later another says, “I think it’s, you know, kitsch. It’s sap, it’s Hollywood. We’re indulging ourselves. We’re getting fat and stupid on this crap. I think we should get off this.”<br />
“Death defying?” says the first, “Defying death? Is that the phrase? Or is it just the alliteration? Death ignoring? Death avoiding?”<br />
Much, much later, as he is being dropped off at his house, a third remarks, “This, this, this, this, this, is ending.”<br />
They think of June. They think of school. They think of classes. They think of tests. They think of secret beer. They think of hallucinated sunsets. They think of homeroom. A word, a smell, the arrangement of food on a plate will tug them involuntarily among distant moments. They need a Skinsky to return them to the present. Never are they more fully where they are than when their hearts are out on a ledge with Skinsky. During sex, maybe. But no other time. Not discussing the day’s events with family. Not alone, scheming, or just sitting. Not with each other. Though sometimes, in glimpses—no, still no.<br />
They visit Skinsky again. His mother watches them move through the house and into the backyard. Skinsky is sitting in a plastic chair, drinking from a red cup. The friends of Skinsky approach until they are arced around him in rows, like shark teeth.<br />
“What?” he says.<br />
Behind him the fence separates his house from his neighbor’s. Skinsky looks over his shoulder, then back at his friends, instinctually looking for an escape route. Skinsky stands, chair legs scraping, sending his dog hustling off.<br />
“Forget if you think I’m doing any more tricks.” he says. “Forget it. I’m not your trick guy.”<br />
“But Skinsky,” they say.<br />
Skinsky shuts his eyes, holds them shut, and then opens them. “What?” he says.<br />
A boy puts his hand on Skinsky’s shoulder.<br />
“You are our guy,” he says. “You’re our guy.”<br />
Skinsky sits down in his chair. He puts his palms on his knees, leans forward, and begins drawing deep breaths. He rubs his face with his hands. A few friends come forward and begin massaging his shoulders. He sits stiffly for a while, and then leans back into their grips. A girl comes forward and begins scratching his head with her nails. The others sit, or stand, staring out over the backyard.<br />
“You’re the king,” they tell him. “The king of feats.”<br />
They wait until dark in his living room, and then they go out to the trampoline carrying flashlights. Skinsky had no idea he had so many flashlights, so many D batteries. He sits on the lip of the trampoline, untying his shoes. The flashlights illuminate his hands, the laces, the spot of ground a few feet away where he tosses his keys. Some lights fragment off to hit distant trees, corners of darkness in his yard. But soon they move in unison.<br />
Skinsky begins to bounce.<br />
A girl in flower socks thinks it’s a little sad, bringing Skinsky back to this. But then she begins tracking him with her flashlight, the beam making him stand out big and only against the black. A boy shivering beneath two sweaters follows Skinsky with a flashlight heavy in his hand and begins matching his breaths to the squeak of the trampoline.<br />
Skinsky throws his arms into the air, urging up his height. He comes down, the flashlights follow, and he rises again.<br />
They watch him rapturously, lifting the faces of their flashlights to illuminate his body in concentric circles of dull yellow. His arms and shoulders are completely slack. His knees bend slightly as he hits and returns to the air. Some of them begin to jut their chins involuntarily as he lands in expectation of the leap.<br />
Skinsky at the summit of his bounce. Skinsky imagining the swipe of lights across his chest and up and down his body as he bounces. Skinsky looking out to the pool, measuring the jump, feeling himself hitting the water and sinking, the sudden chill of it.  Skinsky all smiles, falling through the air, landing and propelling himself out. Skinsky sailing through the air, raising his legs in front of him and urging his body out. Skinsky in the air crossing the space above their heads, when the flashlights go off.<br />
The friends of Skinsky hear a sound of soft against hard, and the sound of pain following it, a wordless, guttural revving of the lower throat. The revving opens up to a roar, a single sustained syllable that crests and then breaks over them, and gathers strength again. It is the sound of Skinsky in pain and they grit their teeth against it. They stand in the near black, backlit blue by the hue of the pool, staring at the fuzzy spot of night where Skinsky hit. It is impossible to make out anything but a faintly moving shape, a shape that could be a trick of their eyes, and a sound of their own struggles up from within them.<br />
Still making the sound, they grip the grips of their flashlights, thumbs probing the rubbery buckle of each on-button. There is a click, and then another. And then, like a tiny city at dusk, the whole of them is illuminated from within. Their flashlights brighten a span of air above them, casting weak light on the trunk of a lemon tree some fifty feet back and the white tips of fence at the edge of the property. They move their lights along the top of the fence, and then pull their massive spotlight down over wet blades of grass, towards the spot of cement where Skinsky fell. The light passes over him, and he turns up his face to meet it.</p>
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		<item>
		<title>Sanctify</title>
		<link>http://lelandquarterly.com/2009/12/28/sanctify/</link>
		<comments>http://lelandquarterly.com/2009/12/28/sanctify/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 20:38:41 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=576</guid>
		<description><![CDATA[We didn’t believe when we first heard, because you know how church folks can gossip. Like the time the elders were convinced Sister Janice’s daughter had been turned into a lesbian when she began playing rugby in college. For weeks, we heard the grown folks whisper about how no girl should be playing football—it just [...]]]></description>
			<content:encoded><![CDATA[<p>We didn’t believe when we first heard, because you know how church folks can gossip. Like the time the elders were convinced Sister Janice’s daughter had been turned into a lesbian when she began playing rugby in college. For weeks, we heard the grown folks whisper about how no girl should be playing football—it just wasn’t right—and it must have been that roommate who had come onto her in the middle of the night and turned her gay, until she showed up to Easter service holding hands with a shy boy and that was that.<br />
	We thought it was one of those things, but it’s not. It is, in fact, all true, and it did, in fact, happen six months ago, when Nadia Turner, who was knocked up by the pastor’s son, went to take care of it.<br />
	Nadia Turner was beautiful but she was a bitch, the kind of female who thinks she can talk to people any which way because she’s got looks. The type who’d always flash you this fake smile and you could tell she thought you hated her. All pretty girls think other girls hate them. Like they float through life with boy admirers flocking to their side, so the other girls hate them for it. We might not have those crazy, see-through hazel eyes or that light-bright skin with the long hair, but we’re pretty too. And we have way more to worry about than hating some pretty girl.<br />
	Still, it’s hard not to feel sorry for her that day when you picture her sitting on the metal table, shivering under her paper gown. This was in the nice clinic downtown, not in some back alley apartment where they grin at you with crooked yellow teeth before rolling up their sleeves. Here, the walls were painted lavender with just a framed painting of a desert island featuring a lonely koala bear clinging to a palm tree. Koalas probably don’t even live in palm trees. They live in forests. But maybe that wouldn’t be scenic enough, all that leafy green against purple walls. The furry koala against the palm fronds and the ocean—you were probably supposed to stare into the teal foam and imagine that you were lying out on a tropical island. Close your eyes and pretend you were pressed against grains of white sand, not against a metal table in a sunless room.<br />
	The doctor was a fortyish blonde with electric blue eyes who moved her head in little jerky motions when she talked. She nodded earnestly to everything you said and smiled when she spoke, even if there was nothing happy about her words. She probably did this to make her job more sufferable and to put her patients at ease, but it was more unnerving than anything. No one is used to people smiling at them when they talk about cramping and bleeding.<br />
	When Nadia met with her three days ago, she’d nodded solemnly, touching her hand at moments, other times patting her knee. The doctor told her that if someone is meant to have children, they will, and if they become pregnant too early and decide to end it, the baby’s spirit goes back into the mother’s heart and waits until she is ready.<br />
	Funny what things people tell you when they know you’re not well.<br />
	“How are we feeling?” she asked brightly as she strode through the door, her clipboard pressed against her white lab coat.<br />
	“Fine,” Nadia said.<br />
	“Go-od,” she said, lowering onto the rolling chair as she flipped through Nadia’s charts. “And you took the antibiotics I gave you? Good girl. Everything seems to be in order. Let’s just take one last look before we get this show on the road.”<br />
	Nadia lay back on the table, spreading her legs to let this strange, smiling woman peer inside her as she chatted about the traffic on her way to work today—everyone must’ve been on their way to the beach, because it was just such a lovely day outside. When she finished, Beth pulled from between her legs and told her that her cervix had dilated—they were ready to begin.<br />
	“Now it’s perfectly normal to be nervous,” she said, as the curly-haired nurse began arranging a tray of gadgets.<br />
	“Is it going to hurt?” Nadia asked.<br />
	Beth smiled. God, her eyes were blue.<br />
	“It’s a relatively painless procedure,” she said. “And you’re going to be asleep. When you wake up, it’ll be over.”<br />
	“But after. It’ll hurt.”<br />
	“Minimal discomfort,” Beth said. “Bleeding, but not much more than a regular menstrual cycle.”<br />
	The doctor nodded, as if she was trying to encourage her to ask more questions, but Nadia was silent. She watched the nurse pile more tools on her tray, gadgets that looked like the pickers and scrubbers at the dentist’s. It was kind of like that, a dental appointment. Beth was a dentist drilling for a cavity, and Nadia only had to close her eyes, open herself wide, and let her dig it out.<br />
	Beth prattled on about the beautiful sunshine outside that they’d be able to see if it wasn’t for the Bank of America next to them, and the nurse slipped the plastic mask over her nose.<br />
	“Just breathe in and out,” she told her.</p>
<p>	Now, she should’ve known that messing with Luke Shepherd was a bad idea. You know what they say about the pastor’s kids. In Sunday school, they’re running around the sanctuary, spilling fruit punch on the pews. In middle-school, the pastor’s son is chasing after girls, flipping up their dresses, while his sister smears on lipstick and glittery eye shadow that makes her look like a harlot, Sister Esther says, as she drags her by the crook of her arm to the sink. In high school, the son is hunched in the back pew, texting his latest girl, and the daughter is not in church because she is being felt up in a bathroom stall by the new boy, who is quietly unrolling the nylons her mother insisted she wore because ladies didn’t show their bare legs in church.<br />
	They say the pastor’s kids are always the worst ones and it’s especially true when it comes to Luke Shepherd, that masterpiece of a man. Light-skinned with loose curls, brown eyes, full lips. Yep, we could’ve told her to stay away from him.<br />
	Like she would’ve listened anyway.</p>
<p>Nobody knew when or how it&#8217;d all started because they refused to publicly acknowledge it. But we could tell there was something there.  We could, anyway. It was all in the little ways they looked at each other and touched. Like when Luke would stroll into our young adult meetings, always long after they’d started. He’d drum a rhythm on Nadia’s head as he passed her chair and she’d throw him an irritated look over her shoulder, secretly smiling into her hand once she turned back around.<br />
