Jantar Mantar Road, a short passageway through the administrative center of New Delhi, takes its name from a complex of gigantic red astronomical instruments at its north terminus, built by Maharaja Jai Singh II in 1724. The Jantar Mantar consists of a series of geometric jungle gyms that surround the all-important shadow of the Supreme Instrument, a four-story, right-triangular sundial surrounded by semi-circular wings. The complex reflects the style of politics practiced by its autocratic creator — one based on charting the positions of the sun and planets across the zodiac with maximum pomp and precision.

The road named after the Jantar Mantar, however, better reflects the aspirations of India’s past few decades as the world’s most populous democracy. In the space of several hundred yards between two sets of hand-painted red-and-yellow police barricades, an assortment of political and religious outfits have set up tents, encampments and shrines each dedicated to some particular cause — for the prosecution of a high-placed rapist, for the rights of migrant workers, for various flavors of spiritual-social awakening. Several tents contain men on hunger strikes, each reclining on a couch and nursed by supporters, on behalf of a petition like airline employee pensions or voting rights for Indians living abroad. Despite the amplified speeches and droning chants, Jantar Mantar Road is a respite from Delhi’s non-stop hustle; people slowly mill through to listen, strike up conversations and eat deep-fried snacks.

Read the rest at Waging Nonviolence or openDemocracy.

One is an introduction to a new collection of Noam Chomsky’s writings on Anarchism, straightforwardly titled On Anarchism, which comes out this month from the New Press.

The first evening of a solidarity bus tour in the West Bank, I listened as a contingent of college students from around the United States made an excellent discovery: they were all, at least kind of, anarchists. As they sat on stuffed chairs in the lobby of a lonely hotel near the refugee camp in war-ravaged Jenin, they probed one another’s political tendencies, which were reflected in their ways of dressing and their most recent tattoos. All of this, along with stories of past trauma, made their way out into the light over the course of our ten-day trip.

“I think I would call myself an anarchist,” one admitted.

Then another jumped into the space this created: “Yeah, totally.”

Basic agreement about various ideologies and idioms ensued—ableism, gender queerness, Zapatistas, black blocs, borders. The students took their near unison as an almost incalculable coincidence, though it was no such thing.

If you’re in the Boston area on November 18, come hear me introduce Chomsky (and you can stay to hear him speak if you want…) at MIT at 5:30.

The other bit is a retrospective review in Commonweal (the online version is behind a paywall) of Paul Goodman’s 1960 sort-of classic Growing Up Absurd:

Goodman’s prose sets out to dazzle us with its iconoclastic attitude and the striking phrases that clothe the author’s not-always-consistent arguments. He quotes from his previous books at length. Throughout he attempts to reconcile his claim to be an anarchist with his conservative instincts, a tension borne out in his life as well as on the page; he was a married family man who was promiscuously bisexual, a Jew who opposed World War II.

Among the other “mansplainers” of Goodman’s time—to borrow a neologism from the feminist blogosphere—one could be forgiven for preferring Ivan Illich, who presented his similarly adventuresome anarcho-conservative proposals with considerably more rigor and coherence; or James Baldwin, who as a black man in exile came by his prophetic tone more honestly. “Allen Ginsberg and I once pointed out to Stokely Carmichael how we were niggers,” Goodman recalled in a memoir-ish essay, referring to a 1967 BBC broadcast, “but he blandly put us down by saying that we could always conceal our disposition and pass.” Carmichael was right.

For more: stop by a fine newsstand or bookstore near you.

“Schneider does a remarkable job of conveying the euphoric sense of possibility that transformed so many people in the square, as well as the frustrations”—Nick Pinto, Al Jazeera America

“I consider this book one of the lasting benefits of Occupy”—David Swanson, WarIsACrime.org

“[A] fast-moving cinematic chronicle”—Jonah Raskin, Occupy.com

“Part history, part on-the-scene reporting, and part hope for a better future, the work is valuable and delightfully controversial.”—John Scott G, Publishers Newswire

Agree? Disagree? You can share your own reaction with a review at Goodreads and Amazon. And don’t miss the interviews with Democracy Now, HuffPost Live, and The New Inquiry.

Get a Discount

Between now and the end of October, thanks to a special arrangement with The Nation, the folks at University of California Press are offering a 30% discount on Thank You, Anarchy if you order directly from their website using the discount code 14W3726.

You can also find it at all sorts of fine retailers—ask for it at your local bookstore. If not now, when?

