Krista interviewed me this summer at the Chautauqua Institution about my books, God in Proof and Thank You, Anarchy, as well as my recent reporting on the politics of technology. During our conversation, under the canopy of a Greek-temple-ish structure with more than a thousand listeners, I felt I was in the presence of a mentor and a kindred spirit—someone who shares my love of exalted topics, as well as someone who had taken the time and energy to engage deeply with my work. Choose a way to listen to the show here.

Both books are still available, either directly from University of California Press (God here, Occupy here) using the special discount code 13M4225, or wherever else books are sold.

On to the hacking

Sometimes exalted topics need to get hacked. That’s why I’m taking part in an experiment called Wisdom Hackers, a kind of philosophy incubator. After spending our summers exploring burning questions, this band of artists, explorers, and instigators are sharing the results in a collaborative book, thanks to a new serial-based publishing venture called The Pigeonhole (which my new bride Claire explains here).

My contribution, which formed during a search for new social contracts around the world, ended up becoming a reflection on our culture’s fascination with hacking itself—the allure and the trouble. It will become available on November 10, but in the meantime, subscribe to the book here (yes, you can subscribe to books now) and read the work of my fellow hackers.

And more

This fall I’m honored to begin a new column at America magazine, a leading Catholic weekly. Follow my columns and blog posts at my author page.

In August The Nation published my dispatch from a hacker monastery in Matera, Italy.

The first in a series of articles on working hours appeared in Vice magazine in August as well: “Who Stole the Four-Hour Workday?” It kind of blew up.

Thank you, as always, for reading!

What better gift to give friends and loved ones than stories of grasping at the impossible?

According to the Los Angeles Review of Books, God in Proof “breathes life back into proofs” and is “entertaining, well written, and historically comprehensive.” Says former Washington Post columnist and peace educator Colman McCarthy, Thank You, Anarchy is “rich with metaphors, historical allusions and clearheaded reflections.”

Buy direct from University of California Press

Use discount code 13M4225 for 20% off the list price

You can also get both books pretty much anywhere else if you ask for them. Try your local bookstore. And don’t forget to share your reaction on Amazon or Goodreads.

Sleigh-bells a-ringing

In the coming months, I’ll be making the following live appearances:

• 12/8, Washington, DC: Center for Inquiry lecture
• 1/15, New York, NY: Rubin Museum screening of Miracle of Weebosch
• 2/16, Pasadena, CA: All Saints Church
• 2/22, San Francisco, CA: The Green Arcade
• 2/24, Corvallis, OR: Oregon State University
• 3/1, Seattle, WA: AWP conference panel: “Doubt Is My Revelation”

Other great gift ideas

• Contribute to the online communities that made these books possible, and which support countless other writers in doing uncommon work—give the gift of membership to Waging Nonviolence, which covers movements for justice and peace around the world, or Killing the Buddha, a literary magazine of religion, politics, and culture. Both are 501(c)(3) non-profit organizations, and membership dues are tax-deductible.
• Last month, The New Press published a new edition of Noam Chomsky’s anarchist writings, On Anarchism, and they asked me to write the introduction. The result is a slim, sweet little stocking-stuffer that presents anarchism as a tradition with both a long history and particular relevance today.
• The growing revival of interest in my favorite theologian, William Stringfellow, continues with a new reader published by Orbis and edited by Bill Wylie-Kellerman. It’s the best introduction yet to a thinker who will turn your cosmic situation upside down.

Thank you, as always, for reading!

Schneider tips his hand a bit with the title God in Proof. This isn’t, thank God, another book about the proofs for God’s existence, but rather a search, at once historical and personal, for the God that lives in proofs. The reversal — from proof for God to God in proof — is both linguistically nifty and philosophically important. It isn’t that the proofs for God lead us to God, but rather that God may be found — or may be shrouded — in the language of proofs. People see God in different settings. Some see God in song, others in nature, and others still in humanity as a whole. Schneider, in searching for his God, finds it revealed in the souls who historically sought out proofs for what they believed in.

The review was also picked up two other wonderful blogs, Andrew Sullivan’s Dish and 3 Quarks Daily. The quasi-New Atheist Jerry Coyne even says he’ll read the book. Based on his earlier assessment of my writings on proofs, I don’t expect he’ll like it, but you never know.

You can be among the first to see this new animated book trailer! Share it with your friends on YouTube, Facebook, and Twitter.