They were probably in love, but nobody knew because they wanted to keep it a secret. Or Luke did, anyway. He said it was because of his dad. When your dad was a famous pastor, your life was different. This was where Nadia would roll her eyes and say she wasn’t asking him to take her on a park bench, she just wanted to go out to dinner sometime.<br />
	“Because someone will see us,” Luke always said.<br />
	“And…?”<br />
	“And tell my parents.”<br />
	Here she’d fold her arms across her chest. “Why don’t you want your parents to know about me?”<br />
	He’d shake his head again. “You don’t know how they are.”<br />
	They’d been through this a few times before. Eventually she told him she understood, but she never did. His brother Kaleb didn’t have to hide. He and Aubrey could take pictures together and hold hands and attend events where they were complimented on their collective cuteness and cooed at when they nibbled off of each other’s plate.<br />
We all had high hopes for Kaleb. At twenty, he was a saved, Spirit-filled child of God who could quote scripture and tell you what it meant too. He’d been with Aubrey, Nadia’s roommate, for three whole years, and in that time, they had never had sex. And considering this, he had only cheated on her once, but it was just head, so it didn’t really count.<br />
Still, Nadia tried to ignore the fawning over Kaleb and Aubrey. She pretended it didn’t bother her. And she saw Luke at least once a week, in the beginning. Sometimes she would cook for him. Macaroni and cheese with tortilla chips was his favorite. He would smile across the kitchen table, dipping his chips into his bowl of mac and cheese. She didn’t see how he could eat it, but he’d laugh with a mouth full of broken chips and say it was better than nachos.<br />
	Sometimes he’d undress her as soon as she answered the door. Sometimes he wanted to hurt her. She could tell from the hungry look in his eyes when he stared at her, or the way he flipped her over onto all fours, yanking her hair.<br />
Sometimes he was gentle, kissing her before he even reached for her zipper, whispering things to her, sweet things. He told her she was beautiful and she knew she was, everyone did, but it was different when he said it. He didn’t call her beautiful like the dozens of boys who came before him, who thought it was the password. He always said it afterward, when they cuddled in her bed or when she was hurriedly re-clasping her bra because Aubrey was on her way home, he’d stare at her and say, you’re beautiful, like he was awe-struck and thinking out loud, saying words not meant for her to hear.<br />
	Sometimes he disgusted her. He wouldn’t answer her texts or calls, or he would respond with one-word sentences days later. Other times she wouldn’t see or hear from him for days and weeks. She should have expected this. All pretty girls think they can nail down their man, but they can’t, because there’ll always be some other pretty girl who’s willing to spread her legs for him, and that’s a fact. Still, Nadia told herself she didn’t care about his whereabouts, she wasn’t that wide open, and it wasn’t like they were married or something. He could do what he wanted and so would she. But whenever he sent her a random note or appeared on her doorstep after his absences, she would forget he was ever gone.<br />
Sometimes she disgusted herself.<br />
The last time she’d seen him was on a Sunday, when he texted her at noon, said he had a dime, and he’d be by in a little. It was the first time she’d heard from him in over three weeks.<br />
	“You brought it?” she asked, when she answered the door.<br />
He dangled the dimebag in front of her face, pinching the plastic as he passed the olive green blur in front of her eyes. Then he stepped inside, wrapping an arm around her waist and squeezing her to him.<br />
“That’s the first thing you gotta say when you see me? Did I bring the weed?”<br />
He was smiling down at her, a teasing smile, and she wrenched out of his grasp, pushing past him.<br />
“No,” she said, shutting the door behind him, “it’s why the hell haven’t you called me in the past three weeks?”<br />
He smiled sheepishly. “I like your first question better.”<br />
“You’re not funny.”<br />
Her arms folded across her chest, she stared him down, wanting him to look her in the eyes and tell her why he thought it was funny to hurt her. He ignored her glare, planting his hand on her shoulder and squeezing it. She swatted his hand away.<br />
“Are you fucking somebody else?” she said.<br />
“What? Where did that come from?”<br />
“Let’s see,” she said, “you disappear for three weeks, don’t even pick up your damn phone—”<br />
 “Are you fucking somebody else?”<br />
“Yeah. All your friends. Happy?”<br />
He grinned. “You gonna let me watch?”<br />
 “Get out.”<br />
 “Yo, I’m jokin’, I’m jokin! Calm down.”<br />
 “Get out. Go.”<br />
She grabbed his wrist, pulling him toward the door. She knew that once Luke planted his feet, she wouldn’t be able to pull him anywhere. Still, she yanked at his arm and he watched her struggle, his smile fading.<br />
“Baby, no,” he said. “No, I’m not seein’ anyone else. It’s just you, okay? It’s been you, for the past three months. Okay?”<br />
Then he pulled her close, burying his face in her neck as he planted kisses behind her ear. When he pulled away, he gave her waist a final squeeze.<br />
“Now let’s light this shit up because you need to relax,” he said, fishing in his pockets for a lighter. “I thought you were gonna rip my head off right then. Is it that time of the month or somethin’?”<br />
She didn’t realize it until later, after he’d slipped out her door and she was lounging in bed, still buzzed. She thought about what he’d said while he carefully licked the rolling paper, glancing over his shoulder as he told her, I know how you get. Last time you went crazy on my ass. It was only then that she stopped to think about how long ago last time had been.</p>
<p>Later, they lay together entangled in her sheets. Their bodies were sticky, damp, but they lay with their legs intertwined, Nadia tucked into the crook of his arm. She watched him as he snored, her arm wrapped around his chest, fingers spread on top of his ribs, when she heard the front door slam.<br />
“Nadia, I’m back!”<br />
	It was three o’clock already. Of course Aubrey’d be back from church by then. Nadia wriggled out from under Luke’s arm and yanked opened a window, trying to let some air in to dilute the smell. Luke watched her, his head resting on his arm, a smile forming across his face. He watched her struggle to hide the distinctive smell with the light breeze blowing in through the window screen and he laughed.<br />
	Nadia put her hand over his mouth to shut him up, but it only made him laugh harder. He laughed and kissed her palm, making her giggle too.<br />
 “Nadia?” Aubrey’s voice sounded louder. She was standing right in front of the door<br />
 “Yeah?” Nadia’s hand was still clamped on his mouth.<br />
“Um, is something burning?”<br />
Aubrey was hesitant, bless her heart. She wouldn’t even acknowledge what her own nose smelled.<br />
“No,” Nadia said. “It’s just incense.”<br />
Now he really started howling. She covered his face with her pillow to muffle his voice, feeling his chest heave under her arm.<br />
“Oh okay,” Aubrey said. “Just be careful with that.”<br />
Nadia heard her footsteps diminish as she walked across the hallway and disappeared into her room, closing the door behind her. She removed the pillow from Luke’s face and he smiled up at her, his breathing slowing. She pressed her hand to his forehead, pushing back curls.<br />
“We have to be quiet now,” she whispered.<br />
“I don’t care. I don’t care if she hears us.”<br />
“Yes you do.”<br />
“I don’t. Not anymore.”<br />
She kissed him to shut him up. It was better than hearing his lies.</p>
<p>	You would think that it was the test that stunned her the most, but it wasn’t. That little plus sign that appeared in the magic window couldn’t compare to the moment she received the check.<br />
 	She didn’t discover it in her mailbox or at the post office front counter. Instead, it was hand-delivered three days after she’d first told him the news, inside a white envelope with her name written across it. She found it wedged under her door and as soon as she held the envelope up, she saw the tan slip inside and she knew what it was.<br />
	The check really shouldn’t have come as a surprise to her. Maybe she didn’t think Luke was capable of such heartlessness—not just because he gave her the money, but the way he delivered it and fled from her doorstep. You couldn’t really blame him for giving her the money. Still, he could have given her the check to her face, no one disagrees with that.<br />
Somebody should’ve known what was going on, but nobody did. Well, somebody did but not the right somebody. Of course Luke knew, but he was the one who told her to do it in the first place. And everyone else who could’ve helped her…well, no one really knows when these types of things are happening.<br />
Aubrey would have stopped her but she was clueless. Too heavenly minded to be any earthly good, like the old folks always said. We thought that she would have known something, but she told us that the morning that it happened—or supposedly happened—Nadia seemed fine. When Aubrey asked her how she was doing, she just shrugged, not looking up from her cereal as she smashed Cheerios she didn’t intend to eat flat against the side of the bowl.<br />
Yes, Nadia was quiet but she was like that sometimes. Now that she thought about it, it was strange that when she told her that Kaleb would be staying over that night, Nadia said nothing. The very first time they’d had that conversation, Nadia, who was sitting at the kitchen table wearing blue-checkered boxers from an old boyfriend, her foot perched on the chair next to her, stopped in mid-scoop, her spoon clanging against the bowl as she leaned back in her chair, a smirk spreading across her face.<br />
	“I see you, Aubrey,” she had said, nodding her approval. “Damn. It’s about time. I was about to say—”<br />
	“Whoa, whoa,” Aubrey said, waving her arms in front of her like she was trying to swat down Nadia’s inference. “We’re not—it’s not like that.”<br />
	Nadia’s smile melted away, her eyes narrowing as her lips pressed together in a look of sheer skepticism.<br />
	“So you mean to tell me,” she said slowly, “that he’s spending the night, but you’re not gonna fuck him?”<br />
	Nadia wasn’t shy about her conquests. On mornings when she returned around nine or ten wearing the same slinky dress from the night before, she’d flash a smug smile at Aubrey, daring her to ask about the recently unfolded events; and when Aubrey was too uncomfortable to bite, she’d tell her anyway, practically stretching out on the countertop and smoking the post-coital cigarette when Aubrey tried to eat her oatmeal.<br />
	“No,” Aubrey said. “We’re not.”<br />
	“Wait. So he’s gonna spend the night…and you’re just going to sleep.”<br />
	“Exactly.”.<br />
	Nadia just shook her head. “How long ya’ll been together?”<br />
	“Two and a half years.”<br />
	“Three years, and you haven’t had sex once?”<br />
	Aubrey shook her head.<br />
	“No you have, or no you haven’t?” Nadia asked.<br />
	“Haven’t.”<br />
“Damn. Is he gay?”<br />
“No! He just respects me.”<br />
Nadia shrugged, pouring more cereal into her bowl. Aubrey waited, expecting another one of her snappy comebacks, but she seemed to have moved on, more engrossed in her breakfast and the drama unfolding on MTV than in Aubrey’s intimate relationships. Then, once Aubrey placed her empty bowl in the sink and started toward the bathroom, she heard Nadia behind her say, “He’s gay.”<br />
	But that morning, Nadia barely reacted. She replied in monosyllable to Aubrey’s conversation starters and even her declaration about Kaleb received no response, no suggestive raising of the eyebrows or embarrassing innuendo.<br />
	Nadia was like this sometime. Some mornings, she didn’t want to be bothered, ignoring Aubrey’s attempts at conversation or avoiding her altogether. Some days she retreated so far into herself that it was just easier to let her be, rather than to drag her back into the land of the living. This was one of those days.<br />
	Aubrey had returned to her Biology textbook, ripping apart pieces of toast and dipping them into a glob of jelly spooned on her plate, when Nadia stood, dumping her bowl into the sink, waterlogged O’s splayed in the basin.<br />
	“Do you think you could give me a ride somewhere?”<br />
“What time?”<br />
“An hour.”<br />
“Can’t. I have class. You can take my car though.”<br />