Attend an Event

The interest in Thank You, Anarchy and God in Proof have spawned an improvised book tour:

• 10/8, New York, NY: KGB Bar
• 10/9, Hempstead, NY: Lecture on proofs at Hofstra University
• 10/24, Brooklyn, NY: An Evening of Song and Abstraction at the Oratory Church of St.?Boniface
• 10/26, New London, CT: Monte Cristo Bookshop
• 10/30, Brooklyn, NY: “Was Jesus a Zealot?” at St.?Joseph’s College
• 11/1, Philadelphia, PA: Wooden Shoe Books
• 11/3, Brooklyn, NY: BookCourt
• 11/8, Providence, RI: Beckett Lecture of the Brown-RISD Catholic Community
• 11/18, Cambridge, MA: Celebrating On Anarchism with Noam Chomsky and the Boston Review
• 11/23, Baltimore, MD: Panel at the American Academy of Religion
• 11/26, Baltimore, MD: Red Emma’s Bookstore
• 2/22, San Francisco, CA: The Green Arcade
• 2/24, Corvallis, OR: Oregon State University
• 2/26-3/1, Seattle, WA: Association of Writers and Writing Programs conference
• 3/9, Washington, DC: Center for Inquiry lecture

More are in the works. If you’d like to try to bring me to your hometown, please don’t hesitate to let me know how I can help.

I hope to see you somewhere along the line!

There’s a prophecy in the Book of Joel, paraphrased later in the New Testament: “Your young men will see visions, and your old men will dream dreams.” Maybe something of that is being fulfilled in the simultaneously tightening and loosening effect of Craig’s presence. One on one, the younger students err on the side of acting holier-than-thou, while the older ones let a mild curse word or two slip. For both, this philosophy is changing their lives.

Read the whole article at The Chronicle.

Also, check out my addendum at Killing the Buddha: “7 Habits of a Highly Effective Philosopher.”

Resonanda was founded in December 2004 by Stephen Higa, who is currently a professor of medieval history at Bennington College. Since its inception, Resonanda’s members have taken an experimental approach to the performance of medieval song. In order to resurrect this antique repertoire, they work closely with medieval treatises and the nuanced period notation, relying heavily on improvisation, oral learning, and a wide variety of reconstructed vocal techniques. Resonanda savors lilting melodies, startling harmonies, and striking voices blending with fervent clarity and naked devotion.

Staff from Unnamable Books, an independent bookstore located nearby in Prospect Heights, will be present with copies of God in Proof for sale.

An after-party will be held following the performance with excellent beer, wine, and small dishes at Atlantic Co., 622 Washington Avenue.

RSVP on Facebook here.

The Holy Land is supposed to be a far-away place. So it has been ever since Peter and Paul journeyed there from Rome, since “next year in Jerusalem” became exilic Jews’ sigh of resolve or resignation, since the prize of that city excused crusades, since London redrew the map of Palestine as a solution to the Jewish Problem, since Birthright trips have taken suburban twenty-somethings to sip tea in Bedouin tents. Thus the place can appear especially distant even after you go there, and meet the people for whom it is, simply, home. In some sense you’ve been there all along and can never leave.

I went to the West Bank last September with little eagerness or preparation of my own, but on the urging of a colleague who once wrote a book about the First Intifada. The place had always seemed, to my head, comfortably remote—a notorious source of trouble I preferred not to assume for myself. I went only because my colleague made doing so seem easier than the alternative. She arranged for me to join the Freedom Theatre, based in the West Bank town of Jenin, for a ten-day tour of performances throughout the region. After the arrangements were all settled, I mentioned them to friends familiar with Israeli-Palestinian affairs and was told, “Woah. Be careful.”

Because traveling to the West Bank makes one immediately suspect in the eyes of Israeli security, I prepared ahead of time a story about being a religious tourist in the process of finishing a book—technically true—about proofs for the existence of God. I rehearsed the fictitious details over and over in my head. With every word I wrote in my notebook, there was the superego of the Israeli intelligence officer watching over my shoulder. A fellow journalist told me about the time when a film he’d made in Palestine was erased from his hard drive as he was interrogated at Ben Gurion Airport. Another had just been banned from the country. These are some of the techniques of presenting distances as greater than they actually are, and of giving words meanings other than the reality to which they refer.

Read about the trip in a new essay published at Killing the Buddha called “The Hourglass.” It also appears in slightly different form at Waging Nonviolence.

Most of my writer friends are used to me extolling the virtues of Midori MD notebooks, these fabulous little buggers from Japan: tough signature-bound pages, bendability for comfy back-pocket storage (unlike your average Moleskine), and the ability to lie flat, on any page, at a moment’s notice.