Join a live interactive book event this Wednesday
In conversation with Texas-based philosophical artist Alyce Santoro, I’ll be discussing God in Proof in an online event on Wednesday at 9 p.m. eastern time, “God-Proofs and Philosoprops: Illustrating the Intangible.” You can join us from anywhere that has a decent Internet connection. Register for the event here and spread the word on Facebook.

Get the ebook
God in Proof is now available as an ebook, complete with all the illustrations and charts that appear in the print edition. Get the Kindle version at Amazon and the epub or pdf versions from other fine booksellers. (See GodInProof.com for details and a discount code.) If you like it, please consider writing a review at Goodreads or Amazon.

New book coming in September: Thank You, Anarchy
My study of the first year of Occupy Wall Street, Thank You, Anarchy: Notes from the Occupy Apocalypse, is now available for preorder in paperback and hardcover. In the foreword, Rebecca Solnit writes: “Thanks to this meticulous and elegant book, we know what one witness-participant was thinking all through the first year of Occupy, and what many of the sparks and some of the tinder were thinking, and what it was like to be warmed by that beautiful conflagration that spread across the world.” Expect more news soon!

There’s a prophecy in the Book of Joel, paraphrased later in the New Testament: “Your young men will see visions, and your old men will dream dreams.” Maybe something of that is being fulfilled in the simultaneously tightening and loosening effect of Craig’s presence. One on one, the younger students err on the side of acting holier-than-thou, while the older ones let a mild curse word or two slip. For both, this philosophy is changing their lives.

Read the whole article at The Chronicle.

Also, check out my addendum at Killing the Buddha: “7 Habits of a Highly Effective Philosopher.”

After ten years in the making, five years in the writing, and a few days doing little drawings, my first book, God in Proof: The Story of a Search from the Ancients to the Internet, is now becoming available. This is a guide on how you can get it for yourself and—please, please please!—help spread the word.

Buy the book

There are some choices for how to do this.

• Get it direct from University of California Press—with the discount code 13W3359 it costs just $27.96 for the hardcover. Shipping now!
• Help Amazon put everyone else out of business by ordering it there for their ever-varying low price—though it won’t ship until around the pub date on June 10. And leave a review if you’re so inclined!
• Ask for it at your local bookstore or find it wherever else books are sold.

The ebook version isn’t out quite yet, but it will be coming in a few weeks.

Come to the party

It isn’t a book release without a party!

• The big main release event, “An Evening of Song and Abstraction,” will take place on June 4 at 7 p.m. at the gorgeous Cathedral of St.?Joseph in Brooklyn. I will be reading from the book along with sensuous, hanting renditions of medieval music by the ensemble Resonanda, which is reuniting for the occasion.
  • RSVP and invite your friends on the Facebook event page
  • Retweet this tweet
• Other God in Proof events are in the works, in New York City and elsewhere. If you want to help arrange an event in your area, please don’t hesitate to contact me.

Spread the word

Media is social nowadays, so I can’t do this without you.

• Tell your friends the old-fashioned way: There’s no substitute for that.
• Share the link: To send people straight to the basic info and buying options, this webpage is where I’m stashing all the latest updates and reviews.
  • Share this Facebook post
  • Retweet this tweet
• Review it on Amazon, Goodreads, or B&N: If you liked the book, tell the world why!
• Draw your own proof: Already, some people who’ve read the book have felt inspired to come up with proofs for various things of their own! I’ve set up a proof-making contest, which I hope you’ll enter, and the most popular entries stand to win free copies of the book courtesy of UC Press. See what others have come up with at GodInProof.com, and enter by tweeting proofs to #GodInProof or emailing them to [email protected].

Finally…

…a word of thanks. I am so grateful for your support and your willingness to help God in Proof reach readers who might not otherwise find it. I can’t do this without you, and I’d love to hear what you think about the book.

Resonanda was founded in December 2004 by Stephen Higa, who is currently a professor of medieval history at Bennington College. Since its inception, Resonanda’s members have taken an experimental approach to the performance of medieval song. In order to resurrect this antique repertoire, they work closely with medieval treatises and the nuanced period notation, relying heavily on improvisation, oral learning, and a wide variety of reconstructed vocal techniques. Resonanda savors lilting melodies, startling harmonies, and striking voices blending with fervent clarity and naked devotion.

Staff from Unnamable Books, an independent bookstore located nearby in Prospect Heights, will be present with copies of God in Proof for sale.

An after-party will be held following the performance with excellent beer, wine, and small dishes at Atlantic Co., 622 Washington Avenue.

RSVP on Facebook here.