Nadia hesitated a second before she said, “Okay.”<br />
	Aubrey unhooked her car key from her key ring and slid it across the counter toward her. Nadia reached out for it, her hand slowly raking it off of the countertop.<br />
	Half an hour later, Nadia emerged from the bathroom, wearing skinny jeans and pointy-toed heels, her hair pulled back into a high ponytail, large sunglasses obscuring her eyes. Slinging her large purse over her shoulder, she walked past Aubrey to the front door, pausing with her hand on the doorknob. Then she glanced back at her and said, “I’m going out.”<br />
	 “Have fun,” Aubrey had called after her.<br />
We asked Aubrey if Nadia seemed upset when she returned that night, but she said no, she just wasn’t feeling well. Female problems, you know how that goes. When she walked through the door, she did look a little unsteady on her feet, so Aubrey told her she should sit down. She kept saying she was fine, she was fine, she was fine. It was just cramps, she said, clenching her fists and breathing slowly, waiting for them to pass. It was painful just to watch, Aubrey said.<br />
“Want some Midol?” she asked, putting an arm around her. “Or I could make you tea—”<br />
“No. I’m okay.” Nadia paused, her fingernails digging into her palms. “I’m just gonna go lie down.”<br />
She rose to her feet, clutching her purse in her hands, but she didn’t turn to walk toward her room. She was staring at the couch, where there was a splotch of blood on her seat. She cursed, and when she returned from the bathroom, she blinked back tears as she sprayed the cushion with stain remover and scrubbed. </p>
<p>Nadia discovered the thing about the check later. It was still sitting on her nightstand, preserved in its clean white envelope. She hadn’t spent his money. She hadn’t even opened the envelope.<br />
	After staring at it for a minute, she finally reached for it, sliding her finger under the envelope and pulling out a tan slip of paper. Her name faced her in small, bold letters. She glanced at the date. Last Tuesday. A day after she told him the news. The check was for a thousand dollars.<br />
	Her eyes fell to the bottom, to the part she dreaded, where Luke decided to sign off everything they had because she was a problem he needed to get rid of—but his signature was not on the line.<br />
John Shepherd had endorsed the check. </p>
<p>	In the end, everybody found out anyway. All it takes is one person to overhear a snatch of conversation or to see something that doesn’t look quite right and it’s over. You know how church folks can gossip. Mrs. Gaines, the pastor’s secretary, told us that one afternoon, a hot-to-trot female marched up to the front desk, demanding to meet with the pastor. When Mrs. Gaines explained to her that the pastor was a very busy man, you can’t just walk into his office, you have to make an appointment first, the girl flashed a check in front of her and said that the pastor knew who the fuck she was, she wasn’t making a goddamn appointment, and he better see her now. She looked so crazy Mrs. Gaines was half-afraid she’d reach into her purse and point a revolver at her forehead. Thank God the pastor was not in. The girl said she’d wait. She was young and beautiful, Mrs. Gaines said, who knew why she was so angry? She was a pretty thing but she had way too much attitude, Mrs. Gaines said, cursing like that and taking the Lord’s name in vain. Have mercy.<br />
	The only reason why we didn’t believe that she was the pastor’s young mistress, like Sister Robinson claimed, or even worse, his lovechild, like the head alto suggested, was because we saw her and Luke together.<br />
	We were leaving mid-week Bible Study when we stepped out into the parking lot and saw the two of them. They were sitting on a bench beside the church, and we probably wouldn’t have noticed them at all if we hadn’t heard her voice cutting through the evening’s stillness. Then we saw her, hovering over Luke, who sat hunched on the bench, his head in his hands.<br />
	“You lied,” she said, “you lied.”<br />
	He moved his hands from his face and looked up at her, starting to say something, when she punched him. Once, twice, three times, then she grabbed his shirt and shook him, yelling that he lied, he lied, he fucking lied. We watched, not knowing what to say. Luke was silent too. He sat there, taking it all until she’d had enough, until she shoved him and turned to walk away. Then he reached for her hand and she yanked hers away as she started toward the rows of parked cars. Luke sat slumped on the bench, his face back in his hands, shoulders shaking.<br />
When she neared us, she narrowed her liquid amber eyes, her face twisted into a sneer.<br />
“What the fuck are you bitches looking at?” she said.<br />
	We were too stunned to say anything, but she didn’t wait for our response anyway. She stormed past us, car keys in hand, not looking back, refusing to look back. For a moment, we had nothing to say.	Of course we didn’t know then what we know now. So at the time, the only thing we could think was that Nadia Turner was still beautiful even when she was a complete bitch and wasn’t it unfair to all of us nice girls.<br />
	Later, Aubrey told us she still didn’t believe any of it. Nadia and Luke didn’t even know each other and besides, if something was really going on between them, don’t you think that she, the roommate, would have known? Aubrey also doesn’t believe that Kaleb cheated on her once with that girl at the party, so her opinion doesn’t matter much.<br />
	For a while, we thought things might explode, but they didn’t. People whispered about it for a few days. Ladies talked about it in the bathroom as they reapplied lipstick and lotioned their hands in front of the mirrors. The old folks discussed it in between rounds at bingo. Then Sunday came, and the pastor delivered a sermon about the power of positive confessions that brought the congregation to our feet. We let the Spirit move us, joining choruses of amens! hallelujahs! let Him use you! and take your time, Pastor, take your time. We harmonized with the choir, clapping our hands, swaying during the solos and dancing during the organ riffs. With the music coursing through us, we duked the Devil and stomped on serpents, our shoes crashing into the wooden floor in time with the drums.<br />
	By the end of the service, we were folding the church bulletins into fans, sweating with the rest of the saints. </p>
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		<title>Temporary in a Skin Suit</title>
		<link>http://lelandquarterly.com/2009/12/28/temporary-in-a-skin-suit/</link>
		<comments>http://lelandquarterly.com/2009/12/28/temporary-in-a-skin-suit/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 20:36:21 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=574</guid>
		<description><![CDATA[In a wonderful world where grass sprouts and divided cells sing the words of the Elevator Blues, which unofficially goes, “Give a little piece of the pie, we would all love to be refined,” Aaron Veedon was popped out and turkey bastered to breathing.  His heart, the four-chambered rhythm machine already formed and months old, [...]]]></description>
			<content:encoded><![CDATA[<p>In a wonderful world where grass sprouts and divided cells sing the words of the Elevator Blues, which unofficially goes, “Give a little piece of the pie, we would all love to be refined,” Aaron Veedon was popped out and turkey bastered to breathing.  His heart, the four-chambered rhythm machine already formed and months old, fluttered to a start without any maternal guidance.  Every time his mother ate, sang, laughed, played records, got into a scented bath, or was touched gently on the back of her neck or along the skin that ran from her armpit to her hip her heart would flutter to start and Aaron Veedon’s heart would flutter to start and frankly Aaron Veedon had just about had it with all that bullshit.  He was out now and god of his heart, fellow traveler and disciple of it, too.<br />
Aaron had a normal head (mushy and pointed) and had all the regular baby aesthetics going for him, at least for the first few minutes.  Aaron was hosed off, but as the yellowing globs of afterbirth slumped onto the sterile tile so did Aaron’s first few layers of mauve skin, sadly and with a plop.  Aaron Veedon’s skin shined as onion paper does in its dull glossy way. From the brim of his felty top to his mouse’s toes there shown all the inner things that skin very often covers.  Aaron Veedon was red, blue, and green and he never cried out.  Instead he lay still, grabbing at his toes, clutching, and rocking himself to a smile when he became restless. His heart, that four-chambered rhythm machine, pounded its thin seagrass tresses.  The attending nurse didn’t quite scream, but rather sighed some breathy words and brought Aaron and his sheath into the Veedon’s room some minutes later alongside of a doctor. <br />
“Have you been sleeping on your side, Mrs. Veedon?” the doctor asked, fingering his nametag the way young doctors do. <br />
“Is something wrong?” the drugged-up, round-faced woman lulled, “I roll in my sleep sometimes, yes.”<br />
“He’s got about 48 minutes left, I’d say.”  The doctor tugged up his white coat’s sleeve and checked. <br />
The Veedons began to move on, cutting orange slices and molding Mr. Veedon’s leftover parmesan chicken tin foil swan into a soccer ball.  Aaron made friends quickly.  He soared in protective footy pajamas in outstretched arms and greeted the lines of incubating infants, like all good people, without a movement of mouth or hand or arm, but rather with a noticeable movement of his insides.  Nurses performed Shakespeare and Mrs. Veedon read Rilke.  Albums were played, beginning with a Little Mermaid cassette and brimming over afterward and all together with David Bowie, Moonlight Sonata, and all the other smatterings of human culture the hospital occupants and staff could muster.  Mrs. Veedon claimed that Aaron needed the fruit, not the pit.<br />
Someone sat him down in front of a television and flipped through the channels in 2-3 second intervals twice over.  He was given a world history lesson with all of the highly toted civilizations, modern and ancient, summed up into easily digestible sentences. He hit all the major world cities, which were set up in different rooms of the Intensive Care Unit on the second floor.  Everything went smoothly until the few people setting up the Bratislava room got in a fight over the ethnic content.  The smoke coming from the Asian rooms exasperated the Bratislavans even more and a rumble ensued. To fill the lost time Aaron was sent to and visited an NA meeting, a philosophical discussion concerning Plato’s Symposium, and a church.<br />
Aaron had learned a lot during the time spent on his education, but he couldn’t help but to feel as if things were missing.  He sat stagnant and watched the ceiling as the hospital crowd quibbled outside his window.  They played happy music for Aaron and he cried.  They blew trumpet noises through pieces of grass and Aaron turned his silent face towards them and thought:  How he’d lost his poem.  How he couldn’t bring himself to look Jacky, his love interest whom he’d met and traveled through half of the ICU’s Europe with, in the eye.  How he possibly had been before and always would be condemned to a certain infantile nothingness. <br />
Aaron drank coffee and smoked cigarettes and, in a few words, had an artistic breakdown.<br />
Mr. Veedon squeezed his temples with the tips of his fingers.  He took Aaron up into his hands and became a maypole, the final minutes flitting away and they spun about the room’s tan equipment. And through red-lit veiny eyes the Veedons, father and son, realized the slats of the window.  The gentle, constant pressing of light.  A light that did not stop for the doctors, the Veedons, or Jacky.  Purple faced and hardly breathing the Veedons ran through automatic sliding doors and the halls of the hospital towards the sun.  </p>
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		<title>San Expedito</title>
		<link>http://lelandquarterly.com/2009/12/28/san-expedito/</link>
		<comments>http://lelandquarterly.com/2009/12/28/san-expedito/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 20:35:05 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=572</guid>
		<description><![CDATA[The town had grown too large, and so I decided to let some people go.
I spoke first to Mac Trueba, the founder of the town’s abstract realist photography collective. He was living with three friends and his wife in an apartment in the Colonia.