The toughness was especially useful when I took my first Midori on a reporting trip in Costa Rica, where the moisture in the air makes short work of flimsy books.?Back-pocket storage was often necessary while reporting on Occupy Wall Street, when at a moment’s notice I’d have to take off my reporters’ hat and help out on something with both hands. Lying flat, then, came especially in handy on my recent trip to Israel/Palestine when, for fear of the notorious security at Ben Gurion Airport and Israel’s anxiety about anyone seeing its occupation up close, I decided to photograph my entire notebook, upload it, and leave the book itself behind.

Thanks to the Midori’s marvelous ability to lie down on a dime, photographing the whole 176 page notebook took only a few minutes, with no need for fingers in the way to hold the pages to the table.

So get your Midori MD today; the more of us in the United States who do, the more likely they’ll continue being available here. I buy them from?the good folks at MyMaido.com, based in California, who’ve given me great service and the best prices I can find on this side of the Pacific.

And if you want to read about about I saw and did in the Holy Land, start with my first dispatch at Waging Nonviolence. More to come.

In the middle of the second millennium B.C., a dark cloud of noxious falling ash and a tsunami wave spread across the Mediterranean. It was enough to leave Minoan civilization—that of the Minotaur, of the bare-breasted snake goddess, of the palace at Knossos—in ruins. Some say the event might also have had some connection with the ten plagues Pharaoh endured in the book of Exodus. It now seems pretty clear that the epicenter of this cataclysm was none other than the Greek island of Santorini—the land mass of which, as I learned this past week during a sojourn there, looks like and is the rim of the crater around a gigantic sunken volcano.

The excuse for my trip was the Caldera (=“crater”) Arts & Literature Festival?hosted by Atlantis Books, one of the best bookshops in the world. (Atlantis’s name refers to the rather dubious theory that Santorini is also the legendary island nation mentioned by Plato. The size of Libya and Asia combined? Beyond the Strait of Gibraltar? Yeah, right.) The couple dozen of us in attendance enjoyed readings, musical improvisations, a lesson in taking non-sappy photos on a picturesque Greek island, and hors d’oeuvres prepared before our eyes by?Vefa Alexiadou, the kinder and more law-abiding Martha Stewart of Greece. The festival’s climax was the launch of another magnificent issue of?Five Dials?magazine.?Five Dials?editor Craig Taylor (who meanwhile released?a new book of his own) wrote to his readers about all this private revelry at the little bookshop collective the only way he could: “I know; I’m sorry.”

A short flight up and over the crater brought me back to Athens, the epicenter of another great Greek volcano of sorts, which I write about in a new post at Waging Nonviolence:

From a glance at a recent front page of The New York Times, you might guess that a political meeting in Athens this week would be full of talk about the resigning prime minister, bailout deals, and the Euro. The land that gave birth to European civilization now seems on the brink of sinking the whole continent’s economy. But, among those gathered on Monday in a basement in the neighborhood of Exarcheia—a kind of Haight-Ashbury for Greek anarchists—the agenda was completely different. They talked instead about parks, public kitchens, and barter bazaars. They even seemed pretty hopeful.

The lack of concern for political figureheads, in retrospect, was to be expected. Greek anarchists see no more reason to care about whether George Papandreou goes or stays than those at Occupy Wall Street are agonizing over Herman Cain’s sexual foibles. They have another kind of politics in mind.

The artistic collectivity of Atlantis Books turned, for me, into the political collectivity of Exarcheia. Despite all the signs past and present that the end is near, that week in Greece made it seem like everything is going to be fine.

I recently had the chance to speak with Talal Asad, one of the leading anthropologists alive today, about the experience of being in Cairo earlier this year as the revolution unfolded around him. Our conversation appears this week at The Immanent Frame. What stuck out for him, and which he was still trying to find the words for, was a subtle but utterly pervasive kind of suspicion, one that often ran in direct contradiction to the facts on the ground.

NS: What was it like to be there in the midst of a revolution?

TA: Even before my wife and I went, people kept saying to us, “Are you sure it’s safe?” Our Air France plane was actually cancelled. We were due to go on the 29th of January. We eventually left on the 12th of February, via Paris. We weren’t even able to go directly to Cairo, either. We had to go through Beirut. Then, all sorts of people starting ringing, again asking, “Is it safe? Are you sure you’ll be safe? We’ve heard all sorts of frightening things.” Remember the stories circulating early in the uprising about the prisons that had been opened and the police being withdrawn from the streets? That was what the fear was about. People wouldn’t believe me, but I was there for four months, almost, and I went all over town and never encountered any violence. I didn’t have any friends who could attribute violence to the uprisings—which isn’t to say it didn’t happen. Cairo contains eighteen million people, so it has always had its fair share of criminality. But ordinary life, actually, continued. Cafes were open, and shops, restaurants, and so on. You’d often hear that foreigners were in danger, or that ordinary life was impossible, but that is really not true.