For as long as I’ve been interested in the search for proofs about the existence of God, I’ve been interested in drawing them. Words and equations just didn’t seem like enough; to wrap my head around what these constructs were expressing, and to try to communicate them to others, I had to make pictures. As I wrote my new book, God in Proof: The Story of a Search from the Ancients to the Internet, I was drawing every step of the way — and my publisher, University of California Press, let me stick some of my pictures in the text.

In doing, I soon discovered, I was retracing the history of proof itself. Long before the mathematical symbols and notation we generally use today, ancient proofs were drawn in diagrams and images.

Now that the book is finished, I want to share the fun I’ve been having by making these drawings with you. The press has agreed to pony up some free books for a drawing contest, and here’s how to win one: Draw a proof of something, divine or otherwise, and tweet a scan or photo of it to #GodInProof, along with any explanation you’d like to add. (You can also email them to [email protected].) Selected proofs will appear here, where they’ll be entered for a chance to win a free book. Entries with the highest number of social media shares win. Multiple submissions are allowed, but only one book is allowed per winning author.

Download the PDF version of the contest postcard here.

The Holy Land is supposed to be a far-away place. So it has been ever since Peter and Paul journeyed there from Rome, since “next year in Jerusalem” became exilic Jews’ sigh of resolve or resignation, since the prize of that city excused crusades, since London redrew the map of Palestine as a solution to the Jewish Problem, since Birthright trips have taken suburban twenty-somethings to sip tea in Bedouin tents. Thus the place can appear especially distant even after you go there, and meet the people for whom it is, simply, home. In some sense you’ve been there all along and can never leave.

I went to the West Bank last September with little eagerness or preparation of my own, but on the urging of a colleague who once wrote a book about the First Intifada. The place had always seemed, to my head, comfortably remote—a notorious source of trouble I preferred not to assume for myself. I went only because my colleague made doing so seem easier than the alternative. She arranged for me to join the Freedom Theatre, based in the West Bank town of Jenin, for a ten-day tour of performances throughout the region. After the arrangements were all settled, I mentioned them to friends familiar with Israeli-Palestinian affairs and was told, “Woah. Be careful.”

Because traveling to the West Bank makes one immediately suspect in the eyes of Israeli security, I prepared ahead of time a story about being a religious tourist in the process of finishing a book—technically true—about proofs for the existence of God. I rehearsed the fictitious details over and over in my head. With every word I wrote in my notebook, there was the superego of the Israeli intelligence officer watching over my shoulder. A fellow journalist told me about the time when a film he’d made in Palestine was erased from his hard drive as he was interrogated at Ben Gurion Airport. Another had just been banned from the country. These are some of the techniques of presenting distances as greater than they actually are, and of giving words meanings other than the reality to which they refer.

Read about the trip in a new essay published at Killing the Buddha called “The Hourglass.” It also appears in slightly different form at Waging Nonviolence.

As I read the book, I kept coming across lots of parallels with my own work-in-progress about proofs for the existence of God. One thing about both that certainly sticks out: it’s all dudes.

I’m the questioner in bold, Brook is the answerer:

You note that most of the searchers you write about, maybe “not surprisingly,” are men. Why is that not surprising? Not surprisingly, too, I’ve found something similar in my work on the search for proofs of the existence of God, which has turned itself by virtue of the fact into a study of masculinity, at least implicitly. I’ve had to think a lot myself about what thinking about proofs has to do with being male. How about you, though? What does all this thinking about Eden-searchers have to do with being a woman?

The “not surprisingly” is just my little bitter feminist joke. It actually was sort of surprising, or certainly disappointing to me as a woman writer working on this book, not to find any full-fledged Eden-seeking women. I kept running into historical women on the edge of the search, who were always sort of “tsk-tsking” dreamier male Eden-seekers. The feminist Victoria Woodhull gave an entire lecture in 1871 refuting the idea; she said that any “schoolboy over the age of 12” who would read Genesis 2 and think it describes a literal place “ought to be reprimanded for his stupidity.” Others were more diplomatic. Gertrude Bell, who lived in Iraq for much of her adult life, only mentioned Eden once in her diaries: her friend William Willcocks had come to town, to discuss “Eden and other reasonable things.” She called him “dear old thing.”

I feel like this kind of biblical musing was a creative canvas for men, but it brought out a certain practical streak in women. Then of course there’s the stereotypical demonization of Eve—if Eden is the origin of women’s villainy and/or victimization, why would we want to go back there?

Also, keep an eye out for the review of Paradise Lust in the New York Times Book Review this weekend.