“San Expedito’s just grown too large, Mac,” I said. “We had the [...]]]></description>
			<content:encoded><![CDATA[<p>The town had grown too large, and so I decided to let some people go.</p>
<p>I spoke first to Mac Trueba, the founder of the town’s abstract realist photography collective. He was living with three friends and his wife in an apartment in the Colonia.<br />
“San Expedito’s just grown too large, Mac,” I said. “We had the write-up in Coastal Homeowner’s, and then in Pacific Living, and it’s just gotten so popular that we’re too big for the zoning board.” I gave him two thousand dollars, a train ticket to Angangueo, and forty-eight hours to pack up. He was probably going to have to leave some of his bigger photos – the ones where he took pictures of bookshelves and stacks of things and then covered up bits with black cloth to just leave bands of color.<br />
“You don’t like my photography?” he asked, and I explained that it was great, not really my thing, but great. “Is it because I married Clara?” was the next question, predictably, and although Clara was very beautiful (she had a small scar on her right cheek where her brother had shot her with a BB gun as a child that gave her a single, asymmetric dimple) and I had dated her in high school, that was not the reason, and I told him so. He said, “OK, Earl,” and was gone the next day.<br />
That was good, I thought. That was very easy, and I checked back to see if Clara was there, but unfortunately and, in retrospect, predictably, it turned out she’d left with Mac. So I expelled his three friends as well and let the Valenzuelas next door expand into the vacant apartment. They had seven in an apartment that size, plus two seniors.<br />
Then I spoke to Woods, out on Libertad and Hurley, and told him the same basic thing – Coastal Homeowner’s, Pacific Living, overpopulation, two thousand dollars, the whole deal – and he said, “Why do the yuppies get priority, Earl? I’ve been living here as long as anyone else.” Woods ran a kind of nude writers’ commune down there on the Crest, and it had gotten pretty popular in recent years, especially with the women.<br />
“The yuppies aren’t the problem, Woods,” I said. “Hell, I hate the yuppies as much as the next man, but they aren’t exactly flocking to the city center, or San Expedito proper, even. The yuppies drop themselves out in the suburbs, and looks like Ralstonville and Boscovia’ll be absorbing most of them. The real issue these days is the city center, and what I would call an infrastructural problem.” Woods agreed that there was an infrastructural problem, but wanted to know what to do about the rest of the commune. I just kept staring at his eyes when he said this, because the rest of him was notably tan and I was having trouble taking that for too long at once. “Call them all together,” I said to Woods. “Offer them all the deal. Obviously the more we can take out the better.”<br />
“Obviously,” he said. Forty-eight hours later, the commune was gone, and I was feeling so accomplished that I took a day off and watched a couple of ballgames I’d taped.<br />
In the four days after that, I expelled two thousand three hundred and fifty four more, mainly from artists’ collectives where people were living five, six, seven to a room, and this, plus the eighty-seven in the colony and the four folks in the apartment and a reported death (old age), left San Expedito with a population of nine thousand eight hundred and ten. Nine thousand eight hundred and ten was just fine, and I called Vern at Coastal Homeowner’s to apologize about the message I’d left him when his article first came out, something about not looking forward to the attention this would bring us, we already knew we were a “nice little town with a creative spirit,” so we weren’t getting anything out of the write-up, something like that. I’ve known Vern since high school, and he’s always done right by me, but I think I lost my temper when I saw that article, thinking about the city center. Now that it was alright, I wanted him to know.<br />
“Earl,” he said when I called. “I’ve already got a man on it.”<br />
“Got a man on what?” I asked, and told him about the two thousand four hundred and forty or so folks I’d sent to Angangueo, saying I was sorry about that message.<br />
“Well, it’s alright, but that’s just the thing, Earl,” he said. “They aren’t in Angangueo. As I understand it, they’re somewhere in Ralstonville, forming a kind of posse. We’ve got a writer on it now.” I told Vern I’d call him back, and walked over to Ted’s. Ted Saxton was chief of police, had been for years, and he told me more or less the same thing.<br />
“They spent the two thousand on rifles and leaflets,” he said, and smoothed a poster advertising the school district’s Ceramicist of the Year award. “None of them went to Angangueo.”<br />
“Is there any way we can call them?” I asked.<br />
“I don’t see why not,” he said, and turned to the phone. He typed in two digits, then turned back. “Don’t you have Woods’s number?”<br />
“I suppose I do,” I said, and called Woods.<br />
“Woods,” he said.<br />
“Woods,” I said. “How’s Angangueo.”<br />
“Well, it’s fine, Earl,” he said. “How’s San Expedito?”<br />
“Woods,” I said.<br />
“Earl,” he said.<br />
“Why did you all stay in Ralstonville and buy rifles?”<br />
“Angangueo doesn’t want us,” Woods said. “So we’d like the nudist colony back, and so on.”<br />
“What are the leaflets for, Woods?”<br />
“Some of the boys put together some real nice protest poetry,” Woods said. “And a couple other folks threw some woodcut caricatures on there, too. The abstract realists have a photo series planned out.”<br />
“And you got those rifles.”<br />
“And we got those rifles.”<br />
“Can I talk to Clara, please?” I asked.<br />
“Who’s Clara?”<br />
“Clara Trueba.” There was some shuffling on the other end of the line.<br />
“Earl?” Clara said.<br />
“How come you broke up with me?” I said.<br />
“That was thirty years ago, Earl,” she said.<br />
“Oh, OK,” I said, and I turned to Ted and told him we’d just have to let them back in. There was no way we could defend against two thousand hundred forty or so rifles and God knows how many leaflets.<br />
I don’t expect them to make a statue of me when it’s over. We’ll have to apply for extra funds from the state if we don’t want to end up condemning some buildings, especially in the Colonia. Even if we aren’t going to get the yuppies’ tax dollars, they’ll want to visit, sure enough. So that’s a couple of difficult truths that doesn’t lead to popularity right there, plus I’m an ugly man on top of that. There always has been a bias against making statues of ugly men, and I can’t say I blame them. I have a weak chin and a paunch. Some biases make sense, is all. Maybe it isn’t the kind of town you’d want a statue of yourself in, anyway.</p>
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		<title>Dry Creek Valley</title>
		<link>http://lelandquarterly.com/2009/12/28/dry-creek-valley/</link>
		<comments>http://lelandquarterly.com/2009/12/28/dry-creek-valley/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 20:33:49 +0000</pubDate>
		<dc:creator>Jin</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=569</guid>
		<description><![CDATA[My parents announced their divorce the same summer the vines contracted Phylloxera, a root louse, and began to shed their rich green leaves, revealing the sea of gnarled brown stumps below.  For weeks, the groundskeeper had taken soil samples, leaves, bits of debris from all the vineyards and slowly, methodically produced a timeline of [...]]]></description>
			<content:encoded><![CDATA[<p>My parents announced their divorce the same summer the vines contracted Phylloxera, a root louse, and began to shed their rich green leaves, revealing the sea of gnarled brown stumps below.  For weeks, the groundskeeper had taken soil samples, leaves, bits of debris from all the vineyards and slowly, methodically produced a timeline of the spread.  The disease, he concluded had begun in a single source, a strain of Malbec grapes grown only in our vineyard, and had moved outward until the whole valley was contaminated.  The divorce, too, began with a single source: my father having sex with a nineteen year old he met at the Pic N’ Save, and soon festered into his running away with the nineteen year old because he loved her and because she was pregnant with his child.  I would learn the details of his relationship later when a letter arrived in the mail, sent from a PO Box in Boca Raton. But at the time, I could not tell that anything was amiss until one day I awoke to find two meticulously packed suitcases by the door and my mother chasing him down the narrow hallway screaming “Fuck you,” over and over again.<br />
It was not an entirely uncommon scene, as fighting was a constant feature of life in a house as small as ours.  There were two tiny bedrooms, a kitchen, a bathroom, and a common room, all laid out in a perfect rectangle with one hallway serving as the only means of getting from one end to the other. You could be at the entrance of the common room and look down the hallway all the way out the window in the furthest bedroom. And from that window, all you would see were vines extending into the distance in perfect parallel rows, giving the impression that there was nothing separate from this place, only an extension of the narrow cream hallway stretching into the distance.<br />
My mother nicknamed the house “The Shoebox” when they purchased it fifteen years prior, a year before I was born.  At the time, she told me, the name was given affectionately, a tender term capturing the coziness and perfect symmetry of the fading yellow home. But this was before the hallway was too narrow to accommodate my father’s great gut and she would have to lean against the wall to let him pass, his belly moving like a marble through a narrow tube.  This was before the kitchen sink and the toilet began to leak on a regular basis and before the hinges on the front door became rusted and worn, making it difficult to get in and even harder to get out.  Over time, she used the term with more and more aggravation.  “This place is a fucking shoebox,” she would say to me as she retrieved the plunger to unclog the toilet for the fifth time that week.  She would emphasize the last syllable as if the word itself, box, referred not only to the house, but also to the town, to the valley, to life.<br />
I had just woken up when I heard the commotion, and I came to my door to see this week’s offense.  I was standing in my doorframe when I saw the two cream suitcases stacked by the door with care and my parents sprinting down the hallway, my father moving with an agility that finally validated his claims of high school track stardom. As he reached for his tan canvas bags, my mother lunged for his waist, falling instead into the depressed square of carpet where his bags had been a moment before.  He was already out the door, running to the gold Buick that idled in our driveway with his young lover sitting in the passenger seat rubbing her belly and staring blankly out the window, not even turning to see what was going on.  I ran to the living room window, jumping over my mother’s felled frame to see him.  As he lumbered into the drivers seat, the girl with the blonde side ponytail and the dangly gold earrings recoiled slightly in what, perhaps, was reality setting in.<br />
My mother righted herself behind me.  She ran out the door, pulling her pink terry cloth robe tighter around her thin frame as she stepped onto the stoop.  The car was already gone. It had disappeared onto the country road shrouded in oak trees and was making its way towards some unknown destination.  She stood in front of the house, staring into the empty space.  Her hair was wrapped taught in pink foam curlers, as it had been every morning since I was a little girl.  I knew that they hurt her scalp because she would cringe each time she rolled an inch wide section of hair.  My father would always mock her, asking her what ball she was attending today.  She would ignore him and continue on silently. I wondered if he could see how she flinched when she rolled each strand, and I wondered if he realized why she did it.</p>
<p>My mother had grown up in the South wearing pearls and attending debutante balls before she up and left for California and met my father, a successful insurance salesman in San Francisco.  She did not know what she wanted to do, but her greatest dream was to paint the Golden Gate Bridge in all four seasons, and for that, she was willing to sacrifice the Ionic columns and sprawling yards of her family’s estate.  Only after she arrived did she realize that she had miscalculated; San Francisco only had one season, foggy and grey.  So she created fallacies, productions of white snow drifts swirling furiously around the jaunty red bridge.  One hung in my room. It was so real that I couldn’t imagine the scene was not drawn from life. The small huddled frames of people shuffling across the bridge so vivid that it was impossible that they did not live in this snow-covered world.  But to her, the art was preposterous. She had come to see snow; she had come to see summer leaves turn to rich oranges and reds and float to the ground. It had been her understanding that these things happened on the coast, but she must have been thinking of the wrong one.  She admitted to me once as she peeled an onion in the kitchen, giving her an excuse for tears, that she tried to paint the bridge as it was, cloaked in fog so thick that one could only see half of it at once, but she could not. She had meant to find the seasons and had made it to the wrong side of the country instead.<br />
Then she met my father in a bar downtown and fell in love and stopped painting altogether because she had finally found her purpose for being there in that fog cloaked city.  And besides, he told her, it was very confusing to paint a California bridge in the midst of a New England fall.  And after a year of dating, she accepted his proposal and followed his dream of growing wine two hours north of the city to Dry Creek Valley, where I was born a year later.</p>
<p>That winter, my father gained twenty pounds and it snowed in San Francisco for the very first time.</p>
<p>Standing now on the front step of our home, my mother seemed hopelessly out of place. She was tall and stately, her back perfectly straight and arms limp by her side.  She would have looked at home among Eucalyptus trees, fragrant and willowy but among the squatty vines with their twisted branches and thick middles, she was an oddity, a snowflake falling softly on the streets of San Francisco.  She folded her arms, now, across her chest.  I watched the back of her head, waiting for movement, convulsions of tears, any sign of life at all, but she looked unflinchingly forward. What she thought during the time that elapsed, perhaps three minutes, I do not profess to know.<br />
Without bowing her head, she removed the simple gold band that she had received fifteen years before and cast it into the vineyard.  It arched gracefully through the air, the metal catching the sunlight as it returned to the earth, an act of great significance and passion resulting in some tiny unseen crash. One day, perhaps, it would be implanted there and grow into something horrible, a vine with rotting fruit and withered leaves.  She turned back to the screen door and for a moment we stood there, examining each other through the glass window.  I searched her blue eyes for some form of shared experience or pain, but she looked into my face with neither acknowledgment nor recognition. I would later try to imagine the depth of pain, the absolute bleakness and despair that must have motivated that look, and I would try to forgive her for it.<br />
The moment passed and she turned now, moving through the front door, through the common room, where I sat, and into the kitchen.  She walked directly to the metal wine rack in the corner of the room.  The rack held twenty bottles, all ours, each sorted according to year and type. It was as close to a scrapbook as our family had ever produced.  She reached out and took a bottle off the shelf.  She ran her fingered over the beveled paper as if it were the skin of a newborn child, delicate and pure.  Today, I knew, a crew was coming to rip every last disease riddled vine from the ground.  There would be no new wine for several years.<br />
Perhaps she wondered if he had planned this, plotting his own escape to coincide with the destruction of the vines in hopes of creating some greater metaphor. Perhaps she felt deceived by him and was furious with herself for miscalculating the sort of man he was.  Or perhaps she had known what sort of man he was all along and simply hadn’t done anything.  Her body language, her gracefully curled spine and impassive stance, revealed none of these possibilities. And the ambiguity of the situation, the lack of definitive emotional response, was terrifying.<br />
Without warning, she flung the bottle to the linoleum floor with such force that the cork popped and wine burst from the bottle.  Her body became fluid again, and it must have felt good to create that type of crash.  The wine flowed outward from the point of contact, soaking the white floor in burgundy.  Examining her work, she took another bottle and hurled it against the wall, grunting with exertion.  The wine burst in a tremendous arc and coagulated in a puddle filled with shattered glass.  She reached out to the wine rack again and again, her arms moving gracefully as a dancer as she reached across her body to retrieve another bottle and flung it outward into the space.  I was crying now, but I did not say a word.  I was not really there.  Like a wedding or a funeral, I could not claim ownership over the events that were transpiring, and so I bore witness.</p>