NS: Impossible, that is, without the control of the state and the police?

TA: Exactly. There are elements in Egypt that were quite happy to circulate stories of unrest. The Supreme Council of the Armed Forces talked again and again about the fact that we must have stability, which is then linked ominously to questions about the state of the economy. Since the economy suffers from the political instability in the country, they say, we shouldn’t have more demonstrations or strikes. But one of the things that emerged for me there, and which I’m trying to make sense of, was the constant flow of speculation, of suspicion, about who’s saying and who’s doing what.?Why are they doing this? Are they really doing it for good reasons? Is it the army? The Muslim Brothers?Is their presence or absence significant? Do they mean what they say?—You know, that sort of thing. I can’t claim to have made good sense of it yet, but, to me, this seems very important.

We also discussed the transition from violent to nonviolent resistance, blasphemy laws, and even the end of the world. Particularly choice, too, is this passage, where he describes a conversation about colonialism with the great literary theorist Edward Said, whose successor Asad arguably has become:

I remember talking once a long time ago with Edward Said about empire and how it might be defeated. We were just sitting and having coffee, and at one point I responded to some of his suggestions by saying, “No, no, this won’t work. You can’t resist these forces.” So he demanded a little irritably: “What should one do? What would you do?” So I said, “Well, all one can do is to try and make them uncomfortable.” Which was really a very feeble reply, but I couldn’t think of anything else.

Last week I had the chance to catch what was probably the biggest God debate of the year, in this genre of blockbuster, YouTubed, college-campus bouts. The topic was “Is Good from God?”—is religion necessary for objective morality? The debaters were William Lane Craig, the evangelical philosopher, and Sam Harris, who launched the New Atheism movement.?My report appears today at Religion Dispatches. Instead of focusing on the arguments per se—for them, see a play-by-play at Common Sense Atheism—I spent my time hanging out with the debaters and the student organizers before and after the event. Here’s a bit of it:

Controversy was the intent all along. “The main reason we did it was for the discussion in the dorms,” says Malcolm Phelan, a junior, who helped put the debate together and gave the opening speech. He’s tall, a bit lanky, steady with his eye-contact, and erring on the side of clean-cut. Around here, he’s someone who can get things done and get money out of the administration. Even professors talk about him with a shade of awe. As a freshman he was class president, but then he quit student government for greater things. He also has a visionary streak, and a knack for stringing winged words together into crescendos. Busy Notre Dame students need this, he says. They live in an “upper-class Catholic Disneyland” and need to be shaken up. “I wouldn’t necessarily call myself an instigator, but—” he says, trailing off. His word, not mine.

Phelan’s co-conspirator behind the scenes was Arnav Dutt. Someone introduced him to me as The Thinker. While he talks, he looks down and pauses mid-sentence if it isn’t coming out exactly right, his eyes covered behind glasses and a Justin Beiber-type mop-top. He’s the child of a Catholic and a Hindu, both non-practicing. Like Phelan, Dutt considers himself an atheist, though his education has been mostly in Catholic environments. “This issue”—that of the debate—“has thrust itself on me my whole life.” He takes it seriously and wonders whether some of the critics are right; maybe a big debate is the wrong approach. When I ask what he thinks it will do for people, he turns pensive again. “There’s a big difference between what I think they’re getting and what I hope they’re getting,” he says.

While I was at Notre Dame, I had the pleasure of a long afternoon’s conversation with John O’Callaghan, a philosophy professor there who specializes in Thomist thought, and who runs the Jacques Maritain Center. Before the debate even happened—I guess the same afternoon we met—he put together a very different kind of essay from mine, a reminder that the debate’s apparent choice between religion and science isn’t one we have to make.

The greatest among our Christian forebears certainly didn’t think we had to. Even if one remains unconvinced by the logic of Aquinas’ Five Ways, the attitude expressed in them is not one of natural explanations in competition with God. His natural science was almost unimaginably false with regard to what we now know or claim to know. But the reality of natural causes that allows for scientific understanding was for him the best and “most manifest” argument for the existence of a god, a god Who does not compete with His creatures but, rather, enables them.

The upshot of all this should be obvious enough: if you’re looking for the subtle truth, maybe a big staged debate like this isn’t the place to find it.

I remember an instance of good, anyway, with or without God, when Arnav Dutt and I were leaving the debate. A woman dropped her pocketbook as she started walking out into the rain. A handful of others around noticed, and called out—“Miss! Miss!”—and handed it to her. “That’s nice to see, after this,” I heard Dutt mutter. I think I also heard some irony.