<p>Twenty bottles, in sum.  My mother stood barefoot, surrounded by a sea of crimson red.  She was a sea goddess, her legs smeared with wine and her sallow cheeks full and alive with color, the passion of the moment igniting her very being.  The curlers had distended, unraveling tangled tresses of long brown hair that had, in recent years, become tinged with grey. She was fiercely gorgeous, a savage woman shown on the cover of National Geographic.  I could have imagined her hunting down caribou or migrating across deserted lands. She could have painted the Golden Gate Bridge in a typhoon and no one would have questioned her vision.<br />
I cried harder now, and I was shocked to discover that my cries were not silent.  I, in fact, inhabited space in the same scene as she.  My mother caught my eye and held my gaze for a second.  And though her blood was coursing with adrenaline, though her stance was that of a warrior, stiff-legged and brazen, her eyes showed only fear in its most basic form. It was the fear of the unknown, the fear of time passing without any logical sequence at all. It was the same fear of the savage woman in uncharted lands and the same fear that I had experienced when my mother told me as a young girl that Clancy, our Golden Retriever, was dying.  It was a fear that one learns to suppress when it is no longer appropriate to ask questions such as “Where are we going?” or “Is there a God?” anymore.<br />
“Don’t cry.”  It was neither a command nor a placation.<br />
I nodded once as she turned her head and walked unflinchingly through the puddle and down the narrow hallway, leaving perfectly formed red footprints of wine and blood on the cream carpet.</p>
<p>In such a small space, there is no room for chaos or calamity.  Everything must be contained, compartmentalized, controlled.  Spills were cleaned immediately because there was no way to avoid them, surfaces kept tidy because one could not work around them. Now, with my father’s absence, there was suddenly room for disaster, and the house seemed empty for the first time I could remember.  Slowly, I set my feet down on the floor.  They had been coiled tightly under me, and now they were numb.  I tested each leg, putting a bit of pressure on it followed by a bit more.  Finally, I stood and got a mop from the kitchen closet.  It was solid in my hands, the feeling of wood between my fingers telling me that this was real.  This is a mop I thought to myself I am holding a mop and I am going to clean the kitchen.  I knelt down and nicked my finger on a piece of broken glass.  I watched coolly as a small bubble of blood formed and ran down the length of my index finger.  I brought the finger to my lips and licked it off.  This is blood.  This is blood and that means that I am alive.<br />
I righted myself and dropped the mop into the center of the wine, sending ripples through the placid lake.  I moved the mop to the left, which merely extended the puddle outwards in that direction.  I moved the mop to the right, but this created a similar phenomenon on the opposite side.  I had never mopped before, but I knew that this did not happen when my mother did.<br />
I pushed the mop franticly now, swinging it from left to right, and with each movement the mess seemed to grow in size, becoming more and more impossible to contain.  I stopped. I dropped the mop and sunk to my knees, alcohol seeping into cuts and scrapes with a tingling burn that feel prickly and good.  The shorts I wore had been white but were now turned a deep crimson. They would never be white again, but I didn’t care; the line between tidiness and disorder seemed too solid, and we had crossed from one side of it to the other.  Everything in this house would be stained now, somehow.<br />
Cupping my hands, I brought some of the wine to my lips; I wanted to taste what rage felt like.  I had tasted wine all my life, and I had come to finally appreciate the taste, the undertones and blending of flavors that not only set each bottle apart, but each sip apart.  Everything about a good wine, my father had once told me, changes.  No sip should ever evoke quite the same response.  The pooled wine tasted strongly of decay. I took another sip and could taste the disease, the acrid taste of death which would soon be all there was.  Surely the taste of rot had been there for years, growing with each successive crop, waiting to be discovered.  A good wine changes, but it does not decay.<br />
I lay down in the warm wine.  Fruit flies buzzed hungrily around my arms and legs, and I watched as one rogue fly dipped down into the mess and became caught, its wings growing heavy with wine until it sank slowly, inexorably to the bottom.</p>
<p>Perhaps I dozed off then, or perhaps I was conscious, the boundary between the two so dissolved that it hardly mattered. Consciousness, as I understood the term, was the state of understanding your surroundings and affecting change through action.  By this definition, I had not been conscious at all that morning.  Now, lying in the pooled wine, the burn of my skin becoming duller, more distant by the moment, I was not sure that I had been conscious for a very long time. Perhaps the last night I was conscious was when I was ten, a girl in pigtails whose favorite hobby was running between the winding rows of grapes with arms outstretched in either direction.  I would grab at the leaves as I flew past, tearing them from the vines and clasping them like wings.  My father would see me from the bedroom window and yell at me to stop, but I would not. I would flap my wings until I could felt as though I could take flight. Perhaps that is how it is to be truly awake: exhilarating and a bit destructive, always at someone or something’s expense.<br />
Was the girl in the passenger seat of the Buick alive? Did she feel as though the driveway held infinite possibilities at its end?  More than my father, I thought of her.  I would be haunted for years by her blank expression and wonder if whether, as an adult, she would wear her hair in a side ponytail if only to bring back the fleeting feeling of how she was as a girl.  I wanted more than anything to have seen her face as she drove away and know if she was happy, if she was sorry, if she was conscious.</p>
<p>I was roused by the sound of footfalls.  The oven clock told me that and hour had passed, though I could not believe it.  It had been days since he had left.  Soon, my mother stood in the doorway.  Her hair had unraveled, the pink curlers bobbed uselessly at the ends.  Her eyes were wide but vacant, and in her hand was a cigarette, which she moved methodically in and out of her lips.  There was something sinister about the forcefulness of her inhales, the slight quivering of pleasure as she released a white curlicue of smoke.  The sight of my mother with a cigarette was as incongruous to me as would be the sight of our land without vines.<br />
My favorite memory of my mother was when we went to the lake one oppressively hot summer weekend. We were on the edge of the boat with our big toes skimming the surface when, without warning, she rose and swan dove into the lake, making no splash at all.  She was under for so long, diving deeper and deeper, seconds passing with no sign of her.  And just at the moment when it first crossed my mind to worry, the very instant when some reflexive fear began to kick in, she came to the surface, treading water and laughing to herself, her face radiant in the reflected sunlight.  “Come in!” she said and I jumped in and swam to her.  I had never been more thankful to her as I was for knowing to surface at the exact moment I began to panic.  The very act solidified my trust in her and my certainty that she would always care for me.  I did not know, now, how to reconcile this water goddess with the woman who stood before me, oblivious to my tremendous need.<br />
She brought the cigarette to her lips once more and I looked away, ashamed to have seen her in such an intimate act.  I could feel her eyes on the back of my neck, sizing up my jaw line and determining how much it resembled his, how much of him was still in this room.  “Did you know I smoked?”<br />
“No.”  There was silence.  She was waiting for more, perhaps an admonishment or some statistic about the consequences learned in sixth grade health class. She stood waiting for anything she could fight against.  “When did you pick it up?”<br />
“Years ago.” She waved her hand in front of her face to illustrate this.  “I promised your father I’d quit, but I guess neither of us paid much attention to our vows.”<br />
“Does Dad know you smoke?”  I said this, I think, to hurt her.  Does he know, not did he.  He wasn’t coming back.<br />
She shrugged. “What does it matter now?”<br />
“I was just wondering if you lied to him.”<br />
Her mouth contorted in pain.  “I never lied to your father, Lindsay.  There are private matters and there are lies and you should damn well know the difference.<br />
“Which was the girl?” I wanted to take back the words as soon as I spoke them.<br />
“You shut your fucking mouth.” She looked as though she could have hit me, and I started back a little on instinct.  But she stood perfectly still, the muscles in her neck tense with rage.<br />
“I’m sorry,” I said. I felt the sting of tears coming to my eyes, and in a way it was comforting to feel such a familiar response to pain.<br />
She sighed and extended her arm down to me, but the act was just a gesture, an indication that it was time to rise; she put no effort behind the outstretched hand, and I pulled myself up from the ground, my legs trembling under the weight.  We stood very close now, my eyes hitting the top of her chin.  She released my hand and flicked her cigarette into the puddle of wine.  She began to walk down the cream hallway towards her bedroom, and I followed.  “Pretty dirty, huh?” She said of the carpet with a sort of reverence, as though she herself had planned those footprints.<br />
Upon entering the bedroom, she opened the top drawer of her nightstand and took out a carton of cigarettes, placing it on the bed.  The nightstand had been a wedding gift from a family friend, and in the corner was a painted grape leaf with the wedding date written in elegant white letters, “June 4, 1980.”<br />
Surely she must have tried harder at some point to hide her cigarettes, maybe burying them outside or shoving them in the ventilation ducts.  My father may have been oblivious to her transgression, but more likely, she stopped trying to hide it from him because it ceased to matter either way. It must have been tragic for my mother to abandon the elaborate plan to hide her secret and instead, place it beside the bed she shared for her husband to find or not find.  And yet, however crassly and indifferently she hid her secret, I did not know.<br />
She reached for a fresh box and opened it, pulling out two white cylinders.  One she put between her pursed lips, and the other she extended towards me, raising an eyebrow in invitation.<br />
My heart lurched as I examined the cigarette held between her trembling fingers.  Had she acted out in grief or rage, I would have forgiven her, but all I knew in the pit of my stomach was disgust.   “No,” I said.  “I don’t smoke.”<br />
“I know you don’t.” She smiled as if to say that I was incapable of such secrecy. “I’m asking you if you’d like to try.”<br />
“Why?”<br />
“You don’t have to.”  The cigarette bobbed like a pendulum in her mouth counting off the rhythm of her words.  “It’s just I’d like a little a company and, well, who the fuck am I to tell you anything anymore?”<br />
“You’re my mother.”  I tried to put as much weight behind those words as I could, but even I could feel them dissipate into nothingness.<br />
She took a lighter from the pocket of her robe and brought it to the tip of her cigarette. The end glowed red and smoldered. She closed her eyes for a moment as if contemplating the validity of my previous statement; was she?<br />
I reached out and took the cigarette, which was still extended towards me.  It felt too light, too insubstantial to be anything at all.  Shouldn’t the manifestation of fourteen years of deception be heavy? This felt no more harmful than an autumn leaf, yellowed and crackling on the ground; I could crush it if I wanted to.  I rolled it over between my fingers, and I could feel the heat from my mother’s hands.  I placed the cigarette between two pale lips, leaned forward, and waited while she lifted a purple plastic lighter to the tip.</p>
<p>The first inhale burned my lungs like a fire poker and I couldn’t suppress a wave of coughs. My mother cocked her head in bland concern, and I blushed. I brought the cigarette to my lips again and this time, took a tiny, tentative puff.  The taste was bitter but a bit sweet, and I let the smoke eddy in my mouth for a moment before releasing it, trying to taste the different undertones as I had been taught to do with wine.<br />
I walked past my mother to the bedroom window.  It was noon, and outside, the migrant workers were beginning to descend upon the barren grapevines, rolling into the base of the driveway in pickup trucks with windows down and Mariachi music blasting. Pretty soon, there were about twenty of them clustered at the left-hand corner of the vines, far enough that I could not make out individual features, dark skinned and dressed almost identically in torn jeans and flannels.  One stood in the middle of the group, gesturing towards the rows behind them.  On command, the group split apart and each man grabbed a pick ax from the back of a white pickup truck and approached a separate row of grapes.<br />
The destruction process seemed sadder, crueler somehow, when meticulously organized. Each man started at the closest vine and, raising a rusted pick ax overhead, cast it down onto the vine without any ceremony. It took three strikes, on average, to uproot each vine.  After these three, it would topple to the ground, pulling up an intricate system of roots, thick and pale like gnarled appendages.  The worker would then move onto the next, leaving the felled vine in the dirt to await the arrival of a white pickup truck that would take it away.<br />
And in this way, carefully, methodically, rows of once fleshy vines became battlefields, the forms of fallen soldiers unresisting to the Mexican who hopped out of the passenger side of the pickup truck and scooped their lifeless bodies into the back.<br />
I brought the cigarette to my lips once more, this time filling my lungs with the sour smoke.  I could feel my mother’s presence behind me coming closer to the window, and my body tingled with the foreignness both of the chemicals and of her.  She came to the window and we stood shoulder to shoulder. “What are we going to do?”<br />
“About the grapes?”<br />
“About everything.”<br />
I shrugged.<br />
“Everyone’s going to know.” Our simple country house on the hill, our small happy family, all this would be revealed as a fraud; my mother could go into town with a cigarette in hand now, it hardly mattered anymore.<br />
“Did you know about Dad?” I asked suddenly, surprising myself.<br />
She stood still for a moment, her cigarette suspended in midair. She turned to me, and for the first time, looked at me.  She opened her mouth tentatively, as if debating the correct word to use. “Yes,” she decided on.<br />
I began to cry softly, not for her, but this time, for myself. Misdeeds, indiscretions, bad habits: the Marlboro box hidden in my mother’s nightstand, the nights my father spent with the blonde girl, all these things had been there, visible, all along, and I was the only one not to know.<br />
“I’m sorry,” she said.  “I failed you.”<br />
I watched as the rows of grapes outside peeled back to reveal their secret, the barren ground below. “Do you remember Sonoma Lake?” I asked.<br />
“What about it?”<br />
I wanted to tell her about the time she rose at the exact right moment.  I wanted to tell her how I had trusted her so wholly and how I hadn’t been afraid since then. “Nothing.” I said. And then, “You should paint the vineyard.”<br />
She shook her head. “The plot will be empty soon.”<br />
“You always painted what wasn’t there.”<br />
She considered this for a long moment, eyes staring unflinchingly forward.  Her hand trembled as she put the cigarette out on the windowsill.</p>
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		<title>Princess Gets A Boyfriend</title>
		<link>http://lelandquarterly.com/2009/04/05/princess-gets-a-boyfriend/</link>
		<comments>http://lelandquarterly.com/2009/04/05/princess-gets-a-boyfriend/#comments</comments>
		<pubDate>Sun, 05 Apr 2009 21:13:44 +0000</pubDate>
		<dc:creator>jade</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://lelandquarterly.com/?p=475</guid>
		<description><![CDATA[“I’m Goose,” the boy says, extending his hand. He smiles, flashing a mouth full of silver braces and saliva-coated rubber bands. He has little eyes and big glasses and a terrible buzz cut that looks as though he did it himself.
I take his hand and try to grip it hard. Goldie has always told me [...]]]></description>
			<content:encoded><![CDATA[<p>“I’m Goose,” the boy says, extending his hand. He smiles, flashing a mouth full of silver braces and saliva-coated rubber bands. He has little eyes and big glasses and a terrible buzz cut that looks as though he did it himself.<br />
I take his hand and try to grip it hard. Goldie has always told me that I have a weak handshake. “I’m Princess,” I tell him.<br />
“Princess,” he repeats. His voice falters, as though he’s unaccustomed to the depth of its pitch. He clears his throat. “Cool.”<br />
I shrug. It’s just my name. It has been for twenty-three years, as long as I can remember. I was Sheila until I was nine months old, but then Papa’s sister Maddie tried to eat a toaster pastry while driving her truck and got in an accident that damaged one of the lobes in her brain and ruined her eyesight. She’s totally blind now, and the last word she ever got to read was “Princess,” which was the brand of toaster pastry that she was unwrapping. Papa thought it would be nice to honor Maddie’s eyesight, which he said had always been stellar when they were growing up, and he wasn’t such a big fan of “Sheila” anyway. Goldie didn’t mind because Princess sounded like a dog’s name, which was what she had wanted in the first place before Papa knocked her up in the garage. So they changed my name, officially.<br />
I watch Goose and he watches me. He opens his mouth once or twice as if to speak, but then he just licks his lips and closes his mouth again. Ernie, my boss, yells, “stroke it like you mean it, sunshine!” at the guy in the batter’s box, and one or two of the players in the field actually turn this way to look at him. Goose giggles.<br />
The batter makes contact and Ernie whoops loudly. “Touch ‘em all, baby. Touch ‘em all over and boogie on home.” He turns to me. “Good, huh, Toots?” he says. I stare at him blankly. “Eh, Toots?” He says. I nod. He grins again and looks back at the field, shouting, “Get her! Get her good!” Sometimes I’m not even sure he’s talking about baseball. The first time I showed up to work he looked me up and down, spit a sunflower seed onto the pavement, and said, “you’ve got breasts.” It sounds perverted, but I didn’t really mind. I mean, he was right.<br />
“So,” Goose says. He pauses, and I wait. “So, what’s it like to work at a snack shack? Do you eat chips and stuff all the time?” It occurs to me that it might be a comment about my weight, but he asks it so earnestly that I can’t help smiling.<br />
“I drink a lot of Gatorade,” I tell him. Goldie won’t allow Gatorade in the house. She says it’s an athlete’s drink, and we’re just not a family of athletes. She tells me that if I drop fifty pounds I can drink Gatorade, otherwise I’m just pretending to be something I’m not. So I drink it at work. Lots of it.<br />
“Sunflower seeds!” Ernie chimes in. The inning just ended, and he’s torn his eyes away from the field for a few seconds to join our conversation. “No seeds for the kids now,” he whispers in my ear, and Goose leans in closer to try to hear him. Ernie glares at Goose. “The kids don’t got seeds, don’t want ‘em. More for me, sure, but hell. Hell almighty.” He spits out a seed onto his own shoe, growls with frustration, and spits another one. This time he hits the cash register and hollers, “that’s right! That’s the ticket! You like that, Toots?” Still mumbling, he turns his attention back to the ball field.<br />
“Why does he call you Toots?” Goose wants to know.<br />
I shrug. “He likes me,” I say. “It’s a term of endearment.”<br />
“Are you guys, like, married or something?” Goose asks. My disgust must be evident, because he bites his lower lip and whispers, “sorry.”<br />
“He’s like fifty,” I whisper back. “Probably older. That’s gross. And I’m not old enough to be married.”<br />
“How old are you?” Goose looks at the ground when he asks this. I can tell that he’s trying to act like he doesn’t care, like he’s just making conversation.<br />
“How old are you?” I counter.<br />
“Old enough.”<br />
“Old enough to what?”<br />
“To drink beer.” I give him a skeptical look. “I mean, like, not legally, I guess, but, like, to enjoy it, you know,” he explains. “Like it’s an acquired taste, right. And I’ve acquired it.” He looks me right in the face to see if I’m impressed, and then returns his gaze to his Adidas sneakers.<br />
I take a swig of Gatorade and wait for him to make his next move, but he’s watching the game too. After thirty or forty seconds of silence I get sick of waiting. “Are you a player?” I ask, nodding towards the infield.<br />
“A player?” He echoes. His eyes widen and he bites down on his lower lip so that the silver braces glint in the sunlight. “You mean like, a ladies’ guy? Like, do I have lots of girlfriends?”<br />
“Uhhh, no.” Is he serious? “I meant baseball. Do you play baseball?” This time I point to the infield with my index finger to drive home the point.<br />
“Oh. Right. No. My brother. And my friends, some of them, they play. And I was bored, so, like…. You know….” He trails off. I sip my Gatorade and he rubs the bridge of his nose with his thumb and we watch each other. Finally he turns to go, then stops and wheels back around to face me. “Beer,” he says. “I’m, uhhhh, gonna drink a beer with my friends when the game is over. In the parking lot. ‘Cause I like the taste and like, why the hell not, right?”<br />
I nod, waiting for the punch line.<br />
“If you wanted to, like, share it. Or have a sip. Or have your own one, I guess, if there’s enough. Anyways, we’ll be in the parking lot.” He shifts his weight and knocks on his head with his fist three times.<br />
I smile. “I’ll be working for a while. There’s another game after this,” I say brusquely. He meets my eyes for a few seconds, then looks away quickly and leaves without a word. “I’ll see if you’re around when I get off,” I yell after him, even though I don’t mean it. He doesn’t turn around, but I can tell from the way he straightens his posture and widens his stance as he walks that he’s heard me.<br />
I haven’t had a beer since I quit my job at Lucky’s Bowling back in March, but as the second game wears on, Gatorade begins to satisfy my thirst less and less. In the bottom of the fifth inning I tell Ernie I need to make a phone call, and I wander towards the parking lot. I weave through the cars, looking for Goose, but the parking lot is empty. I briefly consider calling his name, but I think better of it. I kick the tire of an old Honda and head back to the Snack Shack to finish my shift.<br />
***<br />
Everybody is in the garage when I get home. Goldie and Maddie are sitting at their workbench, holding hands, while Goldie runs her other hand along a new James Madison stick.<br />
“This is good,” Maddie murmurs. “The nose is right. Chin is too pointy, but not bad. That’s Jimmy Madison all right.”<br />
Goldie and Maddie make Presidential Walking Sticks together, with faces of the presidents carved into the top of the stick. Goldie whittles but she has no memory for faces, so Maddie, who has all the presidents’ features memorized, describes them to Goldie. They mostly only sell the obvious ones: Washington, Jefferson, Lincoln, FDR, Reagan, Clinton, but they make them all anyway just for the sake of integrity. There’s a market for anyone who’s on a dollar bill or has served in recent memory. There’s no market for Chester Arthur or Zachary Taylor but Maddie would never let Goldie get away with skipping a single one. For Goldie, it’s a business. For Maddie, it’s deeply personal. Maddie came to live with us after the accident left her blind. She slept in my room until I moved out of my crib, and then she moved into Goldie’s room. They’ve been roommates ever since.<br />
Papa is lying on his beanbag, drying. He’s shirtless and wearing the blue athletic shorts. His arms are painted grey and his belly has a big red pelican on it. I’m glad to see that it’s a pelican. A pelican means a good day. Lately Papa’s been painting a lot of road kill and skeletons and natural disasters.<br />
Papa used to be a real painter but now he only paints himself. He says that the human body is the best canvas. He would paint us if he could but we don’t let him, and it’s clear that he takes it personally. He’s stopped asking, but he’ll still make snide remarks into his beard about how a family, especially a family of artists, ought to support one another’s creative endeavors.<br />
Goldie would flip if I let Papa paint me, so I try to find other ways to support him as best I can. After he paints himself and dries he usually has me photograph him, so at least he has a record of his work. Goldie thinks the whole business is disgusting. “Papa is the ugliest man I know,” Goldie always says. “Only a blind sister should have to see that.” To which Maddie always replies, “And thank God I’m not able!”<br />
Only Papa looks up when I enter the garage. He gives me a tired smile and jabs at the pelican on his belly with his forefinger to indicate that it’s nearly dry.<br />
“How was work?” Goldie asks without taking her eyes off of James Madison.<br />
“Fine,” I respond. “Hot. And the second game went extra innings. Ernie was so excited. I wanted to gouge my brains out.”<br />
Goldie has another question, her favorite. “Meet any eligible bachelors at the baseball field? Any hunky shortstop take a liking to you?” She laughs bitterly. Goldie has never been able to forgive me for looking just like her. I guess I don’t blame her.<br />
“A handful,” I reply sarcastically. I usually don’t bother to give Goldie any lip, since it only makes her taunting worse, but some days I’m just not in the mood to put up with her. “There were a couple pitchers, and also one of the left fielders and also his father, too. You should have seen them all. I was going to bring them home to meet the family but I was worried we wouldn’t have room at the dinner table. If I’d known Papa was doing a belly pelican today I might have brought them all over.” Papa looks up at me and winks. I can tell from the way his beard twitches that he’s smiling.<br />
It’s weird to think that I’ve never actually seen Papa smile, even though I know he does it all the time. He stopped shaving when Goldie got pregnant with me and he hasn’t shaved since. We all grew together for a while: Papa’s beard and Goldie’s belly and me inside of Goldie. By the time I was born, Papa’s beard was so big that you couldn’t see his mouth, and Goldie says that even back then it was hard to understand him when he talked. Goldie hates Papa’s beard. She’s always yelling that she can’t make out what he’s saying and threatening to shave it while he’s asleep. She says that it’s ugly. Papa usually just shrugs, or else he’ll mumble something into his beard so that Goldie can’t understand it. He’s had the beard for so long now that he’d feel naked without it. Besides, he always says, he hasn’t shaved in twenty-four years and he probably wouldn’t even remember how.<br />
“I wouldn’t be so surprised if you did bring a shortstop home one of these days, Princess,” Maddie chimes. She still insists on applying her own makeup, and today lipstick lines her upper lip like a moustache. “You don’t realize what a catch you are. You’re college educated.”<br />
“Not quite,” I correct her. “You have to get a degree to be college educated. Just taking classes doesn’t count.”<br />
“I don’t see why not,” Maddie says angrily. She tries to spit for emphasis but mostly just drools on her blouse. “All the fuckers with degrees took classes, same as you.”<br />
“They took more classes. They stayed four years,” I explain as if I’m talking to a child.<br />
“Watch your language, Maddie,” Goldie interjects at the same time.<br />
“Shove it, Goldie Anne,” Maddie replies. “I’m giving Princess a pep talk, and I’ll say what I want. Fucker. Fucker. Fucker.”<br />
“How’s old Ernie doing?” Goldie inquires, changing the subject.<br />
“Erect Ernie!”  Papa interjects. Maddie whistles. “Every time I used to see him in Albertson’s he would have the biggest hard-on. Erect Ernie. I don’t think he shops there anymore.” Papa scratches his belly and accidentally scrapes off a little bit of the pelican’s eye with his fingernail. He grumbles curse words into his beard.<br />
“Well, I haven’t noticed that. He only ever seems interested in the game,” I say firmly, trying hard not to picture Ernie with an erection. I try to think of other things, better images, and my mind flashes on Goose. I’m vaguely aware of the fact that he seems taller in my imagination than he is in real life. I wonder whether he actually drank a beer in the parking lot. For some reason I hope he didn’t. I like the idea that he made it up just to impress me.<br />
“We used to love baseball, didn’t we Papa?” Goldie demands.<br />
“False,” Papa answers wearily. “That’s fabrication. We did not love baseball. I did not and you did not. We liked Crackerjacks, maybe, but not the sport. We’ve always gone for the snacks. Snacks got us all hot and bothered. But we did not love baseball. We didn’t do much loving of any kind even in those days. Some things don’t change after all.”<br />
Papa and Goldie were married for seven years, and now they’ve been divorced for twenty-four. In all the years that they’ve lived together, both before and since the divorce, Goldie and Papa have only done it twice. Just twice. The first time was decent according to Goldie. It was good enough according to Papa. It was a consummation, a typical honeymoon hump but without the honeymoon. They got married the same day that Goldie’s daddy died and when they got home from the funeral, three days later, they realized they’d forgotten all about sex so they went and did it on the couch. Goldie wanted to do it on her daddy’s bed, but Papa said it was too soon. He said they should have some respect for the dead. He said next time, but Goldie didn’t want a next time. Maybe if it had been better the first time they would have reconsidered, but it was only good enough at best. We talk about these things.<br />
It turns out there was a next time, but it wasn’t on Goldie’s daddy’s bed. Next time was seven years later in this garage, just after the divorce was made official. They were both so happy to be done with the damn thing, and Goldie figured that one more time wouldn’t do any harm. It took about six weeks for her to realize that she had been wrong, that I was growing inside her. So that’s me, the honest-to-God product of a broken marriage that never quite finished breaking. We still live here in this house, all together. I left once, for college, but that didn’t last long. Papa left once, right after he found out Goldie was pregnant, right at the same time he stopped shaving, but he came back three or four days later. They say they learned during those days what a real divorced lifestyle felt like, not living together and everything. Neither one liked it very much. Papa was lonely and Goldie was bored, and so when Papa got back they talked about it and decided he would just stick around. Besides, Papa told me, by then they knew that I was coming, and shared custody is a real bitch.<br />
“Can we stop talking about erections, please?” I can tell that I sound whiny, but I don’t care. If I let this get going it’ll never stop. My family talks about sex instead of doing it. They probably talk about it more than normal people do it.<br />
“Well, you’re no fun,” Maddie complains. “Pick another topic, then, Princess.”<br />
“I drank Gatorade today. Lots of it,” I offer, looking right at Goldie, who shoots me a warning look. Seeing her angry and helpless only makes me feel feistier. “And then I almost drank a beer. Someone offered me one. A boy.”<br />
Goldie ignores me. “Let’s do a McKinley or two after dinner, Maddie,” she says crisply.<br />
“There we go!” Papa shouts over her. “Did you hear, Goldie? The girl’s gone wild! She’s drinking Gatorade and almost drinking beer!” He gives a deep, throaty laugh. “This is the teenage rebellion we’ve been waiting for. Here it is, a decade late. Not a decade. Eight years, maybe. Is that a decade?” He laughs again. “God damn shit monkey! I can’t even remember how many years are in a decade.”<br />
“Ten years,” Maddie informs him, and then launches into a slow, mournful rendition of “America the Beautiful.”<br />
“Well there you go,” Papa says again, ignoring Maddie’s song. “What should we do? Should we ground her? No sleepovers this weekend? How are we supposed to punish our twenty-three-year-old daughter?”<br />
Goldie lifts her head and looks right at me. “Who’s the boy?” She asks.<br />
I shrug. “Some kid.”<br />
“A kid with beer?”<br />
“Just some kid.” Goose grows another inch in my mind’s eye. I’ve always liked lanky men.<br />
“I’m all dry, Princess.” Papa announces. “Grab the camera, will you?”<br />
I take several photos of Papa. “Smile,” I say teasingly. “Say cheese.”<br />
“Gouda,” he replies. “Parmesan. Cheddar. The one with the holes.”<br />
I think he’s smiling behind his beard again, but it’s never easy to tell.<br />
***<br />
“You’re not fat,” Goose says softly. “Not that fat.” He leans over the snack shack counter and pokes his head so close to mine that I can see the pear shaped smudges on his glasses and the baby pimples forming along his sideburns. “Sneak me a bag of Doritos,” he whispers, his voice cracking on the word “bag.”<br />
“You can’t do that,” I tease him, vaguely aware that my own voice is higher too.<br />
“Do what? Ask you for some chips? I’m hungry, okay?”<br />
“No, not that. Not the chips, you goofball. You Goose-ball.” I turn towards the fridge listening intently for any response to this new nickname, but he doesn’t flinch. He can only focus on the Doritos. I pull a Glacier Freeze Gatorade Frost out of the fridge and twist off the orange cap. “You can’t tell me I’m not fat just so I’ll give you Doritos.” I know I’ll give him the Doritos eventually, but I want to make it take as long as possible. This is flirting. It’s definitely flirting. I’m almost surprised that I even know how.<br />
He leans a little farther over the counter and takes the cap from me wordlessly. His fingernails are filthy and too long, but so are mine.<br />
“It was two thoughts,” he says, tossing the orange cap back and forth from one hand to the other. “Separate. I said you weren’t that fat and then I said I wanted Doritos. Two things. Two different things. Not related. Separate.”<br />
Ernie yells something at the field about keeping your balls to the grindstone. Goose leans in even closer. I open my mouth to shush him.<br />
“I can smell the Gatorade on your breath,” he whispers. “I never realized that’s what Gatorade smells like.” It’s a stupid thing to say. Of course he knows what Gatorade smells like. But I like it anyway. I like the way that he says it like it’s a secret.<br />
“Maybe it’s not Gatorade,” I say. “Maybe it’s normal breath.”<br />
“Nope,” he counters, “it’s Gatorade. I have a really intense sense of smell. Really cute.”<br />
“Acute,” I correct him.<br />
“Whatever,” he says.<br />
***<br />
Roast beef sandwiches for dinner, courtesy of the grocery store deli.<br />
“You’re lazy,” Goldie tells Papa between bites. Papa’s the cook in the house, but these days it’s mostly take-out or microwavable buffalo chicken nuggets.<br />
Papa shrugs and mumbles through his beard, “It’s good enough.”<br />
“What?” Goldie demands, crumbling a slice of bread in her fist. “Speak clearly, Papa. Jesus.”<br />
“He said it’s good enough,” I tell Goldie. She has so much more trouble understanding Papa than I ever have.<br />
“Well it’s not.” Goldie snaps back.<br />
“I wasn’t making excuses for the dinner, I was just telling you what Papa said,” I say, dramatically over-enunciating each syllable to communicate my exasperation. “I’m not picking sides.”<br />
“I’m on your side, Princess,” Maddie shouts. “I think this roast beef is awful, but I’m just too polite to say so. You and me both, sister. Not sister. Niece.” Maddie laughs at herself, belches, and laughs some more.<br />
“Jesus, Maddie,” Papa barks. He pushes against the table and his chair scoots back about a foot. “Where are your manners? You’re like a goddamn cavewoman. And this dinner is perfectly fine.”<br />
“It is not,” Goldie retorts. Spit flies out of her mouth and lands on her half-eaten sandwich. “You can’t do anything right. Can’t even pick a decent dinner from the deli. Can’t speak clearly because of that disgusting shrubbery on your face. You don’t even have a job.”<br />
“I’m a painter!” Papa protests. “For once in your life…”<br />
“Give me a break, Papa,” Goldie interrupts. “Go paint a funeral on your ass.”<br />
“Stop it!” I yell. I’m on my feet, squeezing my sandwich in my fist until I can feel the mayonnaise on my fingers. . I hate it all. The crappy food that Papa buys and the way that Maddie belches and the terrible things Goldie says and the way that none of us, not even me, ever have anything nice to say to Goldie. “Why are we always like this? Why do we have to swear all the time?” I think of Goose and wonder if people say these things to each other in his family. I wonder if people do this in anyone’s family but mine. “We are so ugly,” I say. I’m still shouting. “I hate how ugly we are.”<br />
Goldie is out of her seat now, standing behind me.  She touches my hair like a mother, but there’s nothing soothing about her fingers.<br />
***<br />
Later, in the garage, Goldie apologizes as she shapes the balding pate of Gerald Ford. Her blade dances over his scalp again and again. “It’s because we’re artists,” she says. “And we’re not good artists, either. Bad artists are especially volatile.”<br />
“Speak for yourself,” Papa interjects from his beanbag. He’s stripped down to his boxers and painted a dead mouse on his inner thigh.<br />
“I was speaking for you, mostly,” Goldie tells him. She tucks Gerald Ford under her arm and brushes past me and back into the house.<br />
Papa trembles. “She’s a tough one,” he says, not quite to me. “Takes a blind woman to love your mother.”<br />
“You love her,” I protest. “At least you did. You have.”<br />
“Maybe,” he says, dabbing his finger into the red paint and smearing it on his neck. “Sometimes I think I’m a blind woman myself.”<br />
“I guess we do our best,” I offer, only half-believing myself.<br />
“Sure,” he says softly, but he doesn’t sound convinced either. “We do good enough.” He rolls over and buries his face in the beanbag to indicate that our conversation is over. I linger for a minute, my chest pulsing to the rhythm of his muffled breathing. I want to go to the beanbag and wrap my arms around him, but he’s too huge and too tiny all at the same time.<br />
***<br />
“Is anyone home?” I shout, wiping my muddy shoes on the welcome mat. Goose does the same, although his technique is poor and hardly any of the mud actually comes off of his shoes.<br />
Maddie calls back from the bedroom she shares with Goldie. “No one’s here,” she says. “Just me. And Papa’s in the garage.”<br />
“What about Goldie?” I yell back. For once, I actually want her to be here. I want her to see what I’ve brought home with me. “I call my parents by their first names,” I explain to Goose. “Papa and Goldie.  Papa’s first name is Papa. Everyone calls him that. He’s actually my papa, but that’s just a coincidence.” Goose nods, but I can tell he thinks it’s strange. Oh well, he’s here now. There’s plenty of strange.<br />
“Goldie’s out there too,” Maddie shouts from her room. “I guess we’re all here, come to think of it.”<br />
I watch Goose examine the living room. He scans the mantle above the fireplace and then each of the walls. I wonder whether he’s looking for family photos. I think normal families always have those. “It’s kinda pretty,” he says sweetly. He pauses for a few seconds, and then he awkwardly grabs my wrist and fumbles with it until he’s holding the back of my hand. “Like you, I guess. You’re kinda pretty, too.”<br />
I lead him out to the garage, where Papa and Goldie are going about their usual tasks in silence. I poke my head around the corner of the doorway first. “I’ve got a surprise,” I announce, and they both look up. I grab Goose’s hand and pull him into the garage.<br />
“Goldie, this is Goose,” I say politely. He clings to my hand and swings both of our arms back and forth. “Papa, this is Goose. Goose is my…”<br />
“Boyfriend!” He interjects. It’s not a word we’ve used before, but I don’t really mind. Papa’s eyes grow big and he runs his fingers through his beard. Goldie closes her eyes, takes three deep breaths, and then opens them and smiles at us.<br />
“You’re a little old to have a babysitter, aren’t you?” She asks Goose in a sugary voice. He stares at her blankly. “You’re a nice tall child,” she continues. I feel my muscles tighten and my head begins to throb. I look to Papa for help but he’s staring at his belly and doesn’t notice me. “And skinny. You’ll have a happy life, I imagine. Puberty will be challenging, but then it is for everyone.” She resumes her whittling. It’s a new walking stick, and I can’t tell yet which president it’s supposed to be.<br />
“Goldie, please,” I plead with her.<br />
“Please what?” She says innocently. Goose’s hand slips out of mine and falls limply to his side. He’s standing half a step behind me and I don’t look back to see his face, but I can feel that he’s trembling.<br />
“Please be nice,” Papa answers for me. He squeezes his belly with both hands and shakes it. The surge of gratitude I feel toward him is quickly overcome with a much stronger surge of humiliation.<br />
“I am being nice,” Goldie insists. “I’m just giving Goose some motherly advice.” I can tell that Goose wishes she wouldn’t. My head starts to pound uncontrollably. I really hate her.<br />
“I’ll give some advice,” Papa offers. “Listen up, Bruce.”<br />
“Goose,” I correct him.<br />
“Goose?” Papa repeats, astonished. “Really, Princess? Goose? Like the duck? Well listen up, Goose.” He clears his throat, and I ready myself for whatever is coming. “My daughter is the fruit of my loins,” he says, gesturing to his loins. “We’ve all got loins, and she’s the fruit of mine. Fruit. Fruit is an activity I condone.” Papa’s belly rumbles and he drums on it in response. “Go to an orchard, buy some berries from the stand on the side of the freeway, eat a juicy apple. But loins, loins are not a good activity for you two. Leave her loins alone, Bruce,” he commands, before realizing his mistake. “Goose. No exploring. Don’t go playing Lewis and Clark with her Louisiana Purchase.”<br />
“You’re unbelievable, Papa!” I scold him, and I can feel the humiliation turning to fever just beneath my skin. “What is wrong with you? What are you trying to do to me?”<br />
“I’m building a moat around my Princess,” he says matter-of-factly. Goldie releases a single note of laughter.<br />
“Well, don’t. Please don’t,” I say curtly, turning my back to them both and, in the same motion, grabbing Goose’s arm. I whisk him out of the garage, back into the house, and towards the front door. We almost crash into Maddie, who stumbles around the corner and thrusts her hands straight onto Goose’s chest.<br />
“Why it’s a young man!” She says gleefully. “It’s a young man for my Princess. I can’t see you, young man, so you’ll have to tell me whether you’re handsome or not.” She runs her hands up and down his torso and feels her way up to his neck and chin.<br />
“Not now, Maddie,” I tell her. I need to get out of the house to breathe. I pull Goose into the driveway and stand there next to him. I let go of his arm and we stand there next to each other, not touching. He has no idea that I want him to hold me. “I’m never taking you back there,” I say furiously.<br />
“Never?” He says. I don’t know why he seems surprised. He takes off his glasses and rubs his eyes. “I liked your house. It was kinda pretty,” he says sadly. “I’d like to go back sometime, maybe if your family was out. If they were gone or something. It’s a nice house.”<br />
“Sure,” I say. “If they’re all out doing something.” So that’s what we do.<br />
***<br />
Papa and Goldie call it humping, but with Goose it’s something different. It’s uneven and fleeting, almost accidental, but it’s also the most human I’ve felt in a long time. Maybe ever.<br />
After it’s over, I rest my head on his chest and trace my index finger along his bony little ribs. “You’re just a kid,” I say, releasing the words I’ve been afraid to acknowledge all along.<br />
He exhales, lifting my head a few centimeters towards the rafters of the garage ceiling. “Not anymore,” he says in his best impression of sexy. “Now I’m a man.” It’s a terrible line, but there is real pride caught in the chasm between his unrelenting pulse and his slow, deliberate, asthmatic breaths. I don’t laugh. Can this man-child, this gangly, spectacled, pimply gentle soul really be this worked up on account of me? Does this body really fit so perfectly into mine?<br />
“I’m the second one of my friends to actually do it,” he whispers hurriedly, divulging a secret that he can’t contain any longer. “Rusty did it, but Rusty’s done everything. Gabe’s dad bought him condoms but Gabe hasn’t used them yet. Eric almost…”<br />
I lay my lips on his, stopping his words, filling him with my Gatorade breath.<br />
***<br />
It’s Papa’s birthday dinner, though you would never guess it from the menu: seven boxes of microwavable macaroni and cheese, a two-liter bottle of orange soda, and some baby carrots.<br />
“What is this garbage?” Maddie wants to know.<br />
Papa tells her that at least it’s aesthetically pleasing: all orange. It appeals to his painterly sensibilities.<br />
“Well, I can’t see it,” Maddie retorts, “but my other four senses aren’t much impressed.”<br />
Goldie coughs deliberately. “If this is what you call aesthetically pleasing, that explains a lot about the shit you’ve been painting lately.”<br />
“I think we should talk about Princess and her boyfriend,” Maddie interjects, changing the subject.<br />
“Princess doesn’t have boyfriends,” Goldie says. Her eyes are narrow and gleaming.<br />
“Is he any good?” Maddie wants to know.<br />
I shrug, embarrassed and confused.<br />
“So you’re really all mixed up with that poor child?” Goldie wants to know.<br />
“I’d rather not say,” I tell her. They’re all looking me intently, waiting. Why do we have to discuss these things? Why can’t they leave me alone?<br />
“Oh god,” Goldie exclaims. “I might just vomit all over my orange dinner. Are you happy now that you’ve picked Pizza Face out of his sixth grade math class? Is this what you dropped out of college to do? Take advantage of infants that you find at the Little League Snack Shack?”<br />
“You don’t know him!” I struggle against the tears that keep threatening to leap out of me. “You know nothing about him.”<br />
“I met him,” she says decisively.<br />
“You mocked him,” I correct her. “You didn’t meet him. You didn’t let him say a word.”<br />
“Oh, does he talk?” she asks innocently. “Well, that’s nice. I’m relieved that you had enough sense to pick a child with basic language capabilities.”<br />
“Goldie!” Papa drags his hands through his hair. “Don’t you dare, Goldie.”<br />
“Is he any good?” Maddie asks again.<br />
“Give it a rest, Maddie,” Goldie snaps.<br />
“You give it a rest, Goldie Anne!” Maddie clenches her jaw when she gets defiant. “I’m trying to ask Princess a real question. I want to know how the sex is.”<br />
It’s the last thing I want to talk about, but as I watch Goldie squirm in her seat, I feel like I’ll do anything in the world just to spite her. “I think it’s a fair question,” I say. Papa shoots me a pained look, but Maddie smiles. I don’t want to look at Goldie. “I’ll tell you all about it. Every little detail.” Maddie is practically clapping with delight. I close my eyes, trying to forget they’re there, and I launch in. “The first time was in the garage, as a matter of fact…”<br />
“Shut up!” Goldie shouts.<br />
“I want to hear about the sex!” Maddie shouts back, just as loudly.<br />
Goldie hurls a frozen container of macaroni at Maddie, hitting her squarely on the nose. Maddie yelps, stunned. Blood begins to flow from her nostrils.<br />
Papa is up, charging at Goldie, screaming unintelligibly as spit flies from his beard. He tackles her to the ground and rises again in one motion, swiping her plate off the table and bringing it crashing down onto her leg. She screams as the ceramic breaks into three perfectly equal pieces.<br />
The next instant Papa is sitting beside her, his rage gone as quickly as it came, hugging his knees to his chest and whimpering.<br />
“Goldie,” he says, but not really to her. “My Goldie. When did this happen?”<br />
We all breathe together for a moment, the four of us. Thick, panting breaths that plow their way through blood and tears and snot and vanish from us into the fraught air.<br />
“Goldie,” Papa says again, this time he’s leaning over her. He kisses her forehead. She turns her face into the carpet. “I’m a beast,” he whispers. “I don’t know how… I can’t… I’m so…. so… sorry.” He waits for a response. When none comes, he rises uncertainly to his feet and staggers down the hall, into the bathroom.<br />
I stand over Goldie and watch her as she whimpers.<br />
“Are you hurt?” I ask, trying to be gentle. She nods, then shakes her head no. I sit on the ground next to her and put her head in my lap. Her tears ooze into my jeans, turning the denim a deeper blue.<br />
No one speaks for several minutes. Then Papa emerges from the bathroom and stumbles down the hall towards us. He has shaving cream in his ear and several specks of blood just under his jaw. His face glows a gentle red, like the color of undercooked meat, and he’s smiling at us sadly. I can see his chin and his mouth and his lips. I can see his whole face.<br />
Goldie turns her head towards him, resting her cheek on my leg. “You shaved,” she says. Her voice sounds like a little girl’s.<br />
Papa nods. “I figured it was about time someone around here did something for you, Goldie,” he says. He turns to me and smiles. “Hey, Princess,” he says. He has a double chin and pale, thin lips. “Here’s my face. What do you think?”<br />
***<br />
When the doorbell rings I know right away that it’s Goose. He’s been calling me for days. I haven’t picked up or called him back. I’m not mad or anything, though. I could never be mad at Goose. I just haven’t felt like seeing him.<br />
I open the door slowly, and there he is. He nods at me confidently and scans me up and down, pausing self-consciously at my hips and again at my chest and brushing lightly over my face with feigned conviction. Then he catches himself and clears his throat and shuffles his feet, finally bringing his big green eyes to rest on some point just beyond my left shoulder. He removes his glasses, rubs his eyes, and puts them on again.<br />
“So,” he says. “Hey.” A purple orchid with petals shaped like butterflies rests in the crook of his arm.<br />
“Hi,” I answer, eying the orchid. “Is that… should I?”<br />
“Oh!” He has forgotten about it. “Oh. Yeah. For… for you. Because of… I mean, you know. And you’re welcome. I mean, for the flower, I mean… sorry. Thanks. Sorry. Damn it.” He takes a deep breath. “What I mean is that this is for you, but it was my mom’s idea, but it ‘s because I told her you weren’t calling me back, and she was like, do something nice, and I didn’t know what, and so she bought this.” He stops and takes a deep breath. “But, like, it’s really from me.”<br />
“You’re sweet,” I say calmly. I take the orchid from him and kiss him on the cheek. “And tell your mom thank you also.”<br />
“Oh yeah,” he says bashfully. “I will. I mean, it was my idea though, mostly, but she had the cash and stuff. I’ll tell her.” He looks at me imploringly, sweat rising from his pores, and then squints past me into the house. I know that he wants me to let him inside.<br />
“Thanks for the orchid,” I reiterate. My tone is gentle but firm. He doesn’t get to come in.<br />
“Sure,” he says, shuffling again. “I’ll see you… I’ll see you…?”<br />
“You’ll see me,” I reassure him. He nods and forces a smile, then turns and treads back down the steps and out into the driveway. He turns once, just before I close the door, and stifles a wave.<br />
I enter the garage noiselessly. Papa and Goldie are sitting together on Papa’s beanbag, both of them asleep. Goldie snores quietly. Papa holds her and strokes her hair as he murmurs to himself, letting the strands tumble from his thick fingers with each of Goldie’s gasping breaths.<br />
Maddie is on the workbench, three Taft walking sticks sprawled across her lap.<br />
“Hiya Princess,” she whispers. I exhale in reply. “Smells like springtime,” she muses.<br />
“It’s an orchid,” I tell her. “Just got dropped off.”<br />
Maddie nods. “Lovely,” she says. “Like springtime.” She smacks her lips and hums three slow notes.<br />
Goldie gasps and rattles in Papa’s arms. I inhale slowly, deliberately, trying to fill Goldie’s lungs too, and Papa’s lungs and Maddie’s lungs, all of us. I clutch the orchid to my stomach and try to include it, too, in my breath, to fill myself with its beauty. Sometimes there is so much inside of us that the world becomes so peripheral, so unnecessary.<br />
I’ve had my little grey suitcase packed for days, but I still can’t bring myself to tell them that I’m leaving. I don’t want the questions. “Why?” and “where?” and “what’s wrong with us?” They won’t believe me when I say “just because,” and “I don’t know,” and “nothing.” They’ll tell me that I belong here.<br />
Goldie’s snoring fades and her lips lie still, and Maddie wraps her little fist around Taft’s thick head and giggles at the momentary silence. “All quiet!” she muses. “How unusual.”<br />
I’ll stay for one more day. There really is nowhere else to go.</p>
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